The advert promotes the release of the Rolling Stone Scrapbook – Alice Cooper, a 72‑page collection featuring six years of coverage, 69 previously unpublished photos, and a full‑colour poster. The design features a dramatic monochrome portrait of Cooper wearing a hat and making a theatrical grimace, with hand‑drawn script text announcing the scrapbook series. The tagline promises “You’ll love it to death!” and lists a retail price of $1.95.

This Melody Maker full‑page advertisement from May 17, 1975 promotes Images, the budget‑priced double‑album compilation of early David Bowie recordings issued by Decca. Presented as part of the “3 Rock Giants” series, the advert positions Bowie alongside Cat Stevens and Duane Eddy, highlighting Decca’s catalogue‑driven marketing strategy during the mid‑1970s. The campaign emphasised affordability, with the two‑record set priced at £2.50, or £2.99 on tape, appealing to new lis

Thanks For The Memory was Slade’s first new single following their film Slade In Flame. Although the film later gained acclaim as one of the greatest rock films ever made, its initial reception was mixed, surprising fans with its darker tone. Released four weeks after the film’s theme single How Does It Feel, Thanks For The Memory reached number 7 in the UK and remained in the charts for seven weeks. It sold 200,000 copies in its first two weeks and became the band’s last Top

This single‑page review column from Circus’s May 1, 1975 issue showcases the magazine’s punchy, conversational mid‑’70s editorial style. Bold black‑and‑yellow section headers frame three concise album reviews, each written for the magazine’s young rock readership. A performance photograph anchors the bottom corner, giving the page its signature Circus visual energy.

This striking mid‑1970s Popfoto cover captures Freddie Mercury at the height of Queen’s rising stardom. Wearing a luxurious red velvet jacket over a white shirt, arms crossed and adorned with bracelets, Mercury’s intense gaze and long hair define the glamorous, theatrical swagger of 1975 — the moment Queen were transitioning from glam‑rock favourites to arena‑rock contenders.

This Circus Magazine one‑page feature from May 1975 presents Queen at a moment of rapid ascent, following the success of Sheer Heart Attack and the singles Killer Queen and Now I’m Here. Appearing in Jonh Ingham’s London column, the article positions Queen as a band thriving regardless of critical approval, comparing them to Jethro Tull and Grand Funk — groups whose popularity outpaced their reviews.

This Tiffany Magazine two‑page feature from May 1975 captures Suzi Quatro at the height of her European fame. The article, written in Swedish, reflects on her unusual career trajectory — from early struggles in England to her growing popularity in Germany and Sweden.

This full‑page Circus advertisement from May 1975 features Elton John in a glamorous stage portrait, promoting Pioneer Electronics. The image shows Elton seated at his piano, wearing oversized crystal‑rimmed glasses and a white fur‑trimmed jacket, illuminated by stage lights. Across the top, a handwritten message reads:

The May 1975 issue of Tiffany Magazine features Alice Cooper on the cover, photographed in full leather regalia astride a carousel horse — a striking image that captures his theatrical persona at the height of his Welcome To My Nightmare era. Inside, the two‑page feature documents his visit to Sweden and offers a candid interview under the headline “Tiffany träffade Alice Cooper” (“Tiffany met Alice Cooper”).

Freddie in full relaxed rock star mode — red velvet, black nails, silver bracelets, and a glass in hand. This gorgeous pull-out calendar page from Circus magazine captures him perfectly in that sweet spot between Sheer Heart Attack and the explosion of A Night at the Opera. Pure mid-70s Queen glamour.