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📰 Play Don’t Worry – Album Review: Mar. 1975
A bold visual push from RCA, presenting Ronson as a star ready to stand alone

Mick Ronson
Mar 27, 19753 min read


📰 Love Me Tender– Advert: Mar. 1974
A glam‑era icon steps forward with a tender, unexpected single — and a full‑page advert to match.

Mick Ronson
Mar 14, 19743 min read


📰 Beat Godfather Meets Glitter Mainman – Feature: Feb. 1974
Published in February 1974, Rolling Stone devoted a four‑page feature to a conversation between William Burroughs and David Bowie, pairing Terry O’Neill’s stark portrait photography with a deep, exploratory dialogue on art, identity, cut‑up writing, and the future of performance.

David Bowie
Feb 28, 19743 min read


Iggy Pop (May 10 1973) A Platter of Raw Iggy To Go – Advert
Publication: Rolling Stone Date: May 10 1973 Country: United States Section / Page: Page 15 Format: Full‑Page Album Advertisement Overview A stark, monochrome Rolling Stone advertisement promoting Iggy and the Stooges’ album Raw Power. The design captures the primal intensity of Iggy Pop’s stage persona — stripped to the essentials, drenched in shadow, and framed by bold typography that commands attention. The tagline “A Platter of Raw Iggy To Go” encapsulates the album’s fer

Iggy Pop
May 10, 19732 min read


Alice Cooper (May 10 1973) Inside Alice
Publication Rolling Stone Date: May 10 1973 Country: United States Section / Pages: Cover Feature + Five‑Page Article + One‑Page Advert Author: Harry Swift Photography: Annie Leibovitz Title: Inside Alice Overview This Rolling Stone issue (No. 134) features Alice Cooper on the cover, photographed in close‑up wearing a pearl necklace — a striking image that captures his theatrical duality between menace and glamour. The five‑page feature, Inside Alice, written by Harry Swift

Alice Cooper Group
May 10, 19733 min read


Jeff Beck (May 10 1973) Beck, Bogert & Appice – Album Review
Jeff Beck – Beck, Bogert & Appice album review, Rolling Stone, May 10 1973. Publication: Rolling Stone Date: May 10 1973 Country: United States Section / Page: Records Section Format: Album Review / Critical Column Overview A concise Rolling Stone review of Jeff Beck’s new trio with Tim Bogert and Carmine Appice, evaluating their self‑titled debut album. The piece situates Beck’s return to recording after the breakup of the Jeff Beck Group, highlighting the band’s heavy‑rock

Jeff Beck
May 10, 19732 min read


Iggy Pop (May 10 1973) Raw Power – Review
Publication: Rolling Stone Date: May 10 1973 Country: United States Section / Page: Records Section Format: Multi‑Album Review Page / Critical Column Overview A dense, text‑heavy Rolling Stone Records Section page from May 10 1973 featuring capsule reviews of new releases — including Iggy & The Stooges’ Raw Power, positioned among contemporary rock, soul, and singer‑songwriter titles. The page reflects the magazine’s early‑’70s editorial style: compact serif type, narrow col

Iggy Pop
May 10, 19732 min read


📰 Alice & His Guillotine – Feature – Apr. 1973
This *Rolling Stone* feature captures Cooper at the moment he transformed rock touring into full‑scale theatre. The article documents not just a tour, but a cultural shift — one that helped redefine what a rock show could be.

Alice Cooper Group
Apr 12, 19733 min read


📰 The Rise and Fall of Ziggy Stardust and the Spiders from Mars – Review : Jul. 1972
A highly enthusiastic review declares David Bowie’s *The Rise and Fall of Ziggy Stardust and the Spiders from Mars* a near-perfect rock album, awarding it “at least a 99” and hailing it as a dazzling, theatrical masterpiece. The reviewer praises the album’s conceptual brilliance, Bowie’s commanding performance, and the Spiders’ tight, dynamic playing. This July 1972 Rolling Stone review captures the exact moment Ziggy Stardust arrived as a cultural phenomenon, cementing Bowie

David Bowie
Jul 20, 19723 min read


📰 Gold Diggers of 1984 : Mar. 1972
This Rolling Stone feature captures Alice Cooper at the moment he becomes more than a musician — a cultural force blending theatre, horror, satire, and rock into a new form of performance art. The cover and feature stand as early documentation of a persona that would shape the aesthetics of rock for decades.

Alice Cooper Group
Mar 30, 19723 min read
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