Alice Cooper’s New Musical Express cover feature and one‑page article from September 6, 1975, capturing his outrageous humour, chaotic charisma, and the gleefully grotesque theatrics that defined his mid‑’70s persona. The piece blends sharp interview insight with Creem-style irreverence, presenting Alice as both shock-rock ringmaster and witty, self-aware showman during the Welcome to My Nightmare era.

Alice Cooper’s one‑page Melody Maker advert from September 6, 1975, promoting his hard‑hitting, theatrical brand of shock‑rock with the swagger of a headline act turning metal into spectacle. The striking full-page piece announces sold-out UK shows with special guests Heavy Metal Kids and highlights the upcoming single “Ain’t Nothing But A House Party / You Got Me Rollin’”.

Alice Cooper opens up about his stage persona, personal life, the realities of fame, and the psychology behind his shock-rock theatrics during the Welcome to My Nightmare era.

This Rolling Stone advertisement from July 1975 promotes a special live broadcast of The King Biscuit Flower Hour featuring Alice Cooper’s Welcome to My Nightmare concert. The full‑page spread captures the theatrical essence of Cooper’s stage persona and the nationwide reach of the FM radio event. Publication: Rolling Stone Date: July 31 1975 Country: United States The advertisement announces a 90‑minute live concert broadcast on Sunday, July 27, 1975, hosted by Bill Minkin

This Veronica Magazine feature from September 14 1974 announces the summer premiere of Alice Cooper’s film Hard Headed Alice. Written in Dutch, the article explores Cooper’s chaotic charisma, his relationship with European fans, and the making of the film that blended his theatrical rock persona with cinematic spectacle. Publication: Veronica Magazine Date: September 14 1974 Country: Netherlands The article describes Cooper’s press meetings and his awareness of his European f

This Record Mirror issue from September 2 1972 features David Cassidy on the cover with the headline “Cassidy: My Heartbreak.” The edition highlights the first part of an exclusive interview series in which Cassidy discusses the saddest day of his life — his parents’ divorce — alongside coverage of other major artists of the era including Alice Cooper, Donny Osmond, and Peter Frampton. Publication: Record Mirror Date: 2 September 1972 Country: United Kingdom The front page

This Rock magazine issue from August 28 1972 spotlights Alice Cooper’s arrival in London, capturing the shock‑rock icon at the height of his fame. The cover headline “Alice in London” and interior feature “Alice Cooper, or Going to London to See the Queen” frame his theatrical persona against the backdrop of British rock culture, blending provocation with pop spectacle. Publication: Rock Date: 28 August 1972 Country: United States Written by Steve Peacock, the feature follo

This Daily Telegraph article from August 1972 reports on public complaints sent to the BBC and government ministers about Alice Cooper’s chart‑topping single School’s Out. Critics claimed the song was “anti‑school” and “anti‑law and order,” sparking debate over its influence on young listeners. Publication: The Daily Telegraph Date: August 22 1972 Country: United Kingdom Written by education correspondent John Izbicki, the article details letters sent to Education Secretary

This New Musical Express issue from August 1972 spotlights Alice Cooper’s chart‑topping success with School’s Out and announces his next single, Elected. The bold headline “Alice for President” captures Cooper’s theatrical flair and political satire, reflecting his rise as one of rock’s most provocative figures. Publication: New Musical Express Date: August 19 1972 Country: United Kingdom The front‑page article celebrates School’s Out reaching No. 1 in the NME chart and bec

This Waxahachie Daily Light feature from August 1972 reports on Alice Cooper’s sensational arrival in London, describing his theatrical antics and the uproar surrounding his Killer tour finale. The article captures the shock, spectacle, and fascination that defined Cooper’s early‑’70s stage persona. Publication: The Waxahachie Daily Light Date: August 18 1972 Country: United States Under the headline “Poor London! First a Blitz, Now Alice,” writer Ernestine Guglielmo recount