This Hot Metal magazine feature from July 1991 takes readers inside the recording sessions for Alice Cooper’s album Hey Stoopid. Written by Valerie Potter, the article explores Cooper’s creative process, his collaborations with major rock figures, and his reflections on fame, music, and theatricality. Publication: Hot Metal Magazine Date: July 1991 Country: United Kingdom The article opens with Cooper’s trademark humor and candor, describing how recording a new album always

This 1989 feature presents a colourful portrait of Alice Cooper, combining a striking photograph with a list of eccentric facts about the shock‑rock legend. The piece highlights his humour, friendships, and theatrical personality while promoting his then‑new album Trash. Publication: (UK Music Magazine) Date: August 23 1989 Country: United Kingdom The article lists playful “terrifying facts” about Alice Cooper, revealing his real name (Vincent Furnier), birthplace (Detroit, M

This RAW Magazine feature celebrates Alice Cooper’s theatrical humour and promotional flair surrounding his comeback album Trash. The article uses tongue‑in‑cheek imagery and wordplay to highlight Cooper’s mischievous personality and his knack for turning shock into spectacle. Publication: RAW Magazine Date: August 23 1989 Country: United Kingdom The feature opens with the headline “What a Load O’ Rubbish!” — a playful nod to Trash, Cooper’s new album title. It recounts a pub

This Super Rock magazine feature from January 1979 dives into the eccentric world of Alice Cooper, exploring his theatrical madness and the psychological themes behind his album From the Inside. Written with tongue‑in‑cheek humor, the article examines Cooper’s reputation as rock’s original “certifiable” showman. Publication: Super Rock Magazine Date: January 1 1979 Country: United States THE STORY The feature opens with the bold headline “Crazy Is as Crazy Does”, introduc

This Evening Express article from September 19 1978, written by Robert Hilburn of The Los Angeles Times, explores Alice Cooper’s personal transformation and the creation of his album From the Inside, inspired by his struggle with alcoholism and recovery. Publication: Evening Express Date: September 19 1978 Country: United States Hilburn’s feature reveals that From the Inside was born from Cooper’s real‑life experiences in a rehabilitation clinic, marking a departure from his

Titled “Return to the Bizarre,” the piece explores Cooper’s evolving persona in the wake of Alice Cooper Goes to Hell and Lace & Whiskey, presenting him as a self-aware rock showman fully embracing the absurdity, spectacle, and psychological shadows of his own creation — just before the personal struggles that would inspire the landmark concept album From the Inside.

This Jersey Journal feature from August 29 1977, written by Al Rudis of the Chicago Sun‑Times, chronicles Alice Cooper’s return to touring and his transformation from shock‑rock provocateur to mainstream entertainer. The article captures Cooper’s shift toward theatrical revue‑style performances and his desire to be recognized as a versatile showman rather than merely a rock star. Publication: The Jersey Journal and Jersey Observer Date: 29 August 1977 Country: United States

This Billboard advertisement from August 1976 promotes Alice Cooper’s theatrical concept album Goes to Hell. The striking design and tagline — “Ol’ Black Eyes Is Back” — announce Cooper’s return to form, blending shock rock with dark humor and grand visual storytelling. Publication: Billboard Magazine Date: August 14 1976 Country: United States The full‑page advert features Alice Cooper ascending a ghostly staircase, his figure fading into a white‑to‑red gradient that evoke

This New Musical Express advertisement from September 20 1980 promotes This New Musical Express article from September 20 1975, written by Kate Phillips with photographs by Kate Simon, reviews Alice Cooper’s live performance at Wembley. The piece, titled “Night of the Coopertroopers,” captures the theatrical spectacle and dark humor of Cooper’s mid‑1970s stage show. Publication: New Musical Express Date: September 20 1975 Country: United Kingdom The review opens with a lively

A full-page Melody Maker advertisement promoting Alice Cooper’s “Welcome to My Nightmare” UK shows at Wembley Empire Pool (11–12 September) and Liverpool Empire (14 September). The striking advert highlights the theatrical extravagance of the tour and features the classic monster imagery that defined the era.