Alice Cooper: (Solo Nightmare)

Alice Cooper in full theatrical makeup and costume during his Welcome To My Nightmare era, marking a major moment in his solo career transition. Publication: Cash Box Date: June 14, 1975 Country: United States Section / Pages: Front Cover Title: ALICE COOPER / 'WELCOME' TO HIS ERA THE STORY This iconic cover shows Alice Cooper in a dramatic green-lit pose, holding a microphone amid eerie, surreal props (including what appear to be giant insects or nightmare-themed set pieces)

Major horror-themed cover story and multi-page feature on Alice Cooper in the German youth/music magazine pop, titled “Die verrückte Welt von Alice Cooper” (The Crazy World of Alice Cooper), part of a special “Horror” edition. PUBLICATION: Date: June 8, 1975 Country: West Germany Section / Pages: Cover + Multiple Interior Pages (Horror Special) Title: HORROR-Spezialausgabe / Schock: Alice Coopers Alptraum-Zirkus THE STORY The issue features Alice Cooper prominently on the cov

The “Rock ’n’ Roll News” gossip and news page from the June 1, 1975 issue of Creem Magazine, featuring multiple stories including Alice Cooper training for his next international tour with John Denver, updates on The Faces, Ian Hunter, and other rock scene happenings. PUBLICATION Creem Magazine Date: June 1, 1975 Country: United States Section / Pages: Rock ’n’ Roll News / Gossip Page Title: ROCK ’N’ ROLL NEWS THE STORY This packed news page includes: Alice Cooper preparing f

The advert promotes the release of the Rolling Stone Scrapbook – Alice Cooper, a 72‑page collection featuring six years of coverage, 69 previously unpublished photos, and a full‑colour poster. The design features a dramatic monochrome portrait of Cooper wearing a hat and making a theatrical grimace, with hand‑drawn script text announcing the scrapbook series. The tagline promises “You’ll love it to death!” and lists a retail price of $1.95.

The May 1975 issue of Tiffany Magazine features Alice Cooper on the cover, photographed in full leather regalia astride a carousel horse — a striking image that captures his theatrical persona at the height of his Welcome To My Nightmare era. Inside, the two‑page feature documents his visit to Sweden and offers a candid interview under the headline “Tiffany träffade Alice Cooper” (“Tiffany met Alice Cooper”).

The interview, conducted by Scott Cohen, finds Cooper reflecting on his friendship with Groucho Marx, who affectionately dubbed him “the last of the showmen.” Cooper recounts Groucho’s late‑night calls, their shared love of old Hollywood stories, and the gift of Groucho’s infamous round bed — a keepsake Cooper describes as “big, obnoxious, and full of history.”

A striking monochrome full‑page advertisement announcing Alice Cooper’s theatrical concept album Welcome to My Nightmare and its accompanying ABC television special.

A New Musical Express news item announcing Alice Cooper’s upcoming British tour for summer 1975, featured within the paper’s Tour News Special section. The article confirms Cooper’s first UK visit in over eighteen months and his debut as a solo performer following the breakup of the original Alice Cooper Group. It situates the tour as part of a full European schedule supporting his new album Welcome to My Nightmare.

The August 1974 issue of Creem features Alice Cooper on the cover and includes a multi-page photo feature titled “Alice Cooper’s Guide to Hollywood.” Publication: Creem Date: August 1974 Country: United States The cover shows Alice Cooper standing between two women in white against the Hollywood hills. Inside, the feature presents a humorous photo tour of Hollywood with Alice Cooper visiting landmarks, reading maps, posing at a chili-dog stand, writing on the sidewalk, and ap

A dramatic full-page feature from Music Star magazine dated May 25, 1974, titled “Caged Up With Alice”, focusing on Alice Cooper’s wild and theatrical persona SOURCE DETAILS Publication: Music Star Date: May 25, 1974 Country: United Kingdom Section / Pages: Feature Article THE STORY The article takes readers behind the scenes of Alice Cooper’s shocking and theatrical stage act. It describes his use of props like snakes, guillotines, and fake blood, and explores the contrast b