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Golden Earring / George Kooymans (July 1, 1975) "I Don’t Want To Be The World’s Greatest Guitarist" – Circus Magazine

  • Jul 1, 1975
  • 2 min read

Circus Magazine major 4-page feature on Golden Earring, focusing on guitarist George Kooymans and the band’s explosive rise, their high-energy live shows, and their ambitions as they prepared to conquer America with their new album Switch.




THE STORY

WHAT THE CLIPPING SHOWS

A substantial 4-page feature on Golden Earring with a strong focus on guitarist George Kooymans, who declares “I Don’t Want To Be The World’s Greatest Guitarist.” The article explores the band’s gritty, high-octane rock ’n’ roll style, their tireless work ethic, and their determination to break big in the United States. It includes candid insights from Kooymans and Barry Hay about their sound, stage presence, and the challenges of building an international career while staying true to their Dutch roots and raw energy.

Publication: Circus Magazine

Date: July 1, 1975 Country: United States

Section: Major Feature / Interview

Multiple large color photos of George Kooymans and the band in action, including live performance shots and posed portraits. Bold headline “Golden Earring — George Kooymans ‘I Don’t Want To Be The World’s Greatest Guitarist’” with extensive article text across four pages, capturing the band’s dynamic personality and ambitions.

CONTEXT AND NOTES

FEATURE HIGHLIGHTS

Published in the July 1, 1975 issue of Circus Magazine, this in-depth piece captures Golden Earring at a pivotal moment as they pushed for major success in America following hits like “Radar Love.” The article highlights their powerful live reputation and George Kooymans’ distinctive guitar work and songwriting.

Event: Major multi-page band feature Era: 1975 (International breakthrough period) Tone: Energetic, candid, ambitious Photography: Dynamic live and studio color photos of George Kooymans and Golden Earring

RELATED MATERIAL: For other related posts, see the tags at the foot of the page.

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.



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