Lou Reed (July 29, 1972) – “Friars & Greyhound Concert Adverts” – Melody Maker
- Jul 29, 1972
- 2 min read

These Melody Maker adverts from July 29, 1972 promote two consecutive Lou Reed concerts in England — one at Friars, Aylesbury on July 29 and another at the Greyhound, Croydon on July 30. Both listings mark Reed’s early solo appearances.

Publication: Melody Maker Date: July 29, 1972 Country: United Kingdom
The first advert announces Lou Reed’s headline performance at Friars, Market Square, Aylesbury — billed as “Britain’s finest Rock Club.”
Supporting acts include The Tots and Gothic Horizon, with lighting by Alpha Centauri Lights and sound by Canyon Sounds. Tickets were priced at 75p, available from Earth Records or at the door, with the tagline “White Light, White Heat” referencing Reed’s Velvet Underground legacy.
The second advert promotes Reed’s appearance the following night at the Greyhound, Park Lane, Croydon, presented by Fox Productions.
The listing highlights U.S. DJ Rick Hawkins and support from Sunrise, with a note that Status Quo would perform at the same venue the following week.
Both adverts use bold, block typography typical of early‑1970s gig posters, emphasizing Reed’s name as the central draw. The designs reflect the grassroots style of British rock promotion — simple, direct, and focused on venue and date details rather than imagery.
CONTEXT AND NOTES
By mid‑1972, Lou Reed was establishing himself as a solo artist after leaving The Velvet Underground.
His self‑titled debut album had been released earlier that year, and these UK shows were part of his first major European tour.
The Friars and Greyhound venues were key stops for emerging and cult artists, known for hosting acts that bridged underground and mainstream audiences.
These adverts capture a pivotal moment in Reed’s career — the transition from avant‑garde New York icon to international performer — and the growing British interest in his distinctive songwriting and stage presence.
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





Comments