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Mott (September 6, 1975) Drive On – Record Mirror Feature

Sep 6, 1975
2 min read

This Record Mirror & Disc feature from September 6 1975, written by Ray Fox‑Cumming, profiles the newly formed Mott, the band that emerged from the breakup of Mott the Hoople. The article captures their determination to move forward, their lineup changes, and their plans to prove themselves with fresh music and touring energy.


Publication: Record Mirror & Disc   Date: September 6, 1975 Country: United Kingdom


The piece opens with the assertion that Mott are driving on after the departure of Ian Hunter and Mick Ralphs, focusing on bassist Pete Overend Watts and vocalist Nigel Benjamin, pictured together in front of a car with the license plate BGC 7B.


The article discusses the band’s auditions, new members, and their commitment to maintaining the spirit of Mott the Hoople while forging their own identity.


Subsections titled “Auditions,” “Vacancies,” “Tour,” “Name,” and “Ideal” outline their progress — from finding replacements to planning a nationwide tour. Watts and Benjamin emphasize their goal to make a “great album” that could stand alongside the Mott the Hoople classics, signaling confidence in their new direction.


CONTEXT AND NOTES  

By 1975, Mott the Hoople’s glam‑rock legacy had left a strong mark on British music.


The re‑formed Mott sought to continue that momentum under CBS Records, with a harder, more contemporary sound.


This Record Mirror & Disc feature reflects the band’s transitional moment — balancing nostalgia for their past with ambition for the future.


The article’s tone is optimistic, portraying Mott as resilient survivors of the glam era, ready to prove their worth through live performance and recording.

FEATURE HIGHLIGHTS  

Event: Profile of Mott’s new lineup and plans Era: 1975 – Post‑Mott the Hoople / Glam Rock Era Tone: Determined, forward‑looking, and confident

Photography: Black‑and‑white photo of Pete Overend Watts and Nigel Benjamin in front of a classic car


WHAT THE CLIPPING SHOWS

  • Record Mirror & Disc feature on Mott’s rebirth after lineup changes

  • Interview excerpts detailing auditions and touring plans

  • Photograph captioned with Watts and Benjamin’s remarks about making a great album

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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