David Bowie (September 30, 1978) – “Bowie: A Xerox Album From A Polaroid Hero” Review - Melody Maker

Sep 30, 1978

2 min read

This Melody Maker review examines David Bowie's live album Stage, questioning whether the record successfully captures the excitement of Bowie's celebrated 1978 tour. While recognising the quality of the musicianship and performances, the review considers whether the album fully conveys the impact of the artist's constantly changing vision.

Publication: Melody Maker

Date: September 30, 1978

Country: United Kingdom

Under the headline "Bowie: A Xerox Album From A Polaroid Hero", the review focuses on Stage, David Bowie's newly released live album documenting performances from his 1978 world tour. The review opens by acknowledging Bowie's ability to reinvent himself and maintain his position as one of rock music's most inventive and influential artists.

The writer examines how material from different stages of Bowie's career has been adapted for the stage, noting that familiar songs are reshaped by the larger touring ensemble and the musical direction associated with his recent work. Particular attention is given to the sophisticated arrangements and the professionalism of the band accompanying Bowie throughout the tour.

Despite recognising the strength of the performances, the reviewer suggests that some of the spontaneity and excitement of the live concerts may not have transferred completely to the album format. The article considers whether the record functions more as a document of the tour than as a compelling live listening experience in its own right.

A large performance photograph accompanies the review, showing Bowie on stage during the tour. The image reinforces the article's focus on Bowie as a live performer and highlights the visual side of the concerts that contributed significantly to their reputation.

CONTEXT AND NOTES

Published immediately following the release of Stage, the review captures an early critical reaction to one of Bowie's major live albums. By 1978, Bowie had undergone several artistic transformations and was widely regarded as one of the most innovative figures in popular music.

The article is notable because it evaluates Stage against the reputation of the live concerts themselves. Rather than simply reviewing the songs, the writer explores the challenge of translating a visually impressive and constantly evolving stage production into a purely audio format.

FEATURE HIGHLIGHTS

Event: Review of David Bowie's live album Stage

Era: 1978 Stage era

Tone: Analytical and critical

Photography: Large concert photograph of David Bowie performing live

WHAT THE CLIPPING SHOWS

• Melody Maker review titled "Bowie: A Xerox Album From A Polaroid Hero"

• Assessment of the live album Stage

• Discussion of Bowie's evolving musical approach and stage performances

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