David Bowie (June 16, 1979) “Lodger” – New Album Advertisement – New Musical Express (UK) PUBLICATION Publication: New Musical Express (NME) Date: June 16, 1979 Country: United Kingdom Section / Pages: Advertisement / Promo Page Title: LODGER — David Bowie New Album Available now THE STORY This striking ad features a dynamic full-page photograph of Bowie in a dramatic pose against a grid background, promoting the release of Lodger. The album was recorded in Switzerland and N

Full-page promotional advertisement for David Bowie’s new album Lodger, featuring a dynamic and artistic photograph of Bowie. PUBLICATION: Date: June 16, 1979 Country: United Kingdom Section / Pages: Full-Page Advertisement (Page 13) Title: LODGER THE STORY The ad displays a full-length image of David Bowie in an energetic pose against a graph-paper grid background, promoting his latest studio album Lodger (catalogue BOW LP1). It includes a “POST CARD” style layout encouragin

Iggy Pop released the single “I’m Bored” on Arista Records (5C 006-62705) in the Netherlands. A-side: “I’m Bored” (written by Iggy Pop, produced by James Williamson) B-side: “African Man” (written by Iggy Pop, produced by James Williamson)

Full-page promotional advertisement for David Bowie’s new album Lodger, featuring a dynamic and artistic photograph of Bowie Date: June 9, 1979 Country: United Kingdom Section / Pages: Full-Page Advertisement Title: LODGER THE STORY The ad displays a full-length image of David Bowie in an energetic, dramatic pose against a graph-paper grid background, promoting his latest studio album Lodger (catalogue BOW LP1). It uses a creative “POST CARD” layout design. CONTEXT AND NOTES

Full-page promotional advertisement in Melody Maker for David Bowie’s new album Lodger, the final part of the Berlin Trilogy. PUBLICATION: Melody Maker Date: June 2, 1979 Country: United Kingdom Section / Pages: Advertisement / Promo Page Title: LODGER — David Bowie New Album Available now THE STORY This dynamic ad features a striking full-body photograph of Bowie in a dramatic mid-movement pose against a grid background, promoting the immediate availability of Lodger. The a

A full-page album review from Melody Maker dated May 26, 1979, examining David Bowie’s Lodger, the final instalment of his Berlin Trilogy. SOURCE DETAILS Publication: Melody Maker Date: May 26, 1979 Country: United Kingdom Section / Pages: Album Review THE STORY The review describes Lodger as a bold, adventurous work that blends art-rock with global influences. It highlights Bowie’s themes of travel, alienation, and cultural collage, while praising the album’s experimental ed

A full-page album review from New Musical Express dated May 26, 1979, examining David Bowie’s Lodger, the final album of his Berlin Trilogy. SOURCE DETAILS Publication: New Musical Express (NME) Date: May 26, 1979 Country: United Kingdom Section / Pages: Page 37 – Album Reviews THE STORY The review offers a thoughtful and detailed assessment of Lodger, describing it as a restless, cosmopolitan work that blends art-rock with world music influences. The critic explores themes o

A full-page album review from New Musical Express dated May 26, 1979, examining Ron Wood’s solo album Gimme Some Neck SOURCE DETAILS Publication: New Musical Express (NME) Date: May 26, 1979 Country: United Kingdom Section / Pages: Album Review THE STORY The review gives a generally positive assessment of Ron Wood’s third solo album. It praises Wood’s easy-going charm and his ability to blend rock ’n’ roll with his signature style, while noting that the album is more consiste

A striking full-page advertisement from Melody Maker promoting David Bowie’s new album Lodger, the final instalment of his Berlin Trilogy.

A full-page album review from Melody Maker dated May 26, 1979, examining David Bowie’s new album Lodger. SOURCE DETAILS Publication: Melody Maker Date: May 26, 1979 Country: United Kingdom Section / Pages: Album Review THE STORY The review presents Lodger as the final part of Bowie’s Berlin Trilogy, describing it as a bold, experimental work blending art-rock with world music influences. The critic notes Bowie’s continued fascination with themes of travel, alienation, and cul