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Alice Cooper (August 23,1989) – “What a Load O’ Rubbish!” Feature – RAW Magazine

Aug 23, 1989
2 min read

This RAW Magazine feature celebrates Alice Cooper’s theatrical humour and promotional flair surrounding his comeback album Trash. The article uses tongue‑in‑cheek imagery and wordplay to highlight Cooper’s mischievous personality and his knack for turning shock into spectacle.


Publication: RAW Magazine Date: August 23 1989 Country: United Kingdom

The feature opens with the headline “What a Load O’ Rubbish!” — a playful nod to Trash, Cooper’s new album title. It recounts a publicity stunt in which the first shipment of Trash LPs was delivered to Los Angeles record stores by garbage truck, complete with Alice’s trademark snake. The anecdote describes an irate housewife confronting Cooper and his reptilian companion, ending with the humorous question “Guess who won?” The piece captures Cooper’s mix of horror, humour, and heavy‑metal theatrics, portraying him as both outrageous and self‑aware.


CONTEXT AND NOTES  

By 1989, Alice Cooper had re‑emerged as a major rock figure with Trash, featuring the hit single Poison. This RAW Magazine feature reflects his renewed popularity and his ability to blend dark comedy with promotional genius.

The imagery and tone echo his long‑standing reputation for turning shock rock into entertainment art.

FEATURE HIGHLIGHTS   Event: Alice Cooper’s promotional feature for Trash  

Era: 1989 – Trash / Late Career Resurgence Era Tone: Humorous, theatrical, and self‑parodic

Photography: Close‑up of Alice Cooper’s wide‑eyed expression framed by red fabric; inset photo of Cooper beside a garbage truck


WHAT THE CLIPPING SHOWS

  • Large headline “What a Load O’ Rubbish!” referencing Trash

  • Anecdote about Cooper’s garbage‑truck album delivery stunt

  • Humorous tone matching his shock‑rock persona

  • Colour photographs of Cooper and his snake during the promotion

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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