This New Musical Express feature from August 1975 captures David Bowie during filming of The Man Who Fell to Earth, exploring his provocative views on music, morality, and society. The article’s headline and imagery reflect Bowie’s fascination with power, control, and cultural decay, marking one of his most controversial interviews of the decade. Publication: New Musical Express Date: August 23 1975 Country: United Kingdom Across three pages, Bowie discusses the decline of ro

This full‑page New Musical Express advertisement from July 1975 announces David Bowie’s new single Fame, taken from his hit album Young Americans. The stark monochrome layout and minimalist typography mirror Bowie’s transition from glam icon to sleek soul‑influenced innovator, marking one of the most pivotal stylistic shifts of his career. Publication: New Musical Express Date: July 26 1975 Country: United Kingdom THE STORY The advertisement promotes Bowie’s single Fame

This New Musical Express feature from July 1974, written by Lisa Robinson in New York, documents David Bowie’s landmark performance at Madison Square Garden. The article captures the excitement surrounding Bowie’s first major U.S. tour and his triumphant arrival on the American stage. Publication: New Musical Express Date: July 27 1974 Country: United Kingdom THE STORY Under the banner “Americana Special,” Lisa Robinson recounts the anticipation leading up to Bowie’s Madi

This New Musical Express singles review page from July 1973 features Ian MacDonald’s critique of Suzi Quatro’s single “48 Crash,” headlined “A Lot of Noisy Nonsense.” The piece captures the sharp tone of early‑1970s British music journalism, where emerging glam‑rock acts were often met with both fascination and skepticism. Publication: New Musical Express Date: July 28 1973 Country: United Kingdom THE STORY The review opens with MacDonald’s assessment of Suzi Quatro’s “48

This New Musical Express front‑page feature from July 1973 spotlights Roxy Music under the headline “What Gives with Roxy?” The issue teases an inside news story exploring the band’s internal dynamics and creative direction at the height of their early success, reflecting the intrigue surrounding their avant‑garde image and experimental sound. Publication: New Musical Express Date: July 28 1973 Country: United Kingdom THE STORY The cover presents a monochrome photograph o

This New Musical Express advertisement from July 1973 promotes Alice Cooper’s double album School Days: The Early Recordings. The striking red‑and‑black design highlights the band’s theatrical image and the compilation’s focus on their formative years, marketed as a “smashing double album £2.99.” Publication: New Musical Express Date: July 28 1973 Country: United Kingdom THE STORY The full‑page advert features a vivid red image of Alice Cooper surrounded by band members,

This New Musical Express feature from August 26 1972 profiles Birmingham band Blackfoot Sue, celebrating their first chart success after eight years of persistence. Written by Tony Norman, the article captures the group’s excitement and humility as they finally break through with their hit single “Standing in the Road.” Publication: New Musical Express Date: August 26 1972 Country: United Kingdom The piece opens with Norman’s reflection on the magic of a first hit record — t

This New Musical Express issue from August 26 1972 pairs two distinct features: Bryan Ferry’s reflections on musical influences under the column “Whatever Turned Me On” and James Johnson’s interview with Steve Marriott, boldly headlined “I don’t believe the kids really identify with Bolan or Bowie.” Together, they capture the tension between emerging glam rock and the established British rock tradition. Publication: New Musical Express Date: August 26 1972 Country: United Kin

This New Musical Express feature from August 1972 profiles Genesis as they stand on the brink of major success. Written by Keith Altham, the article explores Peter Gabriel’s theatrical vision and the band’s growing reputation for innovation in progressive rock. Publication: New Musical Express Date: August 19 1972 Country: United Kingdom Under the headline “Genesis – Curiouser and Curiouser,” Altham introduces the band as “something completely different,” praising their ori

This New Musical Express issue from August 1972 spotlights Alice Cooper’s chart‑topping success with School’s Out and announces his next single, Elected. The bold headline “Alice for President” captures Cooper’s theatrical flair and political satire, reflecting his rise as one of rock’s most provocative figures. Publication: New Musical Express Date: August 19 1972 Country: United Kingdom The front‑page article celebrates School’s Out reaching No. 1 in the NME chart and bec