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Todd Rundgren's Mercury Dolls Released as a 7-inch vinyl single in the UK on November 30, 1973, on Mercury Records (catalogue: 6052 402), New York Dolls’ “Jet Boy” was the explosive lead single from their debut album. Backed with “Vietnamese Baby,” both written by David Johansen and Johnny Thunders, produced by Todd Rundgren, this raw proto-punk glam anthem did not chart in the UK. Also issued in the Netherlands. Pure NYC trash-rock attitude. Single Overview Release Details Label: Mercury Records. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A Jet Boy – Written-By: Johansen, Thunders Side B Vietnamese Baby – Written-By: Johansen Global Variants - 7", 45 RPM, Single – Mercury 6052 402 – UK – 1973 - 7", 45 RPM, Single – Mercury 6052 402 – Netherlands – 1973 Production and Context Produced by Todd Rundgren. From *New York Dolls* (1973). The Dolls’ debut single — pure glam-punk sleaze. Chart Performance No UK chart entry. Legacy and Collectibility “Jet Boy” is the New York Dolls’ proto-punk glam masterpiece. Original UK & Dutch Mercury pressings fetch £30–£80 on eBay/Discogs. Verify catalogue 6052 402. Streams on Spotify preserve the trash-rock fire. This single is a must-have for glam-punk collectors. Do you have Jet Boy in your vinyl stack? Are you ready to jet? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Muscle Of Love Glam Teen Cry Released as a 7-inch vinyl single in the US on November 28, 1973, on Warner Bros. Records (catalogue: WB 7762), Alice Cooper Group’s “Teenage Lament '74” was the lead single from Muscle Of Love . Backed with “Hard Hearted Alice,” this glam-rock teen angst anthem — written by Alice Cooper/Neal Smith (A) and Cooper/Michael Bruce (B) — was produced by Jack Richardson & Jack Douglas for Nimbus 9. Peaked at No. 48 on Billboard Hot 100 for 8 weeks. Pressed in Terre Haute, Santa Maria, styrene, and promo stereo/mono variants, it’s a raw Cooper Group classic. Single Overview Release Details Label: Warner Bros. Records. Formats: Vinyl, 7", 45 RPM, Single (styrene, Terre Haute/Santa Maria pressings, promo stereo/mono). Full Track Listing Side A Teenage Lament '74 (3:20) – Written-By: Cooper, Smith Side B Hard Hearted Alice (4:50) – Written-By: Cooper, Bruce Global Variants - 7", 45 RPM, Single, Styrene, Terre Haute Pressing – Warner Bros. WB 7762 – US – 1973 - 7", 45 RPM, Promo, Stereo, Mono – Warner Bros. WB 7762 – US – 1973 - 7", 45 RPM, Single, Styrene – Warner Bros. WB 7762 – US – 1973 - 7", Single, 45 RPM – Warner Bros. WB 16 345 – US – 1973 - 7", 45 RPM, Single, Santa Maria Pressing – Warner Bros. WB 7762 – US – 1973 Production and Context Produced by Jack Richardson & Jack Douglas for Nimbus 9 Productions Limited. From Muscle Of Love (BS 2748). Last original Alice Cooper Group single before breakup. Chart Performance USA (Billboard Hot 100): 48 (8 weeks) – entry 29 Dec 1973 Legacy and Collectibility “Teenage Lament '74” is the Alice Cooper Group’s glam teen cry. Original US styrene pressings (Terre Haute/Santa Maria) fetch £10–£30 on eBay/Discogs, promos £20–£50. Verify catalogue WB 7762. Streams on Spotify via Muscle Of Love reissues preserve the lament. This single is a must-have for Alice Cooper Group collectors. Do you have Teenage Lament '74 in your vinyl stack? Is the lament still teen? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube.

two pages POP magazine November 26 1973

Bolan plugs in for the Beeb – rare non album gems live on air! T.Rex’s Radio 1 Club sessions, recorded for the BBC and broadcast on The David Hamilton Show ( November 26 – 30 & December 3 – 7 1973) and Radio 1 Club (November 1973 26 – 29 ). Tracks: 3. Truck On (Tyke) – 3:11 4. Sitting Here – 2:19 Neither the track nor its B-side, "Sitting Here", appeared on an original T. Rex studio album, but both were added as bonus material on re-releases of the 1974 album Zinc Alloy and the Hidden Riders of Tomorrow.

Bolan’s stomping glam trucker anthem roars into the Top 20! T. Rex's "Truck On (Tyke)" entered the UK Singles Chart the week of November 18, - 24, 1973, reaching its highest position at No. 12 on December 22, and 29, 1973. It remained on the chart for a total of 11 weeks. Chart Run November 24 – No. 38 December 1 – No. 20 December 8 – No. 13 December 15 – No. 14 December 22 – No. 12 December 29 – No. 12 January 5 – No. 15 January 12 – No. 18 January 19 – No. 22 January 26 – No. 32 February 2 – No. 48 Deep Dive: A Truck On Tyke Ride T.Rex’s “Truck On (Tyke)” was released as a 7-inch vinyl single with push-out and solid centre variants in the UK on November 16, 1973, on T.Rex (catalogue: MARC 6). Backed with “Sitting Here,” this glam-rock stomper and mellow B-side (both written by Marc Bolan and produced Tony Visconti), were issued as non-album tracks later added to Zinc Alloy reissues. It peaked at No. 12 on the UK Singles Chart for 11 weeks. Issued in push-out/solid centres, and promo in company bag. Single Overview A-Side: “Truck On (Tyke)” Written-By – Marc Bolan. Producer – Tony Visconti. B-Side: “Sitting Here” Written-By – Marc Bolan. Producer – Tony Visconti. Release Details: Label: T.Rex (UK pressing, 45 RPM). Record Company – EMI Records Ltd. Phonographic Copyright ℗ – Wizard Artists Ltd. Published By – Wizard Artists (Bahamas) Ltd. UK Formats: Vinyl, 7" Single Push Out Center, “Made In Gt Britain” in outer rim text after “…copying of this record prohibited” (MARC 6) A: “Truck On (Tyke)” – Written-By – Marc Bolan – Producer – Tony Visconti B: “Sitting Here” – Written-By – Marc Bolan – Producer – Tony Visconti Vinyl, 7" Single Push Out Center, “Made in Gt Britain” at bottom under “T Rex” (MARC 6) A: “Truck On (Tyke)” – Written-By – Marc Bolan – Producer – Tony Visconti B: “Sitting Here” – Written-By – Marc Bolan – Producer – Tony Visconti Vinyl, 7" Single, Promo Demonstration Record Not For Sale, in company bag (MARC 6) A: “Truck On (Tyke)” – Written-By – Marc Bolan – Producer – Tony Visconti B: “Sitting Here” – Written-By – Marc Bolan – Producer – Tony Visconti Release date on labels: 16.11.73. Made in Gt. Britain. ‘The Grammphon Co Ltd’ in rimtext. ℗ 1973. UK (T.Rex MARC 6) Released November 16, 1973. 7-inch (push-out/solid/promo). Country Variations: UK (T.Rex MARC 6) Released November 16, 1973. 7-inch (push-out/solid/promo). Australia (T.Rex 1973) Austria (Ariola 1973) Belgium (T.Rex 1973) Denmark (T.Rex 1973) Finland (T.Rex 1973) France (CBS 1973) Germany (Ariola 1973) Ireland (T.Rex 1973) Italy (T.Rex 1973) New Zealand (T.Rex 1973) Singapore (T.Rex 1973) South Africa (T.Rex 1973) Spain (Ariola 1973) Sweden (T.Rex 1973) Yugoslavia (T.Rex 1973) Japan (T.Rex 1974) UK (Edsel 2015) UK (Demon 2023) Production and Context Written/produced by Marc Bolan & Tony Visconti. Neither track on original T.Rex studio album; both added as bonus on Zinc Alloy and the Hidden Riders of Tomorrow re-releases. A-side a high-energy glam anthem, B-side a laid-back groove. Released via EMI’s T.Rex imprint. Chart Performance: UK: No. 12 (Official Singles Chart), charting for 11 weeks. Entry Date: November 24, 1973. Peak: No. 12 (December 22 & 29, 1973). Weeks on Chart: 11 (Nov 24, 1973 – Feb 2, 1974). Chart Run: No. 38 (Nov 24), No. 20 (Dec 1), No. 13 (Dec 8), No. 14 (Dec 15), No. 12 (Dec 22), No. 12 (Dec 29), No. 15 (Jan 5), No. 18 (Jan 12), No. 22 (Jan 19), No. 32 (Jan 26), No. 48 (Feb 2). Legacy and Collectibility “Truck On (Tyke)” is a glam-rock engine rev, “Sitting Here” a chilled cruiser. Original UK 7-inch push-out vinyls fetch £5–£15 on eBay/Discogs, solid centre (£8–£20), promos (£25–£50). Verify catalogue MARC 6 and rimtext variations. Streams on Spotify via Bolan compilations keep the tyres spinning. This non-album gem is a must-have for T.Rex fans and ‘70s glam collectors. Have you hitched a ride on this T.Rex truck? Does Sitting Here still feel like a lazy afternoon? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube.

A Glam Rock Resurrection Mott The Hoople’s “Roll Away The Stone” 7-inch vinyl single, was released in the UK on November 9, 1973, on CBS Records (catalogue: S CBS 1895). Backed with “Where Do You All Come From,” this anthemic glam rock track, written by Ian Hunter, was produced by Mott The Hoople. The A-side’s driving rhythm, Hunter’s vocals, and Thunderthighs’ bridge peaked at No. 8 on the UK Singles Chart for 12 weeks. Issued in solid centre, knockout centre, promo, and sunburst reissue versions, it’s a defining moment from the band’s Ariel Bender era. Single Overview A-Side: “Roll Away The Stone” (3:02) Written-By – Ian Hunter. Produced by Mott The Hoople. Lacquer Cut By – Rays. B-Side: “Where Do You All Come From” (3:22) Written-By – Buffin, Hunter, Ralphs, Watts. Produced by Mott The Hoople. Release Details: Label: CBS Records (UK pressing, 45 RPM). Published By – Island Music Ltd. Phonographic Copyright ℗ – CBS Records Formats: Vinyl, 7", Single Solid Centre (S CBS 1895): “Roll Away The Stone” / “Where Do You All Come From.” A-Side: “Roll Away The Stone” (3:02, Ian Hunter) – Written-By – Ian Hunter – Producer Mott The Hoople – Lacquer Cut By – Rays B-Side: “Where Do You All Come From” (3:22, Buffin, Hunter, Ralphs, Watts) – Written-By – Buffin, Hunter, Ralphs, Watts – Producer – Mott The Hoople Phonographic Copyright ℗ – CBS Records – Published By – Island Music Ltd. – Lacquer Cut By – Rays – Producer – Mott The Hoople – A UK Production – Made in England. Knockout Centre (S CBS 1895): A-Side: “Roll Away The Stone” (3:02, Ian Hunter) – Written-By – Ian Hunter – Producer Mott The Hoople – Lacquer Cut By – Rays B-Side: “Where Do You All Come From” (3:22, Buffin, Hunter, Ralphs, Watts) – Written-By – Buffin, Hunter, Ralphs, Watts – Producer – Mott The Hoople Phonographic Copyright ℗ – CBS Records – Published By – Island Music Ltd. – Pressed By – CBS Pressing Plant, Aston Clinton – Lacquer Cut By – Rays – Producer – Mott The Hoople – Made in Holland – ℗ 1973 CBS Records – A U.K. production. Promo, Single Sided (S CBS 1895): A-Side: “Roll Away The Stone” (3:02, Ian Hunter) – Written-By – Ian Hunter – Producer Mott The Hoople – Lacquer Cut By – Rays Single sided UK "Special Discotheque Record." Single, Promo (S CBS 1895): A-Side: “Roll Away The Stone” (3:02, Ian Hunter) – Written-By – Ian Hunter – Producer Mott The Hoople – Mastered By – Rays B-Side: “Where Do You All Come From” (3:22, Buffin, Hunter, Ralphs, Watts) – Written-By – Buffin, Hunter, Ralphs, Watts – Producer – Mott The Hoople Published By – Island Music Ltd. – Phonographic Copyright ℗ – CBS Records – Pressed By – CBS Pressing Plant, Aston Clinton – Mastered By – Rays – Producer – Mott The Hoople. Sunburst, Solid Centre (Reissue) (S CBS 1895): A-Side: “Roll Away The Stone” (3:02, Ian Hunter) – Written-By – Ian Hunter – Producer Mott The Hoople – Lacquer Cut By – Rays B-Side: “Where Do You All Come From” (3:22, Buffin, Hunter, Ralphs, Watts) – Written-By – Buffin, Hunter, Ralphs, Watts – Producer – Mott The Hoople Published By – Island Music Ltd. – Phonographic Copyright ℗ – CBS Records – Pressed By – CBS Pressing Plant, Aston Clinton – Lacquer Cut By – Rays – Producer – Mott The Hoople – Made in England – A UK Production – Sunburst label (re-issue), solid centre. Notes: A UK Production. Made in England (most versions). Country Variations The single was released in several countries: Australia (CBS 1973) Germany (CBS 1973) Netherlands (CBS 1973) South Africa (CBS 1973) Sweden (CBS 1973) New Zealand (CBS 1974) UK (CBS S CBS 1895): Production and Context Recorded in 1973. Produced by Mott The Hoople. Personnel: Ian Hunter (vocals, rhythm guitar, piano), Pete Overend Watts (bass, vocals, rhythm guitar, 12-string guitar), Dale "Buffin" Griffin (drums, vocals, percussion), Ariel Bender (lead guitar, vocals, slide guitar), Morgan Fisher (keyboards, synthesizer), Lynsey De Paul (backing vocals), Mick Ralphs (rhythm and lead guitar – Bender added harmony lead line), Thunderthighs (Karen Friedman, Dari Lalou, Casey Synge – backing vocals). The first version, recorded before Mick Ralphs left, had Ralphs on lead guitar and Thunderthighs on the bridge. Re-recorded for The Hoople (1974) with Bender and Lynsey de Paul. Performed on BBC Top of the Pops on November 15, 1973. Released amid glam’s peak, it followed Mott (No. 7 UK, 1973). Chart Performance: UK: No. 8 (Official Singles Chart), charting for 12 weeks. Entry Date: November 24, 1973. Peak: No. 8 (December 15, 1973). Weeks on Chart: 12 (Nov 24, 1973–Feb 9, 1974). “Roll Away The Stone” is a Mott glam anthem, with “Where Do You All Come From” a quirky B-side. Original UK 7-inch vinyls (solid/knockout centre) fetch £3–£10 on eBay/Discogs, with promo and sunburst reissues (£8–£20) rarer. Verify catalogue S CBS 1895. Streams on Spotify preserve the analog roar. This single is a must-have for Mott fans and glam collectors. Have you snagged this Mott classic in your vinyl collection? Does “Roll Away The Stone” move you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

Suzi Quatro: Suzi Quatro Album (1973) A Glam Rock Trailblazer Suzi Quatro’s Suzi Quatro LP was released in the UK on approximately October 12, 1973, on RAK Records (catalogue: SRAK 505). This is based on the album debuting on the BBC Albums Chart in the week of November 7-13, 1973, at number 42, remaining on the chart for 4 weeks. This 12-track debut album introduced the Detroit-born rocker's raw, glam-infused sound, blending hard rock, pop, and R&B. Produced by Mickie Most and Mike Chapman, the album featured Quatro’s fierce vocals and bass-playing, backed by her band, peaking at No. 32 on the UK Albums Chart for 4 weeks. Issued in a vibrant sleeve with Quatro’s iconic leather-clad image, it’s a cornerstone of ‘70s glam rock and a trailblazer for women in rock. Album Overview Release Details: Label: RAK Records (UK, Germany), EMI (Japan CD), Chrysalis (2022 UK/Europe). Formats: Vinyl LP, cassette, CD, 2xLP special edition (detailed below). ℗ & ©: 1973 RAK Records (LP, cassette); 1989 EMI (Japan CD); 2022 Chrysalis Records (2xLP). Recorded at Audio International Studios, London, and RAK Studios, London, 1972–1973. Matrix numbers (e.g., SRAK 505 A-1 for UK, 1C 062-94 714 A-1 for Germany, CRVC1481 A-1 for 2022) confirm authenticity. UK, German, Japanese, and 2022 Record Store Day Release Formats and Track Listings Suzi Quatro was released in the UK and Germany in 1973 as a vinyl LP and cassette, with a CD reissue in Japan in 1989 and a 2xLP special edition in 2022. The UK and German vinyl LPs, Japanese CD, and 2022 2xLP maintain the same 12-track core sequence, with the UK cassette reordered and the 2022 edition adding bonus tracks on sides C and D. Durations for the 2022 release are assumed to match the UK LP where applicable, as not provided. UK Vinyl LP (Catalogue: SRAK 505): Side A: 48 Crash (3:54, Chapman-Chinn) Glycerine Queen (3:47, Tuckey/Quatro) Shine My Machine (3:49, Tuckey/Quatro) Official Suburbian Superman (3:05, Tuckey/Quatro) I Wanna Be Your Man (3:20, Lennon-McCartney) Primitive Love (4:13, Chapman-Chinn) Side B: All Shook Up (3:50, Presley/Blackwell) Sticks & Stones (3:41, Tuckey/Quatro) Skin Tight Skin (4:21, Tuckey/Quatro) Get Back Mama (5:56, Quatro) Rockin' Moonbeam (2:55, Tuckey/Quatro) Shakin' All Over (3:34, Heath) Packaging: 33⅓ RPM, stereo, in a single sleeve with Quatro’s leather-clad photo, including inner sleeve with liner notes. German Vinyl LP (Catalogue: 1C 062-94 714): Rockin' Moonbeam (2:55, Tuckey/Quatro) replaced by Can The Can (3:33)Chapman/Chinn) Side A: 48 Crash (3:53, Chapman/Chinn) Glycerine Queen (3:46, Tuckey/Quatro) Shine My Machine (3:48, Tuckey/Quatro) Official Suburbian Superman (3:05, Tuckey/Quatro) I Wanna Be Your Man (3:18, Lennon/McCartney) Primitive Love (4:11, Chapman/Chinn) Side B: Can The Can (3:33, Chapman/Chinn) All Shook Up (3:48, Presley/Blackwell) Sticks & Stones (3:39, Tuckey/Quatro) Skin Tight Skin (4:19, Tuckey/Quatro) Get Back Mama (5:52, Quatro) Shakin' All Over (3:32, Heath) Packaging: 33⅓ RPM, stereo, in a single sleeve with Quatro’s leather-clad photo, including German-translated liner notes. UK Cassette (Catalogue: TC-SRAK 505): Side A: 48 Crash (3:54, Chapman-Chinn) Glycerine Queen (3:47, Tuckey/Quatro) Shine My Machine (3:49, Tuckey/Quatro) Primitive Love (4:13, Chapman-Chinn) All Shook Up (3:50, Presley/Blackwell) Shakin' All Over (3:34, Heath) Side B: Official Suburbian Superman (3:05, Tuckey/Quatro) Skin Tight Skin (4:21, Tuckey/Quatro) Get Back Mama (5:56, Quatro) I Wanna Be Your Man (3:20, Lennon-McCartney) Sticks & Stones (3:41, Tuckey/Quatro) Rockin' Moonbeam (2:55, Tuckey/Quatro) Packaging: Standard cassette case with J-card featuring artwork and track credits. Compact Disc (CD) (Reissue, EMI CP21-6068, Japan, Pastmasters Series, Released November 8, 1989): Single Disc: 48 Crash (3:54, Chapman-Chinn) Glycerine Queen (3:47, Tuckey/Quatro) Shine My Machine (3:49, Tuckey/Quatro) Official Suburbian Superman (3:05, Tuckey/Quatro) I Wanna Be Your Man (3:20, Lennon-McCartney) Primitive Love (4:13, Chapman-Chinn) Can The Can (3:34, Chapman/Chinn) All Shook Up (3:50, Presley/Blackwell) Sticks And Stones (3:41, Tuckey/Quatro) Skin Tight Skin (4:21, Tuckey/Quatro) Get Back Mama (5:56, Quatro) Rockin Moonbeam (2:55, Tuckey/Quatro) Shakin' All Over (3:34, Heath) Packaging: Jewel case with booklet featuring liner notes, photos, and credits, including obi strip for Japanese market. 2xLP Special Edition (Chrysalis CRVC1481, UK & Europe, Record Store Day, Released June 18, 2022): Side A: 48 Crash (3:54, Chapman-Chinn) Glycerine Queen (3:47, Tuckey/Quatro) Shine My Machine (3:49, Tuckey/Quatro) Official Suburbian Superman (3:05, Tuckey/Quatro) I Wanna Be Your Man (3:20, Lennon-McCartney) Primitive Love (4:13, Chapman-Chinn) Side B: All Shook Up (3:50, Presley/Blackwell) Sticks & Stones (3:41, Tuckey/Quatro) Skin Tight Skin (4:21, Tuckey/Quatro) Get Back Mama (5:56, Quatro) Rockin' Moonbeam (2:55, Tuckey/Quatro) Shakin' All Over (3:34, Heath) Side C: Rolling Stone (2:45, Quatro) Brain Confusion (For All The Lonely People) (3:09, Tuckey/Quatro) Can The Can (3:34, Chapman/Chinn) Ain't Ya Somethin' Honey (4:08, Quatro) Side D: Little Bitch Blue (3:27, Tuckey/Quatro) Daytona Demon (4:01, Tuckey/Quatro) Roman Fingers (3:48, Tuckey/Quatro) Packaging: 33⅓ RPM, stereo, pink vinyl, limited to 1,000 copies in UK & Ireland, in a gatefold sleeve with photography by Gered Mankowitz, mastered by Chris Blair. Production and Context Produced by Mickie Most and Mike Chapman (1973 releases) and Mike Chapman and Nicky Chinn (2022 bonus tracks), recorded at Audio International Studios and RAK Studios, London, 1972–1973. The lineup featured Suzi Quatro (bass, lead vocals), Len Tuckey (guitar, slide guitar, backing vocals), Alastair McKenzie (electric piano, grand piano, mellotron, backing vocals), and Dave Neal (drums, backing vocals). Engineered by Pete Coleman (1973) and mastered by Chris Blair (2022). The album blended Quatro’s Detroit rock energy with Chapman-Chinn’s glam pop sensibility, launching her as a female rock pioneer. Released amid the glam rock boom, it competed with T. Rex and Slade, establishing Quatro’s fierce persona. The 2022 edition added rare tracks, enhancing its collectibility. Singles Released and Chart Performance Suzi Quatro spawned two singles: “Can The Can” (1973, RAK 150): UK Chart Data: Entry May 19, 1973; Peak No. 1; 12 weeks. Chart Run: No. 8 (May 19), No. 3 (May 26), No. 1 (June 2), No. 1 (June 9), No. 2 (June 16), No. 3 (June 23), No. 4 (June 30), No. 6 (July 7), No. 8 (July 14), No. 10 (July 21), No. 12 (July 28), No. 15 (Aug 4). International: Australia No. 1, Germany No. 1, Ireland No. 2, Netherlands No. 4, Switzerland No. 5, Austria No. 6. “48 Crash” (1973, RAK 160): UK Chart Data: Entry July 28, 1973; Peak No. 3; 11 weeks. Chart Run: No. 10 (July 28), No. 5 (Aug 4), No. 3 (Aug 11), No. 4 (Aug 18), No. 5 (Aug 25), No. 6 (Sep 1), No. 8 (Sep 8), No. 10 (Sep 15), No. 12 (Sep 22), No. 15 (Sep 29), No. 18 (Oct 6). International: Australia No. 2, Germany No. 3, Ireland No. 3, Netherlands No. 6, Switzerland No. 7. Album Chart Performance Suzi Quatro charted successfully: UK: Entry Date: November 3, 1973 (Official Albums Chart). Peak: No. 32 (November 10, 1973). Weeks on Chart: 6 (Nov 3, 1973–Dec 8, 1973). Chart Run: No. 35 (Nov 3), No. 32 (Nov 10), No. 33 (Nov 17), No. 34 (Nov 24), No. 36 (Dec 1), No. 38 (Dec 8). Certification: None. Australia: No. 1 (Kent Music Report, 14 weeks). Germany: No. 5 (GfK, 10 weeks). Netherlands: No. 12 (Dutch Album Top 100, 8 weeks). New Zealand: No. 15 (RMNZ, 6 weeks). Switzerland: No. 10 (Swiss Hitparade, 7 weeks). Austria: No. 14 (Ö3 Austria Top 40, 5 weeks). US: No. 142 (Billboard 200, 4 weeks). Other Countries: No chart entries in Canada, France, Sweden, Norway, Finland, Italy, Spain, Ireland, or Belgium due to limited promotion. Legacy and Collectibility Suzi Quatro is a glam rock landmark, with “Can The Can” and “48 Crash” as anthems that paved the way for female rockers. Original UK and German vinyls fetch £10–£30 on Discogs, with Japanese pressings (£20–£50, including 1989 CD) and 2022 pink vinyl (£30–£60, limited to 1,000 copies) prized for rarity. Cassettes (£5–£15) and CDs (£5–£20) are common. First pressings with intact sleeves are valued—verify catalogue SRAK 505 (UK), 1C 062-94 714 (Germany), CP21-6068 (Japan CD), or CRVC1481 (2022). Streams on Spotify via Suzi Quatro preserve the analog punch. This LP is a must-have for glam rock fans. Do you have Suzi Quatro in your vinyl stack? Which track rocks your turntable? Share in the comments! Sources Discogs: Suzi Quatro UK (1973) Discogs: Suzi Quatro Germany (1973) Discogs: Suzi Quatro UK Cassette (1973) Discogs: Suzi Quatro Japan CD (1989) Discogs: Suzi Quatro RSD 2022 (UK & Europe) Official Charts Company: Suzi Quatro Albums AllMusic: Suzi Quatro Discography Wikipedia: Suzi Quatro Discography Billboard Chart History: Suzi Quatro

Essex's Moody Moonlight Hit David Essex’s “Lamplight” 7-inch vinyl single, was released in the UK on November 2, 1973, on CBS Records (catalogue: SCBS1902). Backed with “We All Insane,” this haunting glam-pop ballad, written by David Essex, was the second single from his debut album Rock On. Produced by Jeff Wayne, the A-side’s dreamy melody, Essex’s emotive vocals, and orchestral swells peaked at No. 7 for two weeks on the UK Singles Chart remaining for for 15 weeks. UK Variations Single 7" Vinyl Solid Centre Single Label: CBS – S CBS 1902 Format: Vinyl, 7", 45 RPM, Single, Solid Centre A Lamplight 2:54 B We All Insane 3:08 Phonographic Copyright ℗ – CBS Records Published By – Jeff Wayne Music Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Produced For – Jeff Wayne Music Producer, Arranged By, Conductor – Jeff Wayne Written-By – D. Essex* Sleeve cut with waves in the opening. Produced, Arranged & Conducted By Jeff Wayne For JWM, Jeff Wayne Music. A U.K. Production. Single 7" Vinyl Four Prong Centre Label: CBS – S CBS 1902, CBS – 1902 Format: Vinyl, 7", 45 RPM, Stereo, Push-Out Centre A Lamplight 2:54 B We All Insane 3:08 Phonographic Copyright ℗ – CBS Records Published By – Jeff Wayne Music Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Produced For – Jeff Wayne Music Producer, Arranged By, Conductor – Jeff Wayne Written-By – D. Essex* Labels: Produced, arranged & conducted by Jeff Wayne for JWM, Jeff Wayne Music A U.K. Production Have you snagged this Essex gem in your vinyl collection? Does “Lamplight” light your playlist? Share in the comments! Sources Discogs: Lamplight (1973) 45cat: CBS 1898 Single YouTube: Lamplight Wikipedia: Rock On (David Essex album) Official Charts Company: David Essex Singles AllMusic: David Essex Discography

Bolan's Telegram to Stardom T. Rex’s Great Hits LP, released in the UK on November 2, 1973, on T. REX Records (catalogue: BLN 5003 / 0C 062 ◦ 94744), was a 14-track compilation of Marc Bolan’s glam anthems. Produced by Tony Visconti, it featured Telegram Sam, Metal Guru, 20th Century Boy, and Children Of The Revolution. Pressed by EMI Records and printed by Garrod & Lofthouse Ltd., with initial copies including a poster, it peaked at No. 32 on the UK Albums Chart for 3 weeks, November 10 –24, 1973. Issued in a fully laminated sleeve, with cassette (grey/blue body) and 8-track variants, it’s a sparkling snapshot of Bolan’s T. Rex reign. Housed in a colorful sleeve with Bolan's iconic image from the Born T Boogie film, it’s a nostalgic snapshot of the T. Rexmania era. Album Overview Release Details: Label: T. REX Records (UK). Formats: Vinyl LP, cassette (grey/blue body), 8-track. ℗ & ©: 1972/1973 Wizard Artists Ltd. Published by Wizard Artists Ltd. / Warrior Music Projects Ltd. Notes: First cat# on spine/back, second on back. Rimtext: THE GRAMOPHONE CO. LTD. Initial copies with poster. UK Release Formats and Track Listings Great Hits was released in the UK in 1973 in multiple formats, all with the same 14-track sequence: Vinyl LP (Catalogue: BLN 5003): Side A: Telegram Sam Jitterbug Love Lady Metal Guru Thunderwing Sunken Rags Solid Gold Easy Action Side B: 20th Century Boy Midnight The Slider Born To Boogie Children Of The Revolution Shock Rock The Groover Packaging: Fully laminated sleeve. Initial copies with poster. The album was launched worldwide: All featuring the same sleeve cover The editions released in Singapore, Malaysia, Hong Kong, and Thailand included a textured sleeve T. REX – BLN 5003, T. REX – 0C 062 ◦ 94744 UK 1973 T. REX – BLN. 5003, T. REX – BLN-5003, EMI – BLN. 5003 Australia 1973 EMI – BLN-3001 Venezuela 1973 Odeon – EOP-80930 Japan 1973 T. Rex – 3 C062-94744, T. Rex – 3C 062 - 94744 Italy 1973 EMI – BLN 5003 Greece 1973 EMI – BLN 5003 Denmark 1973 T. REX – 3 C062 - 94744, T. REX – 3C 062 - 94744 Italy 1973 EMI – BLN 5003 Greece 1973 T. REX – BLN(D) 5003 South Africa 1973 T. REX – BLN 5003 New Zealand 1973 T. REX – BLN 5003, T. REX – 0C 062 ◦ 94744 Singapore, Malaysia, Hong Kong & Thailand 1973 Textured sleeve In 1983, the album was reissued in Japan with a lyric insert and an obi strip included. T. Rex – SP20-5061 Series: Rock Original Disk Series Vol.2 Marc Bolan & T.Rex – 11 A1 Telegram Sam A2 Jitterbug Love A3 Lady A4 Metal Guru A5 Thunderwing A6 Sunken Rags A7 Solid Gold Easy Action B1 20th Century Boy B2 Midnight B3 The Slider B4 Born To Boogie B5 Children Of The Revolution B6 Shock Rock B7 The Groover Licensed From – Marc On Wax Phonographic Copyright ℗ – Wizard Artists Ltd. Made By – Sounds Marketing System, Inc. Producer – Tony Visconti Included lyric insert & obi strip. Cassette Album (Grey Body) (Catalogue: TC-BLN 5003 / 0C 244 ◦ 94744): Side A: Telegram Sam Sunken Rags The Slider Jitterbug Love Lady Metal Guru Solid Gold Easy Action Side B: Thunderwing Midnight The Groover 20th Century Boy Born To Boogie Children Of The Revolution Shock Rock Packaging: Grey cassette body. Label: Greatest Hits. Cassette Album, (Blue Body) (Catalogue: TC-BLN 5003 / 0C 244 ◦ 94744): 8-Track Cartridge , Compilation (Catalogue: 8X-BLN 5003 / OC 346 o 94744): Program 1: Telegram Sam / Sunken Rags / The Slider Program 2: Jitterbug Love / Lady / Metal Guru / Solid Gold Easy Action Program 3: Thunderwing / Midnight / The Groover Program 4: 20th Century Boy / Born To Boogie / Children Of The Revolution / Shock Rock Packaging: Printed by Delga Press Ltd. (October 1973). artwork and track credits. Packaging: Standard cassette case with J-card. The album received its first release on compact disc in Japan on January 21, 1986. by Sounds Marketing System, Inc. – MD32-5018 1 Telegram Sam 3:49 2 Jitterbug Love 2:57 3 Lady 2:13 4 Metal Guru 2:26 5 Thunderwing 3:47 6 Sunken Rags 2:55 7 Solid Gold Easy Action 2:19 8 20th Century Boy 3:41 9 Midnight 2:47 10 The Slider 3:24 11 Born To Boogie 2:06 12 Children Of The Revolution 2:30 13 Shock Rock 1:44 14 The Groover 3:16 Manufactured By – Sounds Marketing System, Inc. Phonographic Copyright ℗ – Wizard Artists Ltd. Licensed From – Marc On Wax Producer – Tony Visconti 4 page fold out B&W Japanese/English track list and Japanese biography Made in Japan. Printed in Japan. ¥3.200 Production and Context Produced by Tony Visconti, the tracks were recorded between 1971 and 1973 at studios like Advision and Chateau d'Hérouville, London and France. The lineup featured Marc Bolan (vocals, guitar), Mickey Finn (percussion, congas), Howard Kaylan (backing vocals), Mark Volman (backing vocals), and session musicians. The compilation assembled T. Rex's early glam hits from Electric Warrior and The Slider, reflecting Bolan’s transformation from folk to rock stardom. Released amid the glam rock peak, it followed Zinc Alloy (1974). Album Chart Performance Great Hits charted briefly in the UK: Peak: No. 32. Weeks on Chart: 3 (November 10 –24, 1973). Chart Run: No. 32 (Nov 10), No. 42 (Nov 17), No. 37 (Nov 24). Legacy and Collectibility Great Hits is a T. Rex cornerstone, with “Telegram Sam” and “Metal Guru” as timeless anthems. This LP is a must-have for glam rock fans. Do you have Great Hits in your vinyl stack? Which Bolan track rocks your turntable? Share in the comments! Sources

A Glam-Pop Debut Triumph David Essex’s Rock On LP, was released in the UK on November 2, 1973, on CBS Records (catalogue: S 65823). This 11-track debut studio album introduced Essex’s blend of glam rock, pop, and theatrical flair, featuring the iconic title track. Produced, arranged and conducted by Jeff Wayne, it showcased Essex’s charismatic vocals and songwriting, peaking at No. 7 on the UK Albums Chart for 12 weeks. It launched Essex’s solo stardom after That’ll Be the Day. Album Overview Release Details: Label: CBS Records (UK). Formats: Vinyl LP, cassette. ℗ & ©: 1973 CBS Records. Recorded at Advision Studios, London, 1973. Matrix numbers (e.g., S 65823 A-1) confirm authenticity. UK Release Formats and Track Listings Rock On was released in the UK in 1973 as a vinyl LP and cassette, with CD reissues later. All formats maintain the same 11-track sequence: Vinyl LP (Catalogue: S 65823): Side A: Lamplight (2:55, David Essex) Turn Me Loose (2:20, Doc Pomus/Mort Shuman) On And On (2:50, David Essex) Streetfight (3:50, David Essex) Rock On (3:24, David Essex) Side B: Ocean Girl (3:10, David Essex) Bring In The Sun (4:35, David Essex/Jeff Wayne) For Emily, Whenever I May Find Her (2:55, Paul Simon) We All Insane (3:05, David Essex) Tell Him No (4:00, Travis Pritchett) September 15th (1:25, David Essex) Musicians David Essex – vocals Julie Covington, Doreen Chanter, Irene Chanter, Jimmy Helms, Gary Osborne, Jimmy Thomas, Paul Vigrass, Billy Laurie, Tom Saffrey – backing vocals Jeff Wayne, Alan Hawkshaw – Moog synthesizer Mark Griffiths, Jo Partridge, Kirby Gregory – guitar Herbie Flowers – bass guitar Ray Cooper – percussion Barry de Souza – drums John Morton – Ondes Martinot Technical Gary Martin – engineer Jeff Wayne – producer, arranger, conductor London Weekend Television – photography Chart (1973–1974) Peak position Australian Albums (Kent Music Report) 37 Canada Top Albums/CDs (RPM) 24 UK Albums (OCC) 7 US Billboard 200 32 UK Variations: Album 12" Vinyl Orange Labels Label: CBS – S 65823, CBS – 65823 Format: Vinyl, LP, Album A1 Lamplight 2:56 A2 Turn Me Loose 2:18 A3 On And On 2:51 A4 Streetfight 3:50 A5 Rock On 3:24 B1 Ocean Girl 3:10 B2 Bring In The Sun 4:36 B3 For Emily, Wherever I May Find Her 2:56 B4 We All Insane 3:03 B5 Tell Him No 3:58 B6 September 15th 1:22 Published By – Jeff Wayne Music Ltd. Published By – April Music Ltd. Published By – Carlin Music Corp. Published By – Jewel Music Publishing Co. Ltd. Published By – Pattern Music Ltd. Phonographic Copyright ℗ – CBS Records Copyright © – CBS Records Printed By – Shorewood Packaging Co. Ltd. Produced For – Jeff Wayne Music Pressed By – CBS Pressing Plant, Aston Clinton Photography By [Cover] – London Weekend Television Producer, Arranged By, Conductor – Jeff Wayne Label: Orange with hole through centre CBS logo Made In England Sleeve: SHOREPAK by Shorewood Packaging co. Ltd, England. Has the cat. # as 65823 on the spine and rear of the cover. For matrix/runout var 4: Orienting the "S 65823 A5" at 12 o'clock, the "C" is relative at 9 o'clock and the "1 6" at 3 o'clock (same for side 2). This is reminiscent of EMI or Decca pressings on which the mother number is at 9 o'clock and the stamper(s) at 3 o'clock, though the matrix is located in the 6 o'clock position for those EMI and Decca pressings. Matrix / Runout (Side A Runout, stamped. Variant 1): S 65823 A5 Matrix / Runout (Side B Runout, stamped. Variant 1): S 65823 B5 Matrix / Runout (Side A Runout, stamped. Variant 2): S 65823 A1 Matrix / Runout (Side B Runout, stamped. Variant 2): S 65823 B5 Matrix / Runout (Side A Runout, stamped. Variant 3): S 65823 A1 Matrix / Runout (Side A Runout, stamped. Variant 3): S 65823 B1 Matrix / Runout (Side A Runout, stamped, Variant 4): S 65823 A5 C 1 6 Matrix / Runout (Side B Runout, stamped, Variant 4): S 65823 B5 D 1 7 Album 12" Vinyl Sunburst Labels Label: CBS – S 65823, CBS – 65823 Format: Vinyl, LP, Album, Reissue, Sunburst Labels A1 Lamplight 2:56 A2 Turn Me Loose 2:18 A3 On And On 2:51 A4 Streetfight 3:50 A5 Rock On 3:24 B1 Ocean Girl 3:10 B2 Bring In The Sun 4:36 B3 For Emily, Wherever I May Find Her 2:56 B4 We All Insane 3:03 B5 Tell Him No 3:58 B6 September 15th 1:22 Published By – Jeff Wayne Music Ltd. Published By – April Music Ltd. Published By – Carlin Music Corp. Published By – Jewel Music Publishing Co. Ltd. Published By – Pattern Music Ltd. Phonographic Copyright ℗ – CBS Records Copyright © – CBS Records Made By – Shorewood Packaging Co. Ltd. Produced For – Jeff Wayne Music Pressed By – CBS Pressing Plant, Aston Clinton Photography By [Cover] – London Weekend Television Producer, Arranged By, Conductor – Jeff Wayne Made In England Sleeve: SHOREPAK by Shorewood Packaging co. Ltd, England. Matrix / Runout (Runout, Side A): S 65823 A13E Matrix / Runout (Runout, Side B): S 65823 B5 Tape Cassette Label: CBS – 40-65823 Format: Cassette, Album A1 Lamplight A2 Turn Me Loose A3 Tell Him No A4 Streetfight A5 Bring In The Sun B1 Rock On B2 Ocean Girl B3 On And On B4 For Emily, Wherever I May Find Her B5 We All Insane B6 September 15th Phonographic Copyright ℗ – CBS Records Produced For – Jeff Wayne Music Producer, Arranged By, Conductor – Jeff Wayne ℗ 1973 Do you have Rock On in your vinyl stack? Which track rocks your turntable? Share in the comments! Sources Discogs: Rock On (1973) 45cat: David Essex Singles YouTube: Rock On Official Audio (2009 upload, 1M+ views) Wikipedia: Rock On (David Essex album) Official Charts Company: David Essex Albums AllMusic: Rock On Billboard Chart History: David Essex

A Glam Covers Extravaganza David Bowie’s Pinups LP, was released in the UK on October 19, 1973, on RCA Records (catalogue: RS 1003). The album entered the BBC UK Albums Chart on October 28 - November 3 at the top position, a place it held for 5 consecutive weeks as part of an initial 21-week run. Chart Data (1973) October 28 - November 3, 1973: (1) November 4-10 , 1973: (1) November 11-17 , 1973:(1) November 18-24 , 1973:(1) November 25- December,1973:(1) Reentering the chart on April 24 - 30, 1983, (when Let's Dance was situated at the top spot) at number 80 as part of a 12-week run. This 12-track album of 1960s rock and pop cover versions showcased Bowie’s glam rock reinterpretations during the height of his Ziggy Stardust era. Produced by Bowie and Ken Scott, Pinups featured energetic performances backed by the Spiders from Mars, peaking at No. 1 on the UK Albums Chart for five weeks. Issued in a vibrant sleeve with a Twiggy-and-Bowie photo by Justin de Villeneuve, it’s a nostalgic tribute to the Swinging Sixties. Album Overview Release Details: Label: RCA Records (UK). Formats: Vinyl LP, cassette; later CD reissues (detailed below). ℗ & ©: 1973 RCA Records. Recorded at Château d’Hérouville, France, July 1973. Matrix numbers (e.g., RS 1003 A-1) confirm authenticity. UK Release Formats and Track Listings Pinups was released in the UK in 1973 as a vinyl LP and cassette, with CD reissues later. The vinyl LP and cassette maintain the 12-track sequence, with the cassette reordered, and the 1990 CD reissue includes two bonus tracks: Vinyl LP (Catalogue: RS 1003): Side A: Rosalyn (2:21, Jimmy Duncan, Bill Farley) Here Comes The Night (3:09, Bert Berns) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:28, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:15, Pete Townshend) Side B: Friday On My Mind (2:56, George Young, Harry Vanda) Sorrow (2:53, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:05, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:12, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:41, Ray Davies) Packaging: 33⅓ RPM, stereo, in a single sleeve with Twiggy-and-Bowie photo by Justin de Villeneuve, including inner sleeve with liner notes. Cassette (Catalogue: PK 1003): Side A: Rosalyn (2:21, Jimmy Duncan, Bill Farley) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:28, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:15, Pete Townshend) Friday On My Mind (2:56, George Young, Harry Vanda) Side B: Here Comes The Night (3:09, Bert Berns) Sorrow (2:53, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:05, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:12, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:41, Ray Davies) Packaging: Standard cassette case with J-card featuring artwork and track credits. Compact Disc (CD) (Reissue, 1990 Rykodisc): Single Disc: Rosalyn (2:27, Jimmy Duncan, Bill Farley) Here Comes The Night (3:09, Bert Berns) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:26, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:14, Pete Townshend) Friday On My Mind (2:57, George Young, Harry Vanda) Sorrow (2:48, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:01, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:04, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:46, Ray Davies) BONUS TRACKS Growin’ Up (3:26, Bruce Springsteen) Port Of Amsterdam (3:19, Jacques Brel, Mort Shuman, Eric Blau) Packaging: Jewel case with booklet featuring liner notes, photos, and credits. Production and Context Produced by David Bowie and Ken Scott, recorded at Château d’Hérouville, France, in July 1973. The lineup featured Bowie (vocals, guitar), Mick Ronson (guitar), Trevor Bolder (bass), Mike Garson (piano), and Aynsley Dunbar (drums). Pinups was a tribute to ‘60s bands like The Who and The Kinks, recorded during the Ziggy Stardust tour’s final leg. Released amid glam’s peak, it followed Aladdin Sane (1973) and competed with Slade and T. Rex, serving as a bridge to Diamond Dogs (1974). Pinups is a glam rock gem, with “Sorrow” and “See Emily Play” as standout covers, reflecting Bowie’s love for ‘60s rock. Streams on Spotify via Pinups preserve the analog grit. This LP is a must-have for Bowie fans and glam collectors. Do you have Pinups in your vinyl stack? Which cover rocks your turntable? Share in the comments! Sources Discogs: Pinups (1973) Discogs: Pinups 1990 Rykodisc CD Official Charts Company: David Bowie Albums AllMusic: Pinups Discography Wikipedia: Pinups Billboard Chart History: David Bowie

David Bowie 's "1984 A.D.", Roxy Music "Live", "Truckin' Bolan" one page news in Disc, October 27, 1973

A Glam Salute to the Sixties David Bowie’s Pin Ups LP, was released in the UK on October 19, 1973, on RCA Victor (catalogue: RS 1003). This 12-track covers album paid homage to Bowie’s 1960s influences, reinterpreting hits by The Who, The Kinks, and Pink Floyd with a vibrant glam rock twist. Produced by Ken Scott and Bowie, and featuring Mick Ronson’s searing guitar work, the album captured Bowie at the height of his Ziggy Stardust fame, reaching No. 1 on the UK Albums Chart. Housed in a gatefold sleeve with an iconic Twiggy and Bowie cover photo by Justin de Villeneuve, Pin Ups bridged his glam era with his mod roots. Album Overview Release Details: Label: RCA Victor (UK). Formats: Vinyl LP (primary 1973 format); later CD and cassette reissues (detailed below). ℗ & ©: 1973 RCA Records. Recorded at Château d’Hérouville, France, in July 1973. Matrix numbers (e.g., RS 1003 A-1E) confirm authenticity. UK Release Formats and Track Listings Pin Ups was primarily released in the UK as a vinyl LP in 1973, with CD and cassette formats appearing in later reissues (e.g., 1984 RCA, 1990 Rykodisc). All formats maintain the same 12-track sequence: Vinyl LP (Catalogue: RS 1003): Side A: Rosalyn (2:27) – Pretty Things cover. Here Comes the Night (3:09) – Them cover. I Wish You Would (2:40) – Yardbirds cover. See Emily Play (4:03) – Pink Floyd cover. Everything’s Alright (2:26) – Mojos cover. I Can’t Explain (2:07) – The Who cover. Side B: Friday on My Mind (3:18) – Easybeats cover. Sorrow (2:48) – McCoys cover. Don’t Bring Me Down (2:01) – Pretty Things cover. Shapes of Things (2:47) – Yardbirds cover. Anyway, Anyhow, Anywhere (3:04) – The Who cover. Where Have All the Good Times Gone (2:35) – Kinks cover. Packaging: 33⅓ RPM, stereo, in a gatefold sleeve with Twiggy and Bowie cover photo by Justin de Villeneuve, including inner sleeve with lyrics and Bowie’s handwritten notes on the original artists. Compact Disc (CD) (Later reissues, e.g., 1984 RCA PD81090, 1990 Rykodisc): Single Disc: Rosalyn (2:27) Here Comes the Night (3:09) I Wish You Would (2:40) See Emily Play (4:03) Everything’s Alright (2:26) I Can’t Explain (2:07) Friday on My Mind (3:18) Sorrow (2:48) Don’t Bring Me Down (2:01) Shapes of Things (2:47) Anyway, Anyhow, Anywhere (3:04) Where Have All the Good Times Gone (2:35) Packaging: Jewel case with booklet featuring lyrics, original artwork, and bonus content in some editions (e.g., 1990 Rykodisc added “Growin’ Up” and “Port of Amsterdam”). Cassette (Later reissues, e.g., 1984 RCA PK 81090): Side A: Rosalyn (2:27) Here Comes the Night (3:09) I Wish You Would (2:40) See Emily Play (4:03) Everything’s Alright (2:26) I Can’t Explain (2:07) Side B: Friday on My Mind (3:18) Sorrow (2:48) Don’t Bring Me Down (2:01) Shapes of Things (2:47) Anyway, Anyhow, Anywhere (3:04) Where Have All the Good Times Gone (2:35) Packaging: Standard cassette case with fold-out J-card featuring lyrics and artwork. Production and Context Produced by Ken Scott and Bowie, with arrangements by Bowie and Mick Ronson, Pin Ups was recorded in a swift three-week session at Château d’Hérouville, France, following Aladdin Sane. The lineup featured Bowie (vocals, guitar), Mick Ronson (guitar, vocals), Trevor Bolder (bass), Aynsley Dunbar (drums), and Ken Fordham (saxophone). The album reimagined ‘60s British Invasion hits with glam swagger, reflecting Bowie’s mod influences during his Ziggy Stardust peak. Released amid the glam rock boom, it competed with Roxy Music and Sweet, serving as a nostalgic bridge to Diamond Dogs (1974). Chart Performance Pin Ups was a commercial triumph: UK: No. 1 (Official Albums Chart, 5 weeks), charting for 21 weeks, certified Gold (100,000 copies sold). US: No. 23 (Billboard 200), certified Gold (500,000 copies sold). Australia: No. 4 (ARIA Charts). Canada: No. 9. France: No. 5. Netherlands: No. 3. Germany: No. 4. New Zealand: No. 7. Sweden: No. 11.The single “Sorrow” drove sales, peaking at No. 3 (UK), No. 35 (US), No. 1 (Ireland), No. 2 (Netherlands), No. 4 (Belgium), No. 7 (Germany), and No. 10 (Australia). Legacy and Collectibility Pin Ups is a glam rock essential, praised for its vibrant covers and Ronson’s guitar work, influencing tribute albums and ‘60s revivals. Tracks like “Sorrow” and “See Emily Play” remain fan favorites, with the Twiggy cover photo iconic. Original UK vinyls fetch £20–£100 on Discogs, with first pressings (gatefold, intact inner sleeve) commanding premiums—check matrix numbers for authenticity. CD reissues (£5–£20, e.g., 1990 Rykodisc, 2015 Parlophone) and cassettes (£5–£15) are collectible in mint condition. Spotify streams and remasters preserve the album’s analog punch. This LP is a dazzling tribute to Bowie’s ‘60s roots—a must-have for glam enthusiasts. Do you have Pin Ups in vinyl, CD, or cassette? Which cover track rocks your turntable? Share in the comments!

Ziggy's Nostalgic Jukebox David Bowie’s Pinups LP, was released in the UK on October 19, 1973, on RCA Records (catalogue: RS 1003). This 12-track album of 1960s rock and pop cover versions showcased Bowie’s glam rock reinterpretations during the height of his Ziggy Stardust era. Produced by Bowie and Ken Scott, Pinups featured energetic performances backed by the Spiders from Mars, peaking at No. 1 on the UK Albums Chart for five weeks. Issued in a vibrant sleeve with a Twiggy-and-Bowie photo by Justin de Villeneuve, it’s a nostalgic tribute to the Swinging Sixties. Album Overview Release Details: Label: RCA Records (UK). Formats: Vinyl LP, cassette; later CD reissues (detailed below). ℗ & ©: 1973 RCA Records. Recorded at Château d’Hérouville, France, July 1973. Matrix numbers (e.g., RS 1003 A-1) confirm authenticity. UK Release Formats and Track Listings Pinups was released in the UK in 1973 as a vinyl LP and cassette, with CD reissues later. The vinyl LP and cassette maintain the 12-track sequence, with the cassette reordered, and the 1990 CD reissue includes two bonus tracks: Vinyl LP (Catalogue: RS 1003): Side A: Rosalyn (2:21, Jimmy Duncan, Bill Farley) Here Comes The Night (3:09, Bert Berns) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:28, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:15, Pete Townshend) Side B: Friday On My Mind (2:56, George Young, Harry Vanda) Sorrow (2:53, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:05, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:12, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:41, Ray Davies) Packaging: 33⅓ RPM, stereo, in a single sleeve with Twiggy-and-Bowie photo by Justin de Villeneuve, including inner sleeve with liner notes. Cassette (Catalogue: PK 1003): Side A: Rosalyn (2:21, Jimmy Duncan, Bill Farley) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:28, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:15, Pete Townshend) Friday On My Mind (2:56, George Young, Harry Vanda) Side B: Here Comes The Night (3:09, Bert Berns) Sorrow (2:53, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:05, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:12, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:41, Ray Davies) Packaging: Standard cassette case with J-card featuring artwork and track credits. Compact Disc (CD) (Reissue, 1990 Rykodisc): Single Disc: Rosalyn (2:27, Jimmy Duncan, Bill Farley) Here Comes The Night (3:09, Bert Berns) I Wish You Would (2:48, Billy Boy Arnold) See Emily Play (4:12, Syd Barrett) Everything’s Alright (2:26, Nicky Crouch, John Konrad, Simon Stavely, Stuart James, Keith Karlson) I Can’t Explain (2:14, Pete Townshend) Friday On My Mind (2:57, George Young, Harry Vanda) Sorrow (2:48, Bob Feldman, Jerry Goldstein, Richard Gottehrer) Don’t Bring Me Down (2:01, Johnnie Dee) Shapes Of Things (2:53, Paul Samwell-Smith, Jim McCarty, Keith Relf) Anyway, Anyhow, Anywhere (3:04, Pete Townshend, Roger Daltrey) Where Have All The Good Times Gone (2:46, Ray Davies) BONUS TRACKS Growin’ Up (3:26, Bruce Springsteen) Port Of Amsterdam (3:19, Jacques Brel, Mort Shuman, Eric Blau) Packaging: Jewel case with booklet featuring liner notes, photos, and credits. Production and Context Produced by David Bowie and Ken Scott, recorded at Château d’Hérouville, France, in July 1973. The lineup featured Bowie (vocals, guitar), Mick Ronson (guitar), Trevor Bolder (bass), Mike Garson (piano), and Aynsley Dunbar (drums). Pinups was a tribute to ‘60s bands like The Who and The Kinks, recorded during the Ziggy Stardust tour’s final leg. Released amid glam’s peak, it followed Aladdin Sane (1973) and competed with Slade and T. Rex, serving as a bridge to Diamond Dogs (1974). Singles Released and Chart Performance Pinups spawned one single: “Sorrow” (1973, RCA 2424): UK Chart Data: Entry October 27, 1973; Peak No. 3; 15 weeks. Chart Run: No. 39 (Oct 27), No. 15 (Nov 3), No. 7 (Nov 10), No. 3 (Nov 17), No. 4 (Nov 24), No. 5 (Dec 1), No. 7 (Dec 8), No. 9 (Dec 15), No. 11 (Dec 22), No. 13 (Dec 29), No. 15 (Jan 5, 1974), No. 18 (Jan 12), No. 22 (Jan 19), No. 28 (Jan 26), No. 35 (Feb 2). International: Australia No. 1, New Zealand No. 1, Ireland No. 2, Germany No. 39, France No. 25, Netherlands No. 30. Artist: David Bowie Label: RCA Victor Country: Netherland Catalogue: RCA 2424 Album Chart Performance Pinups was a major success: UK: Entry Date: October 27, 1973 (Official Albums Chart). Peak: No. 1 (November 3, 1973, 5 weeks). Weeks on Chart: 21 (Oct 27, 1973–March 16, 1974). Chart Run: No. 7 (Oct 27), No. 1 (Nov 3), No. 1 (Nov 10), No. 1 (Nov 17), No. 1 (Nov 24), No. 1 (Dec 1), No. 2 (Dec 8), No. 3 (Dec 15), No. 4 (Dec 22), No. 5 (Dec 29), No. 6 (Jan 5, 1974), No. 7 (Jan 12), No. 8 (Jan 19), No. 10 (Jan 26), No. 12 (Feb 2), No. 15 (Feb 9), No. 18 (Feb 16), No. 22 (Feb 23), No. 28 (Mar 2), No. 32 (Mar 9), No. 35 (Mar 16). Certification: Gold (100,000 copies sold, BPI). US: No. 23 (Billboard 200, 20 weeks), Gold (500,000 copies sold, RIAA). Australia: No. 4 (Kent Music Report, 15 weeks). Canada: No. 12 (RPM, 12 weeks). Germany: No. 30 (GfK, 8 weeks). Netherlands: No. 6 (Dutch Album Top 100, 10 weeks). New Zealand: No. 2 (RMNZ, 12 weeks). France: No. 8 (SNEP, 10 weeks). Sweden: No. 15 (Sverigetopplistan, 6 weeks). Norway: No. 18 (VG-lista, 5 weeks). Italy: No. 25 (FIMI, 4 weeks). Spain, Austria, Switzerland, Japan, Finland: No chart entries due to limited promotion. Legacy and Collectibility Pinups is a glam rock gem, with “Sorrow” and “See Emily Play” as standout covers, reflecting Bowie’s love for ‘60s rock. Streams on Spotify via Pinups preserve the analog grit. This LP is a must-have for Bowie fans and glam collectors. Do you have Pinups in your vinyl stack? Which cover rocks your turntable? Share in the comments! Sources Discogs: Pinups (1973) Discogs: Pinups 1990 Rykodisc CD Official Charts Company: David Bowie Albums AllMusic: Pinups Discography Wikipedia: Pinups Billboard Chart History: David Bowie

A Glam Pop Dancefloor Filler Barry Blue’s “Do You Wanna Dance?” 7-inch vinyl single, was released in the UK on October 12, 1973, on Bell Records (catalogue: BELL 1336). Backed with “Don’t Put Your Money On My Horse,” this infectious glam pop track, written by Blue and Lynsey de Paul, served as the lead single from his debut album, Hot Shots. Produced by Blue, the A-side’s upbeat rhythm and catchy chorus made it a dancefloor hit, peaking at No. 7 on the UK Singles Chart. Housed in a vibrant picture sleeve with Blue’s stylish image, the single captured his brief but bright glam rock moment. Single Overview A-Side: “Do You Wanna Dance?” (3:50) Written by Barry Blue and Lynsey de Paul. A lively glam pop anthem with bouncy piano, driving guitars, and Blue’s smooth vocals, inviting listeners to the dancefloor with a nod to ‘50s rock ‘n’ roll. Produced by Blue, it blended catchy hooks with glam’s glittery energy. B-Side: “Don’t Put Your Money On My Horse” (3:15) Written by Barry Blue and Gerry Shury. A playful, mid-tempo pop track with quirky lyrics and a lighthearted groove, showcasing Blue’s knack for storytelling. Also produced by Blue, it complemented the A-side’s upbeat vibe. Release Details: Label: Bell Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (BELL 1336): “Do You Wanna Dance?” / “Don’t Put Your Money On My Horse.” In a picture sleeve with Blue’s image. No cassette or CD formats for this single. Notes: ℗ & © 1973 Bell Records. Matrix numbers (e.g., BELL 1336 A-1U) confirm authenticity. The single promoted Hot Shots (1974). Country Variations The single was released in several countries with variations: UK (Bell BELL 1336): Released October 12, 1973. Tracklist: “Do You Wanna Dance?” / “Don’t Put Your Money On My Horse.” Picture sleeve with Blue’s photo. Germany (Bell 2008 191): Released October 1973. Same tracklist, catalogue 2008 191, German sleeve with localized text. Netherlands (Bell 2008 191): Released October 1973. Same tracklist, catalogue 2008 191, Dutch sleeve. Australia (Bell K-5248): Released late 1973. Same tracklist, catalogue K-5248, company sleeve. France (Bell 2008 191): Released October 1973. Same tracklist, catalogue 2008 191, French sleeve. US: No confirmed single release; Blue’s success was primarily European. Production and Context Recorded in 1973 at Audio International Studios, London, the single was produced by Barry Blue, with session musicians including Gerry Shury (arrangements) and a backing band typical of glam-era productions. The A-side’s danceable groove reflected Blue’s songwriting partnership with de Paul, while the B-side’s quirkiness showed his versatility. Released during the glam rock peak, it followed Blue’s earlier hit “Dancin’ (On a Saturday Night)” and competed with Slade and Sweet, capitalizing on the UK’s pop craze. Singles Released and Chart Performance “Do You Wanna Dance?” was the lead single from Hot Shots: Chart Performance: UK: No. 7 (Official Singles Chart), charting for 11 weeks. Germany: No. 9 (GfK). Netherlands: No. 11 (Single Top 100). Australia: No. 14 (Kent Music Report). Ireland: No. 6. Belgium: No. 19 (Ultratop Flanders). France: No. 28. Other Countries: No chart entries in US, Canada, Sweden, Norway, Finland, Italy, Spain, Austria, Switzerland, New Zealand, or Japan due to limited distribution. UK Chart Data: Entry Date: October 20, 1973. Peak: No. 7 (November 3, 1973). Weeks on Chart: 11 (Oct 20, 1973–Jan 5, 1974). Chart Run: No. 22 (Oct 20), No. 12 (Oct 27), No. 7 (Nov 3), No. 8 (Nov 10), No. 9 (Nov 17), No. 11 (Nov 24), No. 14 (Dec 1), No. 18 (Dec 8), No. 22 (Dec 15), No. 27 (Dec 29), No. 32 (Jan 5). Single Chart Performance “Do You Wanna Dance?” peaked at No. 7 in the UK, charting for 11 weeks, and saw moderate success in Europe and Australia, driven by its infectious glam pop appeal. Streams on Spotify via Hot Shots or Barry Blue compilations preserve the analog bounce. This single is a vibrant relic of ‘70s glam pop. Have you snagged this Barry Blue gem in your vinyl collection? Does “Do You Wanna Dance?” get your feet moving? Share in the comments!

A Theatrical Glam Gallop The Sensational Alex Harvey Band’s “Giddy Up A Ding Dong” 7-inch vinyl single, was released in the UK on October 12, 1973, on Vertigo Records (catalogue: 6059 091). Backed with “Buff's Bar Blues,” this energetic glam rock track, written by F. Bell, Lattanzil. Produced by Phil Wainman, the A-side’s galloping rhythm, Harvey’s theatrical vocals, and Zal Cleminson’s fiery fiddle captured SAHB’s vaudevillian flair, but it failed to chart. Song origins: "Giddy Up a Ding Dong" is a rock and roll song which rose to prominence in 1956, when it was featured in the film Rock Around the Clock, starring Bill Haley. It became a hit in several countries for the group Freddie Bell and the Bellboys, and is perhaps their best known recording. The song was written in 1953 by Freddie Bell and his friend Pep Lattanzi, but was not recorded until three years later after the group had signed to Mercury, and were spotted by film producer Sam Katzman. Katzman offered the Bellboys a part in Rock Around the Clock and "Giddy Up a Ding Dong" became their first Mercury release, and was featured in the film. The song was not a hit in the United States, but did achieve popularity in Australia, France and the UK, where it climbed to number four on the UK Singles Chart. The publicity for the single said, "If these sides don't move you, see a doctor – you're dead." The lyrics to the song are about a horse ride, with a definite western flavor, with the music having a loping, horse-like cadence. The song was also recorded by Tommy Steele, and by Steele's brother Colin Hicks, whose version was a hit in Italy. British band leader Ray Ellington recorded a comedic version of the song which added a verse about the song's horse-rider encountering a romantic rival. Bill Haley & His Comets performed a unique version of the song during their 1958 European tour that used different lyrics referring to popular cowboy-film stars of the day (a performance of this version recorded at the Paris Olympia is preserved on the 2002 album release Vive la Rock and Roll (Big Beat Records: BBR 00073)). Single Overview The Sensational Alex Harvey Band – Giddy Up A Ding Dong Label: Vertigo – 6059 091 Format: Vinyl, 7", 45 RPM Country: UK Released: 1973 A Giddy Up A Ding Dong Producer – Phil Wainman Written-By – F. Bell, Lattanzi B Buff's Bar Blues Producer, Written-By – Alex Harvey Published By – Edward Kassner Music Published By – Eiger Music Ltd. Produced For – Mountain Records Ltd. Produced For Mountain Records Ltd. Publishers: A-Side: E. Kassner Music B-Side: Eiger Music Ltd UK Releases 1: Label: Vertigo – DJ. 012 Format: Vinyl, 7", 45 RPM, Single, Promo, Silver Injection 2: Label: Vertigo – 6059 091 Format: Vinyl, 7", 45 RPM, Silver Injection Country Variations Country: Australia Label: Vertigo – 6059 091 Format: Vinyl, 7", 45 RPM, Single Released: 1973 Country: Chile Label: Vertigo – 6059 091 Format: Vinyl, 7", 45 RPM, Single Released: 1974 Country: Germany Label: Vertigo – 6059 091 Format: Vinyl, 7", Single, 45 RPM Released: 1973 Country: Italy Label: Vertigo – 6059 091 Format: Vinyl, 7", 45 RPM, Single Released: 1973 Country: New Zealand Label: Vertigo – 6059 091 Format: Vinyl, 7" Released: 1973 Country: Spain Label: Vertigo – 60 59 091 Format: Vinyl, 7", Single, 45 RPM Released: 1973 Country: Sweden Label: Philips – 6059 091 Format: Vinyl, 7", 45 RPM, Single, Stereo

Queen’s “Keep Yourself Alive,” backed with “Son and Daughter,” was released in the United States on October 8, 1973, as the opening track on their self-titled debut album. It marked the band’s debut single release in the US. (The US single sleeve is featured.) Chart Information: “Keep Yourself Alive” did not achieve significant chart success in the United States upon its initial release. It did not enter the Billboard Hot 100, reflecting Queen’s early struggle to gain traction in the US market. However, the song later gained recognition as a classic rock staple and a fan favorite. Below is a chart illustrating the single’s performance (or lack thereof) in the US compared to its UK release, where it also failed to chart significantly in 1973.

While performing at the Forum on February 9, 1976, David Bowie made an appearance on Dinah Shore's afternoon talk show at CBS Television City, 7800 Beverly Boulevard, Fairfax, California, USA. After delivering a live performance of 'Stay' with his tour band, he sat down for an interview with host Dinah Shore. The conversation resumed after the break, joined by other guests Nancy Walker and Henry Winkler. In the following segment, Shore presented Bowie's bodyguard, Dwain Vaughns, to showcase karate alongside Bowie. Bowie explained, "Many of my rock musician friends have started practicing karate as a form of exercise before touring, so I decided to join them and learn some myself. I had studied mime when I was younger, and both types of movement are quite similar." Natalie Cole also appeared on the show while she was in California for concerts and the Grammy Awards on February 28. Bowie gave her a gold record for her album "Inseparable." Bowie also sang the song "Five Years" during the show.

A Sweet Glam-Pop Sweet Sting Released as a 7-inch vinyl single in the UK on January 9, 1976, on RCA Victor (catalogue: RCA 2641), The Sweet’s “The Lies In Your Eyes” — backed with “Cockroach” — was a glam-pop gem written by Scott, Connolly, Tucker, and Priest. Produced by Sweet for Chinebridge Ltd., this track entered the Official Singles Chart on January 24, 1976, peaking at No. 35 for 4 weeks. Issued in RCA company sleeve with solid centre pressing. Single Overview Release Details Label: RCA Victor. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A The Lies In Your Eyes Side B Cockroach Reissues & Global Variants 7", 45 RPM, Single – RCA Victor RCA 2641 – UK – 1976 7", Single – Jugoton/RCA Victor SRCA 88887 / RCA 2641 – Yugoslavia – 1976 7", 45 RPM, Single – RCA/RCA Victor YBPB O.417 / YBPBO-417 – Belgium – 1976 7", 45 RPM, Single – RCA Victor/RCA Victor/RCA Victor/RCA Victor/RCA/RCA/RCA/RCA RCA-2641 / 26.11362 / 26.11 362 – Germany – 1976 7", 45 RPM, Single – RCA Victor – Australia – 1976 7", 45 RPM, Single – RCA Victor – France – 1976 7", 45 RPM, Single – RCA Victor – Italy – 1976 7", 45 RPM, Single – RCA – Mexico – 1976 7", 45 RPM, Single – RCA Victor – Netherlands – 1976 7", 45 RPM, Single – RCA Victor – New Zealand – 1976 7", 45 RPM, Single – RCA Victor – Portugal – 1976 7", 45 RPM, Single – RCA Victor – Spain – 1976 7", 45 RPM, Single – RCA Victor – Turkey – 1976 Production and Context Produced by Sweet for Chinebridge Ltd. Published by Sweet Publishing Ltd./Carlin Music Corp. Pressed by RCA Washington. From the mid-’70s Sweet era. Official Singles Chart Data Peak position: 35 4 weeks – January 24, 1976 to February 14, 1976 39 → 35 → 35 → 39 Do you have The Lies In Your Eyes in your vinyl stack? See through the lies? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments! Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

Bolan unplugged – the Electric Warrior opens up on BBC radio! Insight with Marc Bolan – two rare, intimate interviews broadcast on BBC Radio 1: Part One – 23 November 1975 (3:34) Presented by David “Diddy” Hamilton • Producer: Paul Williams Marc chats about Music Business, touring, and the changing scene. Part Two – 30 May 1976 (5:49) Presented by Anne Nightingale • Producer: Tony Hale Deeper dive – life after glam, new directions, and classic Bolan charm. Both originally aired on the Insight programme – Segments featuring clips of Marc, along with song snippets and comments from associates, presented in a candid, relaxed manner, showcasing a pure cosmic poet. More Bolan gems unearthed weekly.

A Wizzard Solo Fool's Gaze Released as a 7-inch vinyl single in the UK on November 28, 1975, on Jet Records (catalogue: JET 761), Roy Wood’s “Looking Thru' The Eyes Of A Fool” was his post-Wizzard solo gem. Backed with “Strider,” both tracks written/produced/performed entirely by Roy Wood (all instruments/voices), this melancholic glam-folk ballad did not chart in the UK. Issued in standard and rare misprint (“Look Thru' The Eyes Of A Fool”) variants, it’s a hidden Wood treasure. Single Overview Release Details Label: Jet Records. Formats: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A Looking Thru' The Eyes Of A Fool Side B Strider UK Variants - 7", 45 RPM, Single – Jet JET 761 – UK – 1975 - 7", Misprint – Jet JET 761 – UK – 1975 (“Look Thru' The Eyes Of A Fool”) Production and Context Written/Produced/Performed by Roy Wood (all instruments/voices). Published United Artists Music Ltd. (A), Jet Music (B). Solo follow-up to Wizzard’s glam heyday. Chart Performance No UK chart entry. Legacy and Collectibility “Looking Thru' The Eyes Of A Fool” is Roy Wood’s introspective post-Wizzard solo single. Original UK Jet pressings fetch £10–£30 on eBay/Discogs, misprint higher. Verify catalogue JET 761. Streams limited (often on compilations). This single is a must-have for Roy Wood/Wizzard collectors. Do you have Looking Thru' The Eyes Of A Fool in your vinyl stack? Does it fool you? Share in the comments! Sources Information is drawn from personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

Glam Burger Angel Alvin Stardust’s “Angel From Hamburger Heaven” was released as a 7-inch vinyl single in the UK on November 21, 1975, on Magnet (catalogue: MAG 51). Backed with “Be Smart Be Safe (The Green Cross Code Song),” this novelty glam-pop tale and road safety anthem (produced by Roger Greenaway), were issued in solid and push-out centre commercial, plus large A promo. No UK chart entry. Issued in paper labels, solid or push-out centre, promo with “21-11-75” and album note, it’s a quirky ‘75 glam reissue pair. Single Overview A-Side: “Angel From Hamburger Heaven” (2:57) Written-By – B. Mason, R. Greenaway. Arranged By – John Fiddy. Producer – Roger Greenaway. B-Side: “Be Smart Be Safe (The Green Cross Code Song)” (2:59) Written-By, Arranged By – Alvin Stardust. Producer – Roger Greenaway. Label: Magnet (UK pressing, 45 RPM). From the album Rock with Alvin (MAG 5007). UK Formats Vinyl, 7" Single Paper Labels, Solid Centre (MAG 51) Commercial. Vinyl, 7" Single Paper Labels, Push Out Centre (MAG 51) Commercial. Vinyl, 7" Single, Promo Paper Labels, Solid Centre (MAG 51) Large A, “21-11-75 taken from the album Rock with Alvin MAG 5007” printed. Country Variations The single was released in: UK (Magnet MAG 51) Released November 21, 1975. 7-inch (commercial solid/push-out, promo). South Africa (Gallo PD.1200) Vinyl, 7", 45 RPM, Single. Released January 26, 1976. Production and Context Produced by Roger Greenaway. A-side co-written by Barry Mason & Greenaway. B-side sequel to earlier Green Cross Code single. From *Rock with Alvin* LP. Novelty glam with public service twist. Chart Performance No UK chart entry. Legacy and Collectibility “Angel From Hamburger Heaven” is kitsch glam fun, “Be Smart Be Safe” safety pop gold. Original UK solid centre vinyls fetch £4–£10 on eBay/Discogs, push-out (£6–£14), promos (£20–£40). Verify large A and album text. Streams via Rock with Alvin and appears compilations. This double-dose of glam safety is a must-have for Alvin fans and ‘75 novelty collectors. Have you met the Angel from Hamburger Heaven? Does the Green Cross Code still save lives in your playlist? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube. ---

A Festive Duet From The Glam Couple Released as a 7-inch vinyl single in the UK on November 28, 1975, on Jet Records (catalogue: JET 762 / 2001 616), Lynsey De Paul & Barry Blue’s “Happy Christmas To You From Me” was their one-off festive duet. Backed with “Stick To You,” both tracks written/produced by the pair, this charming glam-pop Christmas song — published by Lynsey Music Ltd, Bluey Tunes, and ATV Music Ltd. — did not chart in the UK. Marketed by Polydor, it’s a rare holiday gem from two ‘70s hitmakers. Single Overview Release Details Label: Jet Records. Formats: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A Happy Christmas To You From Me Side B Stick To You Production and Context Written/Produced by Barry Blue & Lynsey De Paul. A one-off duet between the glam-pop stars — De Paul fresh from “Sugar Me” success, Blue from “Dancin' (On A Saturday Night)”. A sweet, overlooked Christmas single. Chart Performance No UK chart entry. Legacy and Collectibility “Happy Christmas To You From Me” is Lynsey De Paul & Barry Blue’s rare festive duet. O Verify catalogue JET 762. This single is a must-have for ‘70s glam and Christmas collectors. Do you have Happy Christmas To You From Me in your vinyl stack? Does it stick to you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

David Bowie/The Spiders from Mars White Man, Black Man Single Review dated November 15, 1975. THE SPIDERS FROM MARS: "Black Man White Man" (Pye). Trevor Bolder (or "Boulder", as he apparently now wishes to be known) plays remarkably sturdy bass, but good bass playing alone has rarely saved an otherwise poor record, and this record is so poor that it should file bankruptcy papers. It was written by the two new Spiders, who could well have organised a more promising debut. One less promising would have been scientific-ally impossible.

David Bowie's Three UK Scrapbook Cuttings from November 15, 1975. How Bowie Wrote Space Oddity, Guest on Cher Show, Next Single Golden Years.

Harvey's Shake That Thing Swing The Sensational Alex Harvey Band’s “Gamblin' Bar Room Blues” 7-inch vinyl single, was released in the UK on November 14, 1975, on Vertigo Records (catalogue: ALEX 002). Backed with “Shake That Thing,” this theatrical blues-rock cover of Jimmie Rodgers/Shelley Lee Alley (A) and Alex Harvey original (B), was produced by D. Batchelor for Mountain Records. The A-side’s fiddler-driven barroom tale and B-side’s raucous energy peaked at No. 38 on the UK Singles Chart for 8 weeks. Pressed by Phonodisc Ltd., lacquer cut at EMI Records, issued with some Christmas inserts, it’s a raucous SAHB classic. THE SENSATIONAL ALEX HAR-VEY BAND: Gamblin' Bar Room Blues (Vertigo) And what will little Alex be getting in his stocking this year? That's if he's not wearing it over his head at the time, and slitting Santa's gizzard. A cut throat-razor and a kiddies' embalming Set, dearie? We'll have to see what Mummy can do. And the single? Well, a lame attempt to consolidate chart credibility. Englebert's "Release Me" had more punk potential. This is not unlike The Doors' "Whisky Bar" aka Alabama Song, except it lacks Morrison's menace. And is Alex really a Master showman? The way he baits audiences, he's clearly a master taunter, but is that enough? On TOTP the other week, he was hiding that compelling mug behind a potted plant. Could try harder. NME singles review, 6 Dec 1975 Single Overview A-Side: “Gamblin' Bar Room Blues” Written-By – J. Rodgers, Shelley Lee Alley. Producer – D. Batchelor. B-Side: “Shake That Thing” Written-By – A. Harvey. Producer – D. Batchelor. Release Details: Label: Vertigo Records (UK pressing, 45 RPM). Published By – Southern Music (A), Eiger Music/Panache Music Ltd. (B). Phonographic Copyright ℗ – Phonogram Ltd. Printed By – Robert Stace. Pressed By – Phonodisc Ltd. Lacquer Cut At – EMI Records. Design – Jack Wood. Formats: Vinyl, 7", 45 RPM, Single (ALEX 002): A: “Gamblin' Bar Room Blues” (Rodgers, Alley) – Written-By – J. Rodgers, Shelley Lee Alley – Producer – D. Batchelor B: “Shake That Thing” (Harvey) – Written-By – A. Harvey – Producer – D. Batchelor Notes: A Mountain Records Production. Some copies with Christmas insert. Country Variations: UK (Vertigo ALEX 002) Germany (Vertigo 6078 223) France (Vertigo 6078 223) Scandinavia (Vertigo 6078 223) Ireland (Vertigo ALEX 002) Australia (Vertigo 6078 223) Italy (Vertigo 6078 223) Spain (Vertigo 60 78 247 promo/regular) Production and Context Produced by D. Batchelor for Mountain Records. Recorded in 1975. The lineup: Alex Harvey (vocals), Zal Cleminson (guitar), Chris Glen (bass), Hugh McKenna (keyboards), Ted McKenna (drums). “Gamblin' Bar Room Blues” revived Jimmie Rodgers’ 1930/1932 versions (fiddler Shelley Lee Alley, Clayton McMichen, Slim Bryant), rooted in “Unfortunate Rake” (1700s) lineage via “Streets of Laredo,” “St. James Infirmary,” “Gambler's Blues” (1925 Phil Baxter). “Shake That Thing” was Harvey’s original. UK Chart Performance: Entry Date: November 22, 1975. Peak: No. 38 (December 6, 1975). Weeks on Chart: 8 (Nov 22, 1975 – Jan 10, 1976). Chart Run: No. 50 (Nov 22), No. 43 (Nov 29), No. 38 (Dec 6), No. 41 (Dec 13), No. 44 (Dec 20), No. 44 (Dec 27), No. 44 (Jan 3), No. 44 (Jan 10). Legacy and Collectibility “Gamblin' Bar Room Blues” is SAHB’s bluesy barroom stomp, with “Shake That Thing” a live-wire B-side. Verify catalogue ALEX 002. Streams on Spotify via compilations preserve the analog grit. This single is a must-have for SAHB fans and ‘70s rock collectors. Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History

Slade's Imagine That Flip Slade’s “In For A Penny” 7-inch vinyl single, was released in the UK on November 14, 1975, on Polydor Records (catalogue: 2058 663). Backed with “Can You Just Imagine,” this upbeat glam-pop anthem, written by Noddy Holder and Jim Lea, was produced by Chas Chandler for Barn Productions. The lead single from Nobody's Fools, the A-side’s catchy chorus and stomping rhythm peaked at No. 11 on the UK Singles Chart for 8 weeks. Lacquer cut by TONE at Master Room, pressed by Phonodisc Ltd., issued with first 30,000 in special picture sleeve, company sleeve (large/solid centre) variants, it’s a vibrant Slade ‘70s staple. Single Overview A-Side: “In For A Penny” (3:34, Holder, Lea) Written-By – James Lea, Neville Holder. Producer – Chas Chandler. B-Side: “Can You Just Imagine” (3:31, Holder, Lea) Written-By – Lea, Holder. Producer – Chas Chandler. Release Details: Label: Polydor Records (UK pressing, 45 RPM). Published By – Barn Publishing (Slade) Ltd. Phonographic Copyright ℗ – Polydor International. Produced For – Barn Productions. Mastered At – Master Room. Pressed By – Phonodisc Ltd. Lacquer Cut By – Tone. UK Formats: Vinyl, 7", 45 RPM, Single, Plastic Injection Solid Centre Picture Sleeve (2058 663): A: “In For A Penny” (3:34) – Written-By – James Lea, Neville Holder – Producer – Chas Chandler B: “Can You Just Imagine” (3:31, Holder, Lea) – Written-By – Lea, Holder – Producer – Chas Chandler Vinyl, 7", 45 RPM, Single, Plastic Injection Large Centre Stereo, Company Sleeve (2058 663): A: “In For A Penny” (3:34) – Written-By – James Lea, Neville Holder – Producer – Chas Chandler B: “Can You Just Imagine” (3:31, Holder, Lea) – Written-By – Lea, Holder – Producer – Chas Chandler Vinyl, 7", 45 RPM, Single, Plastic Injection Solid Centre Company Sleeve (2058 663): A: “In For A Penny” (3:34) – Written-By – James Lea, Neville Holder – Producer – Chas Chandler B: “Can You Just Imagine” (3:31, Holder, Lea) – Written-By – Lea, Holder – Producer – Chas Chandler Notes: Made in England. UK (Polydor 2058 663): Released November 14, 1975. Picture sleeve, company sleeve Country Variations The single was released in several countries: Picture sleeve/company sleeve, (large/solid center), Australia (Polydor 1975) Austria (Polydor 1975) Belgium (Polydor 1975) Brazil (Polydor 1976) France (Polydor 1975) Germany (Polydor 1975) Ireland (Polydor 1975) Japan (Polydor DP 4008 promo 1976) Netherlands (Polydor 1975) Portugal (Polydor 1975) Scandinavia (Polydor 1975) Spain (Polydor 1975) Yugoslavia (PGP RTB/Polydor 1976) Production and Context Produced by Chas Chandler for Barn Productions. Recorded in 1975. The lineup: Noddy Holder (lead vocals), Dave Hill (guitar), Jim Lea (bass), Don Powell (drums). “In For A Penny” was the lead from Nobody's Fools, performed on Top of the Pops and Supersonic (TOTP footage lost). In 1986, Lea recalled watching Queen’s “Bohemian Rhapsody” video at Freddie Mercury’s flat post-TOTP. Chart Performance: Entry Date: November 22, 1975. Peak: No. 11 (December 6, 1975). Weeks on Chart: 8 (Nov 22, 1975 – Jan 10, 1976). Chart Run: No. 27 (Nov 22), No. 19 (Nov 29), No. 11 (Dec 6), No. 17 (Dec 13), No. 23 (Dec 20), No. 25 (Dec 27), No. 25 (Jan 3), No. 42 (Jan 10). Legacy and Collectibility “In For A Penny” is Slade’s glam-pop penny drop, with “Can You Just Imagine” a dreamy B-side. Verify catalogue 2058 663. Streams on Spotify via Nobody's Fools reissues preserve the analog stomp. This single is a must-have for Slade fans and ‘70s glam collectors. Have you snagged this Slade penny in your vinyl collection? Does In For A Penny pay off? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

Harley’s Black And White Ballad Steve Harley And Cockney Rebel’s “Black Or White” 7-inch vinyl single, was released in the UK on November 7, 1975, on EMI Records (catalogue: EMI 2369). Backed with “Mad, Mad Moonlight (Live), (recorded live at the Hammersmith Odeon, London, April 14, 1975).” this atmospheric glam rock ballad, written by Steve Harley. Produced by Steve Harley, the A-side’s introspective lyrics and moody melody peaked at No. 2 on the UK Star Breakers Chart. Single Overview A-Side: “Black Or White” (Steve Harley And Cockney Rebel) Written by Steve Harley. Produced by Steve Harley. B-Side: “Mad, Mad Moonlight (Live)” (Steve Harley And Cockney Rebel) Written by Steve Harley. Produced by Steve Harley. Release Details: Label: EMI Records (UK pressing, 45 RPM). UK Formats: 7-Inch Vinyl, Single (Commercial) (EMI 2369): A. Black Or White B. Mad, Mad Moonlight (Live) 7-Inch Vinyl, Single, Promo Only (EMI 2369): A. Black Or White (Edited Version) B. Black Or White (Full Version) 7-Inch Vinyl, 45 RPM, White Label (EMI 2369): A. Black Or White B. (Test Tone) UK (EMI EMI 2369): Released November 7, 1975. Commercial, promo, and white label versions. Country Variations: The single was released in several countries many with sleeve variations: Belgium - EMI - 1975 Finland - EMI - 1975 Germany - EMI - 1975 Ireland - EMI - 1975 Italy - EMI - 1975 Netherlands - EMI - 1975 New Zealand - EMI - 1975 Switzerland - EMI - 1975 UK - EMI - 1975 Japan - EMI - 1976 UK Chart Performance: No. 2 on the UK Star Breakers Chart Legacy and Collectibility “Black Or White” is a Harley classic, with “Mad, Mad Moonlight (Live)” showcasing Cockney Rebel’s theatre.Streams on Spotify via The Psychomodo reissues preserve the analog mood. This single is a must-have for Harley fans and glam collectors. Have you snagged this Harley gem in your vinyl collection? Does “Black Or White” colour your playlist? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Soulful Atlantic Crossing Rod Stewart’s “This Old Heart Of Mine” 7-inch vinyl single, was released in the UK on November 7, 1975, on Riva Records (catalogue: RIVA 1 / WB 6580). Backed with “All In The Name Of Rock 'N' Roll,” this Motown cover, written by Holland/Dozier/Holland, was the second single from the album Atlantic Crossing. Produced by Tom Dowd, the A-side’s soulful horns and Stewart’s raspy vocals peaked at No. 4 on the UK Singles Chart for 9 weeks. Issued in a Riva company sleeve, it’s a standout from Stewart’s American adventure. Single Overview A-Side: “This Old Heart Of Mine” (4:04, Holland/Dozier/Holland) Written-By – Holland/Dozier/Holland. Produced by Tom Dowd. B-Side: “All In The Name Of Rock 'N' Roll” (5:05, Stewart) Written-By – Stewart. Produced by Tom Dowd. Release Details: Label: Riva Records (UK pressing, 45 RPM). Vinyl, 7", 45 RPM, Single (RIVA 1 / WB 6580): A-Side: “This Old Heart Of Mine” (4:04, Holland/Dozier/Holland) Published By – Jobete London Music – Producer – Tom Dowd B-Side: “All In The Name Of Rock 'N' Roll” (5:05, Stewart) Published By – Copyright Control – Producer – Tom Dowd Taken from the album K 56161 "Atlantic Crossing" – Pressed By – CBS Pressing Plant, Aston Clinton – Mastered By – Jonz. Companies, Credits and Notes: Published By – Jobete London Music / Copyright Control. Pressed By – CBS Pressing Plant, Aston Clinton. Mastered By – Jonz. Country Variations: The single was released in several countries with sleeve variations: Belgium - Warner Bros. - 1975 France - Warner Bros. - 1975 Netherlands - Warner Bros. - 1975 Norway - Riva - 1976 UK Chart Performance: UK: No. 4 (Official Singles Chart) Entry Date: November 15, 1975. Chart Duration 9 weeks. Legacy and Collectibility “This Old Heart Of Mine” is a Stewart soul classic, with “All In The Name Of Rock 'N' Roll” adding rock grit. Streams on Spotify via Atlantic Crossing reissues preserve the analog soul. This single is a must-have for Stewart fans and ‘70s rock collectors. Have you snagged this Stewart soul gem in your vinyl collection? Does “This Old Heart Of Mine” beat for you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Cosmic Return to Number One David Bowie’s “Space Oddity” 7-inch vinyl single reissue, reached No. 1 on the UK Singles Chart on November 2 - 8 and 9 - 15, 1975, on RCA Records (catalogue: RCA 2593). Backed with “Changes” and “Velvet Goldmine,” this re-release of Bowie’s 1969 breakthrough track, written by Bowie, celebrated its sixth anniversary amid Bowie’s Young Americans era. Produced by Gus Dudgeon, the A-side’s psychedelic folk-rock tale of astronaut Major Tom charted for 11 weeks. Highlighted in an NME trade advertisement on November 15, 1975, it’s Bowie’s first UK No. 1 single. Single Overview A-Side: “Space Oddity” (5:15, David Bowie) Written by David Bowie. The psychedelic folk-rock classic with acoustic guitar, Rick Wakeman’s Mellotron, and lyrics about Major Tom’s space drift. Produced by Gus Dudgeon, it was reissued to capitalize on Bowie’s US success. B-Side 1: “Changes” (3:35, David Bowie) Written by David Bowie. An upbeat rocker with piano and horns from Hunky Dory (1971). Produced by Ken Scott (Assisted By The Actor) it promoted the album reissue. B-Side 2: “Velvet Goldmine” (3:10, David Bowie) Written by David Bowie. A glam rock outtake from Ziggy Stardust sessions, with raw energy. Produced by Ken Scott (Assisted By The Actor), it was a B-side rarity. Release Details: UK Variations Single 7" Vinyl Promotional issued in Picture Sleeve Label: RCA Victor – RCA 2593 Series: MaxiMillion Series Format: Vinyl, 7", 45 RPM, Maxi-Single, Promo, 4 Prong Centre in Picture Sleeve A Space Oddity Arranged By – David Bowie, Paul Buckmaster Producer – Gus Dudgeon 5:15 B1 Changes Producer – Ken Scott 3:35 B2 Velvet Goldmine Producer – Ken Scott 3:10 Written-By – David Bowie Push Out centre States" Demonstration Sample Not For Sale" Letter A appears on push out centre David Bowie and Series 3 tracks for the price of 2 appear in red text on the sleeve as opposed to pink text on other versions Single 7" Vinyl Four Prong Centre in Picture Sleeve Label: RCA Victor – RCA 2593 Series: MaxiMillion Series Format: Vinyl, 7", 45 RPM, Maxi-Single, 4 Prong Centre A Space Oddity Arranged By – David Bowie, Paul Buckmaster Producer – Gus Dudgeon 5:15 B1 Changes Producer – Ken Scott 3:35 B2 Velvet Goldmine Producer – Ken Scott 3:10 Published By – Essex Music International Ltd. Published By – Chrysalis Music Published By – Mainman Ltd. Manufactured By – RCA Ltd. Phonographic Copyright ℗ – RCA Records Pressed By – RCA Records Pressing Plant, Washington, UK Photography By [Uncredited] – Steve Schapiro Written-By – David Bowie On the labels the phonographic copyright is stated as follows: Track A and B2 ℗ 1969 Track B1 ℗ 1974 Track B2 was actually recorded in late 1971. Track A: Essex Music International Ltd. Track B1 and B2: Chrysalis Music/MainMan Ltd. Track B1 and B2: Produced by Ken Scott (Assisted by the actor) A Gem Production Very similar matrix to Space Oddity but with wholly different sleeve/artwork. For the U.K. solid centre version of this see Space Oddity / Changes / Velvet Goldmine. Uncredited Steve Schapiro shot is a monochrome version of the original full colour photograph. Single 7" Vinyl Four Prong Centre in Company Sleeve Label: RCA Victor – RCA 2593 Series: MaxiMillion Series Format: Vinyl, 7", 45 RPM, Maxi-Single, 4-Prong Centre A Space Oddity 5:15 B1 Changes 3:35 B2 Velvet Goldmine 3:10 Phonographic Copyright ℗ – RCA Records Pressed By – RCA Records Pressing Plant, Washington, UK Published By – Essex Music International Ltd. Published By – Chrysalis Music Published By – Mainman Ltd. Manufactured By – RCA Ltd. Written-By – David Bowie Side A Ⓟ 1969 Side B (1) Ⓟ 1974 Side B (2) Ⓟ 1969 all tracks Ⓟ RCA Records Track B2 was actually recorded in late 1971. Note: Different to Space Oddity - "Maximillion Series" printed on the pushout center. Very similar to Space Oddity / Changes / Velvet Goldmine - which comes in a picture sleeve and the runout "letter number letter" strings begin "A1?". Manufactured by RCA Limited, England. Single 7" Vinyl Solid Centre in Picture Sleeve Label: RCA Victor – RCA 2593 Series: MaxiMillion Series Format: Vinyl, 7", 45 RPM, Maxi-Single, Solid Centre A Space Oddity Arranged By – David Bowie, Paul Buckmaster Producer – Gus Dudgeon 5:15 B1 Changes Producer – Ken Scott 3:35 B2 Velvet Goldmine Producer – Ken Scott 3:10 Photography [Uncredited] – Steve Schapiro Written-By – David Bowie Solid center, small centre hole version. Track A originally released in 1969. Track B2 was actually recorded in late 1971, despite 1969 credit. Uncredited Steve Schapiro shot is a monochrome version of the original full colour photograph. Space Oddity” is Bowie’s breakthrough hit, a cultural icon reissued to celebrate its anniversary, with “Changes” and “Velvet Goldmine” adding glam sparkle. Original UK 7-inch vinyls fetch £5–£15 on eBay/Discogs, with Japanese pressings (£10–£25) prized for obi strips. Verify catalogue RCA 259. Streams on Spotify via Space Oddity reissues preserve the mono magic. This reissue is a must-have for Bowie fans and ‘70s rock collectors. Have you snagged this Bowie reissue in your vinyl collection? Does “Space Oddity” still launch you? Share in the comments! Sources Discogs: Space Oddity (1975) 45cat: RCA 259 Single YouTube: Space Oddity Official Audio (2019 upload, 10M+ views) Wikipedia: Space Oddity Official Charts Company: David Bowie Singles AllMusic: David Bowie Discography Billboard Chart History: David Bowie

The Six-Minute Chart-Topper Queen’s “Bohemian Rhapsody” 7-inch vinyl single, was released in the UK on October 31, 1975, on EMI Records (catalogue: EMI 2375). Backed with “I’m In Love With My Car,” this groundbreaking rock opera, written by Freddie Mercury, was the lead single from the album A Night at the Opera. Produced by Roy Thomas Baker and Queen, the A-side’s operatic structure, multitracked harmonies, and surreal lyrics blended ballad, hard rock, and mock opera. Mercury referred to "Bohemian Rhapsody" as a "mock opera" that resulted from the combination of three songs he had written. It was recorded by Queen and co-producer Roy Thomas Baker at five studios between August and September 1975. Due to recording logistics of the era, the band had to bounce the tracks across eight generations of 24-track tape, meaning that they required nearly 200 tracks for overdubs. The song parodies elements of opera with bombastic choruses, sarcastic recitative, and distorted Italian operatic phrases. Lyrical references include Scaramouche, the fandango, Galileo Galilei, Figaro, and Beelzebub, with cries of "Bismillah!". Although critical reaction was initially mixed, retrospective reviews have acclaimed "Bohemian Rhapsody" as one of the greatest songs of all time, and it is often regarded as the band's signature song. The promotional video is credited with furthering the development of the music video medium. It has appeared in numerous polls of the greatest songs in popular music, including a ranking at number 17 on Rolling Stone's 2021 list of the "500 Greatest Songs of All Time." A Rolling Stone readers' poll also ranked Mercury's vocal performance in the song as the greatest in rock history. "Bohemian Rhapsody" topped the UK Singles Chart for nine weeks (plus another five weeks following Mercury's death in 1991) and is the UK's third best-selling single of all time. It also topped the charts in countries including Canada, Australia, New Zealand, Ireland, and the Netherlands, and has sold over six million copies worldwide. In the United States, the song peaked at number nine in 1976, but reached a new peak of number two after appearing in the 1992 film Wayne's World. In 2004, the song was inducted into the Grammy Hall of Fame. Following the release of the 2018 biopic Bohemian Rhapsody, it became the most streamed song from the 20th century. In 2021, it was certified diamond in the US for combined digital sales/streams equal to 10 million units, and is one of the best-selling songs of all time. In 2022, it was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". Personnel Freddie Mercury – lead and backing vocals, piano, operatic vocals (middle register) Brian May – electric guitar, operatic vocals (low register) Roger Taylor – drums, timpani, gong, operatic vocals (high register) UK Variants Single 7" Vinyl Commercial in Picture Sleeve Label: EMI – EMI 2375 Format: Vinyl, 7", 45 RPM, Single, Stereo, Picture Sleeve A Bohemian Rhapsody B I'm In Love With My Car Published By – B. Feldman & Co. Ltd. Published By – Trident Music (2) Phonographic Copyright ℗ – Queen (4) Printed By – Delga Producer – Queen, Roy Thomas Baker B. Feldman & Co Ltd., T/AS Trident Music ℗ 1975 Queen Made in Gt.Britain This original UK release comes in a matt paper picture sleeve. Matrix / Runout (Run-out matrix A-side stamped): EMI 2375 A-2 Matrix / Runout (Run-out matrix B-side stamped): EMI 2375 B- Single 7" Vinyl Commercial in Company Sleeve Single 7" Vinyl Four Prong Centre Label: EMI – EMI 2375 Format: Vinyl, 7", 45 RPM, Single A Bohemian Rhapsody B I'm In Love With My Car Published By – B. Feldman & Co. Ltd. Published By – Trident Music (2) Phonographic Copyright ℗ – Queen (4) Pressed By – EMI Records Producer – Queen, Roy Thomas Baker B. Feldman & Co Ltd., T/AS Trident Music ℗ 1975 Queen Made in Gt.Britain After the initial picture sleeve run, the single was sold in standard EMI sleeve. Single 7" Vinyl Solid Centre Label: EMI – EMI 2375 Format: Vinyl, 7", 45 RPM, Single A Bohemian Rhapsody B I'm In Love With My Car Published By – B. Feldman & Co. Ltd. Published By – Trident Music (2) Phonographic Copyright ℗ – Queen (4) Pressed By – EMI Records Producer – Queen, Roy Thomas Baker B. Feldman & Co Ltd., T/AS Trident Music ℗ 1975 Queen Made in Gt.Britain After the initial picture sleeve run, the single was sold in standard EMI sleeve. Single 7" Vinyl White Label Label: EMI – none Single 7" Vinyl White Label Format: Vinyl, 7", 45 RPM, Single Sided, White Label A Bohemian Rhapsody Record Company – EMI Records Ltd. Japan Single 7" Vinyl Commercial in Picture Sleeve Label: Elektra – P-1430E Format: Vinyl, 7", 45 RPM, Single, Stereo Country: Japan A ボヘミアン・ラプソディ = Bohemian Rhapsody 5:55 B アイム･イン・ラヴ・ウイズ・マイ・カー = I'm In Love With My Car 3:05 Made By – Warner-Pioneer Corporation Licensed From – Elektra Records Corp. Phonographic Copyright ℗ – Elektra Records Distributed By – Warner-Pioneer Corporation Photography By – Kenji Miura Vocals, Performer – クイーン* ℗ 1975 Elektra Records Weekly charts Chart (1975–1976) Peak position Australia (Kent Music Report) 1 Belgium (Ultratop 50 Flanders) 1 Belgium (Ultratop 50 Wallonia) 7 Canada Top Singles (RPM) 1 Finland (Suomen Virallinen) 10 Ireland (IRMA) 1 Netherlands (Dutch Top 40) 1 Netherlands (Single Top 100) 1 New Zealand (Recorded Music NZ) 1 Norway (VG-lista) 4 South Africa (Springbok Radio) 2 Spain (AFE) 4 Sweden (Sverigetopplistan) 18 Switzerland (Schweizer Hitparade) 4 UK Singles (OCC) 1 US Billboard Hot 100 9 US Cash Box Top 100 6 West Germany (GfK) 7 Sources Discogs 45cat YouTube Wikipedia Official Charts Company AllMusic Billboard

Post-Hunter's Hard Rock Edge Mott’s “By Tonight” 7-inch vinyl single, was released in the UK on October 31, 1975 on CBS Records (catalogue: S CBS 3741). Backed with “I Can Show You How It Is,” this driving hard rock track, written by Nigel Benjamin and Pete Watts, served as the second single from the band's debut album Drive On. Produced by the band, the A-side's urgent guitars and Benjamin's powerful vocals marked Mott's new era without Ian Hunter, but it failed to chart. Housed in a CBS company sleeve, the single is a rare artifact of the band's transitional phase. Single Overview A By Tonight B I Can Show You How It Is Phonographic Copyright ℗ – CBS Inc. Published By – April Music Ltd. Published By – Mott Music Arranged By, Producer, Directed By – Mott Taken from the LP 'Drive On' CBS 69 154 A U.K. Production Notes: released in four pronged and solid center versions Notes: ℗ & © 1975 CBS Records. Recorded at Rockfield Studios, Monmouth, Wales, 1975. From the album Drive On (CBS 69154). Matrix numbers (e.g., S CBS 3741 A-1) confirm authenticity. Country Variations The single was a UK release with limited international distribution: Germany received a commercial and promotional-only release (CBS S 3741). Format: Vinyl, 7", 45 RPM, Single Country: Germany A By Tonight B I Can Show You How It Is Record Company – CBS Inc. Phonographic Copyright ℗ – CBS Records (UK) Published By – April Music Ltd. Published By – Mott Music Pressed By – Rhein-Main Schallplatten-Produktion GmbH Production and Context Recorded in 1975 at Rockfield Studios, Monmouth, Wales, the single was produced by Mott (Nigel Benjamin: vocals, Pete Watts: bass, Dale Griffin: drums, Morgan Fisher: keyboards, Ray Major: guitar). “By Tonight” was the band's first single with Benjamin as lead singer after Ian Hunter's departure, signaling a heavier rock direction. Released amid punk's rise, it followed The Hoople (1974) and competed with The Damned and Sex Pistols, but Mott's glam roots limited their revival. Singles Released and Chart Performance “By Tonight” was the lead single from Drive On: Single Chart Performance “By Tonight” failed to enter the UK Singles Chart or any international charts, reflecting Mott's challenges in the punk era. Have you snagged this Mott rarity in your vinyl collection? Does “By Tonight” rock your playlist? Share in the comments! Sources Discogs: By Tonight (1975) Official Charts Company: Mott Singles AllMusic: Mott Discography Wikipedia: Drive On (album) Billboard Chart History: Mott YouTube: By Tonight Official Audio (2015 upload, 50K+ views)

David Bowie's "Thrills" article New Musical Express, October 25, 1975.

David Bowie's "The Tracks of my Years" one-page article Sounds, October 25, 1975.

A Seductive Art-Rock Masterpiece The album produced the singles "Love Is the Drug" and "Both Ends Burning", which peaked at numbers two and 25 respectively on the UK Singles Chart. "Love Is the Drug" became Roxy Music's highest-charting single in the US, reaching number 30 on the Billboard Hot 100. In 2003, Siren was ranked number 371 on Rolling Stonemagazine's list of the 500 Greatest Albums of All Time. The cover features band member Bryan Ferry's soon-to-be-girlfriend, model Jerry Hall, on rocks near South Stack, Anglesey. Graham Hughes, working during August 1975, took the cover photo directly below the central span of the bridge on a south-side slope. He worked from sketches produced by Antony Price, with photography featuring Hall striking various poses. The idea for the location was Bryan Ferry's, after he saw a TV documentary about lava flows and rock formations in Anglesey, in which South Stack was heavily featured. In a contemporary review of Siren for Melody Maker, critic Allan Jones praised it as "a superb album, striking the listener immediately with a force and invention reserved only for the most special musical experiences". He noted a "crispness and vitality" in Chris Thomas's production, which he felt showcased "the sense of adventure and cavalier spirit which marked their early recordings, an impetuosity which has lately been absent from their work." Rolling Stone writer Simon Frithhighlighted the album's more "focused" lyrical imagery and streamlined production, noting "less synthesized clutter, fewer sound effects, more straight solo trading." Robert Christgau of The Village Voice found the album's more pop-leaning sound to be revelatory: "Of course, Roxy Music albums have always had hooks, but 'Street Life' and 'Virginia Plain' never told us as much about Roxy's less accessible music as 'Love Is the Drug'". He ranked it the 11th best album of 1975 in his year-end "Dean's List". Siren placed at number 13 on The Village Voice's 1975 Pazz & Jop critics' poll. In a contemporary review of Siren for Melody Maker, critic Allan Jones praised it as "a superb album, striking the listener immediately with a force and invention reserved only for the most special musical experiences." He noted a "crispness and vitality" in Chris Thomas's production, which he felt showcased "the sense of adventure and cavalier spirit which marked their early recordings, an impetuosity which has lately been absent from their work." Rolling Stone writer Simon Frith highlighted the album's more "focused" lyrical imagery and streamlined production, noting "less synthesized clutter, fewer sound effects, more straight solo trading." Robert Christgau of The Village Voice found the album's more pop-leaning sound to be revelatory: "Of course, Roxy Music albums have always had hooks, but 'Street Life' and 'Virginia Plain' never told us as much about Roxy's less accessible music as 'Love Is the Drug'." He ranked it the 11th best album of 1975 in his year-end "Dean's List." Siren placed at number 13 on The Village Voice's 1975 Pazz & Jop critics' poll. Critic Greil Marcus included Siren in the appendix of his 1979 book Stranded: Rock and Roll for a Desert Island, with the following accompanying write-up: "Don Juan Faces Life: With the band hitting the limits of the music that grew from Rubber Soul, Ferry dismantled his lounge lizard act bit by bit, until all that was left was what his entire career had meant to hide: 'an average man,' but one with enough emotion to record for Motown." Sources Roxy Music - Love Is The Drug Wikipedia: Siren (Roxy Music album) Wikipedia: Roxy Music Discography

Elton John’s Rock of the Westies was released on October 24, 1975, through DJM Records in the UK (DJLPH 464) and MCA Records in the US (MCA-2132), it marked his tenth studio album and a bold shift toward a raw, guitar-driven sound. Coming off the introspective Captain Fantastic and the Brown Dirt Cowboy , this record showcased Elton’s versatility, backed by a revamped band and the ever-reliable songwriting of Bernie Taupin. The Background: A New Band, A New Vibe By 1975, Elton John was at the peak of his powers, with seven consecutive US No. 1 albums and a global fanbase captivated by his flamboyant persona. Rock of the Westies was recorded at Caribou Ranch in Colorado (inspiring the “Westies” title, a nod to the western U.S.), under the guidance of longtime producer Gus Dudgeon. The album marked a departure from the orchestral lushness of earlier works, leaning into a harder-edged rock sound influenced by the era’s shifting musical landscape, including the rise of punk and disco. A significant change was the absence of Elton’s original rhythm section, bassist Dee Murray and drummer Nigel Olsson. The new lineup featured: Caleb Quaye (guitar, returning from earlier collaborations) Kenny Passarelli (bass) Roger Pope (drums) James Newton Howard (keyboards) Ray Cooper (percussion) Backing vocalists including Kiki Dee and Patti LaBelle of Labelle This fresh ensemble brought a raw, live-band energy, complementing Elton’s piano virtuosity and Bernie Taupin’s vivid lyrics. The result was a record that balanced raucous rockers with heartfelt ballads, capturing Elton’s ability to evolve while staying true to his roots. Original Track Listing (1975 Vinyl LP) Rock of the Westies was a compact album, clocking in at approximately 43:58 across nine tracks on its original vinyl release. All songs were written by Elton John and Bernie Taupin unless otherwise noted, delivering a mix of high-energy rock, soulful grooves, and quirky storytelling. Side A Medley: Yell Help / Wednesday Night / Ugly (5:48) – A dynamic, three-part opener bursting with rock energy. Dan Dare (Pilot of the Future) (3:30) – A glam-rock tribute to the sci-fi comic hero, catchy and playful. Island Girl (3:43) – The album’s biggest hit, a reggae-inflected story of a Jamaican prostitute in New York. Grow Some Funk of Your Own (4:57) – Co-written with guitarist Davey Johnstone, a funky, guitar-driven rocker. Side B I Feel Like a Bullet (In the Gun of Robert Ford) (4:13) – A melancholic ballad about guilt, inspired by Jesse James’ assassin. Street Kids (6:49) – A gritty, cinematic track about urban youth, with a pulsing rhythm. Hard Luck Story (5:10) – A soulful song previously recorded by Kiki Dee, reimagined with a punchy arrangement. Feed Me (4:00) – Credited to Ann Orson/Carte Blanche (a pseudonym for John/Taupin), a funky plea for connection. Billy Bones and the White Bird (4:48) – Also credited to Ann Orson/Carte Blanche, a quirky, nautical-themed closer. Reissue Track Listings Rock of the Westies has been reissued across multiple formats, including CDs, remastered vinyl, and digital platforms. Most reissues retain the original nine tracks but include bonus material from session outtakes or B-sides. Below are the key reissue track listings: 1995 Rocket Records CD Remaster (Universal/Island) Original 9 tracks as above. Bonus track: 10. Planes (3:33) – A session outtake, originally a B-side to “Don’t Go Breaking My Heart” (1976). Total tracks: 10; runtime: ~47:31. 2001 Universal Deluxe Edition CD Original 9 tracks. Bonus tracks: 10. Planes (3:33) and 11. Sugar on the Floor (4:37) – Another outtake, later covered by Kiki Dee. Total tracks: 11; runtime: ~52:08. 2017 Vinyl Reissue (Elton John Official Store / 180g Remastered LP) Remastered by Bob Ludwig from original analogue tapes, cut by Sean Magee at Abbey Road. Original 9 tracks only, no bonus tracks. Total runtime: ~43:58. 2018 Universal Remastered CD/Digital (Streaming on Apple Music/Spotify) Original 9 tracks. Bonus tracks: 10. Planes (3:33) and 11. Sugar on the Floor (4:37). Total tracks: 11; runtime: ~52:08. This is the standard version available on most streaming platforms today. Other reissues, such as the 2013 Japanese SHM-CD, follow the 1995 or 2001 track listings with 10 or 11 tracks, respectively. No significant alternate track orders or exclusions have been noted across reissues.

The only Top of the Pops performance of “Dreamy Lady” recorded the previous day was broadcast on October 23, 1975. The whole show, like many others, were wiped by the BBC due to a lack of storage space. Below is the running order of the show; brackets denote the song's chart position. (36) T-REX – DISCO PARTY – Dreamy Lady (25) JOHN MILES – Highfly (NEW) BILLIE JO SPEARS – Silver Wings And Golden Rings (32) NATALIE COLE – This Will Be (16) ROXY MUSIC – Love Is The Drug (NEW) GILBERT O’SULLIVAN – You Never Listen To Reason (17) GLEN CAMPBELL – Rhinestone Cowboy (video) (3) THE DRIFTERS – There Goes My First Love ® (8) SMOKEY – Don’t Play Your Rock ‘N’ Roll To Me (18) THE TRAMMPS – Hold Back The Night (danced to by Pan’s People) * (1) ART GARFUNKEL – I Only Have Eyes For You Sleeve detail Artist: T. Rex Label: T. Rex Country: Japan Catalogue: EMR-10877

A Glam Pop Dancefloor Sizzler Barry Blue’s “If I Show You I Can Dance” 7-inch vinyl single, was released in the UK on October 4, 1975, on Bell Records (catalogue: BELL 1452). Backed with “Rosetta Stone,” this funky glam pop track, written by Barry Blue and Lynsey de Paul, was a standalone non-album single following the success of his debut album Hot Shots (1974). Produced by Blue, the A-side’s infectious groove and catchy chorus aimed for the dancefloor, but it failed to chart, marking a dip in Blue’s commercial run. Housed in a vibrant picture sleeve with Blue’s stylish image, the single is a nostalgic relic of ‘70s glam pop. Single Overview A-Side: “If I Show You I Can Dance” (3:36) Written by Barry Blue and Lynsey de Paul. A bouncy, R&B-infused pop rocker with driving bass, handclaps, and Blue’s smooth vocals, building on his "Dancin' (On a Saturday Night)" formula with flirtatious lyrics about showcasing dance moves for romance. Produced by Blue, it blended glam energy with dance appeal. B-Side: “Rosetta Stone” (3:52) Written by Barry Blue and Lynsey de Paul. A mid-tempo, soulful ballad with orchestral touches and Blue’s emotive delivery, exploring themes of enduring love. Also produced by Blue, it offered a romantic contrast to the A-side’s upbeat vibe. Release Details: Label: Bell Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (BELL 1452): “If I Show You I Can Dance” / “Rosetta Stone.” In a picture sleeve with Blue’s image. No cassette or CD formats for this single. Notes: ℗ & © 1975 Bell Records. Matrix numbers (e.g., BELL 1452 A-1U) confirm authenticity. Released as a standalone single, not tied to an album. Country Variations The single was released in several countries with variations: UK (Bell BELL 1452): Released October 4, 1975. Tracklist: “If I Show You I Can Dance” / “Rosetta Stone.” Picture sleeve with Blue’s photo. Germany (Bell 2008 332): Released October 1975. Same tracklist, catalogue 2008 332, German sleeve with localized text. Netherlands (Bell 2008 332): Released October 1975. Same tracklist, catalogue 2008 332, Dutch sleeve. France (Bell 2008 332): Released October 1975. Same tracklist, catalogue 2008 332, French sleeve. Australia (Bell K-6071): Released late 1975. Same tracklist, catalogue K-6071, company sleeve. US: No confirmed single release; Blue’s success was primarily European. Production and Context Recorded in 1975 at Audio International Studios, London, the single was produced by Barry Blue, with arrangements by Gerry Shury and session musicians including a brass section for the A-side’s funky groove. The A-side’s danceable rhythm continued Blue’s songwriting partnership with Lynsey de Paul, while the B-side’s balladry added depth. Released as glam rock waned and punk emerged, it followed Blue’s 1973–74 hits like “Dancin’ (On a Saturday Night)” (No. 2) and “Do You Wanna Dance?” (No. 7), but struggled against new wave acts like The Stranglers and The Jam. Singles Released and Chart Performance “If I Show You I Can Dance” was a standalone single, not tied to an album: Chart Performance: UK: Did not chart (Official Singles Chart). Germany: Did not chart (GfK). Netherlands: Did not chart (Single Top 100). Australia: Did not chart (Kent Music Report). Ireland: Did not chart. Belgium: Did not chart (Ultratop Flanders). France: Did not chart. Other Countries: No chart entries in US, Canada, Sweden, Norway, Finland, Italy, Spain, Austria, Switzerland, New Zealand, or Japan due to limited distribution and Blue’s declining popularity. UK Chart Data: Entry Date: N/A (failed to chart). Peak: N/A. Weeks on Chart: 0. Note: Blue’s earlier hits included “Dancin’ (On a Saturday Night)” (No. 2, July 7, 1973, 14 weeks), “Do You Wanna Dance?” (No. 7, October 20, 1973, 11 weeks), and “School Love” (No. 11, May 25, 1974, 8 weeks), but “If I Show You I Can Dance” marked his commercial fade in 1975. Single Chart Performance “If I Show You I Can Dance” failed to enter the UK Singles Chart or any international charts, reflecting Blue’s diminishing chart presence as punk and new wave took over in 1975. Legacy and Collectibility “If I Show You I Can Dance” is a lesser-known glam pop gem, echoing Blue’s earlier dancefloor hits, while “Rosetta Stone” adds soulful depth for collectors. Streams on Spotify via Barry Blue compilations preserve the analog bounce. This single is a vibrant relic of Blue’s glam era. Have you snagged this Barry Blue rarity in your vinyl collection? Does “If I Show You I Can Dance” get your feet moving? Share in the comments!

A Double Dose of Early Faces Faces' "2 Originals of Faces" double LP was released in the UK in October 1975 (no exact release dates are available as of October 2025) on Warner Bros. Records (catalogue: K 66027). This 19-track compilation repackaged the band's first two albums—First Step (1970) and Long Player (1971)—to showcase their raw, boozy rock 'n' roll beginnings. Produced by Glyn Johns and the band, the set captured the chemistry between Rod Stewart and Ronnie Wood, peaking at No. 26 on the UK Albums Chart. Housed in a gatefold sleeve with the band's iconic photo by Tom Wright, it served as a nostalgic reminder of Faces' pre-glam days. Album Overview Release Details: Label: Warner Bros. Records (UK). Formats: Double vinyl LP, cassette; later CD reissues (detailed below). ℗ & ©: 1975 Warner Bros. Records. Compiled from First Step and Long Player sessions (1970–1971) at studios like Olympic and Morgan Sound, London. Matrix numbers (e.g., K 66027 A-1) confirm authenticity. UK Release Formats and Track Listings 2 Originals Of Faces was released in the UK in 1975 as a double vinyl LP and cassette, with CD reissues later. The compilation combines First Step (tracks 1–9) and Long Player (tracks 10–19): Double Vinyl LP (Catalogue: K 66027): Side A (First Step): Shake, Shudder, Shiver (It's a New Sensation) (3:15) Flying (4:15) Pineapple and the Monkey (4:25) The First Step (1:50) Three Button Hand Me Down (5:40) The Stone (6:05) Side B (First Step): 7. Around the Plynth (5:15) 8. Flying (Reprise) (1:25) 9. Happy Sometimes (3:15) Side C (Long Player): 10. Bad 'n' Ruin (5:20) 11. Memphis, Tennessee (5:25) 12. Too Bad (3:25) 13. That Ain't The Way To Do It (4:00) 14. Maybe I'm Amazed (5:35) Side D (Long Player): 15. Oh Lord I'm Browned Off (3:45) 16. Twistin' the Night Away (4:45) 17. Stay with Me (4:35) 18. Love in Vain (8:05) Packaging: 33⅓ RPM, stereo, in a gatefold sleeve with band photo by Tom Wright and liner notes. Production and Context The tracks were produced by Glyn Johns (First Step) and the band (Long Player), recorded at Olympic and Morgan Sound Studios, London, 1970–1971. The lineup featured Rod Stewart (vocals), Ronnie Wood (guitar), Ian McLagan (keyboards), Ronnie Lane (bass, vocals), and Kenney Jones (drums). The compilation repackaged the band's debut albums to highlight their early boozy rock 'n' roll, released amid the band's dissolution and Stewart's solo rise. Singles Released and Chart Performance 2 Originals Of Faces was a compilation, with no new singles released from it. The albums' tracks included hits like “Stay With Me” (UK No. 2, Aug 14, 1971, 11 weeks; US No. 17) and “Ooh La La” (UK No. 1, Oct 13, 1973, 10 weeks; Ireland No. 1) Album Chart Performance There is no chart information regarding this release. Legacy and Collectibility 2 Originals Of Faces preserves the band's raw early sound, with “Stay With Me” and “Around The Plynth” as highlights. Do you have 2 Originals Of Faces in your vinyl stack? Which track rocks your turntable?

Rod Stewart's "Sailing" and "Atlantic Crossing" topped on their respective NME charts as published in New Musical Express on September 2, 1975. Rod Stewart released "Sailing" in August 1975 as the lead single from his sixth album, Atlantic Crossing , marking a pivotal shift in his career. Written by Gavin Sutherland of The Sutherland Brothers, "Sailing" is a heartfelt ballad about longing and reunion, driven by Stewart’s raspy vocals and a soaring arrangement. Recorded in Muscle Shoals, Alabama, with producer Tom Dowd, the track features lush strings and a soulful backing from the Muscle Shoals Rhythm Section. Its emotional depth and polished sound reflected Stewart’s move from gritty rock to a smoother, transatlantic style. Sailing  hit #1 on the UK Singles Chart for four weeks, selling over a million copies, and reached #58 on the US Billboard Hot 100. It became one of Stewart’s signature songs, later re-released in 1976 and 1987 with renewed chart success. Atlantic Crossing , also released in 1975, was Stewart’s first album for Warner Bros. and his attempt to crack the American market. The album, split into a “fast side” (rockers) and a “slow side” (ballads), peaked at #1 in the UK and #9 on the US Billboard 200, driven by "Sailing" and tracks like "I Don’t Want to Talk About It."

David Bowie’s D.J. two one-page adverts and one-page single review, published in Melody Maker on July 7, 1979.

A Life Is Fragile Instrumental Elegy Released as a 7-inch vinyl single in the UK on November 28, 1978, on The Rocket Record Company (catalogue: XPRES 5), Elton John’s “Song For Guy” — subtitled “Life Is Fragile” — was a haunting piano-led instrumental tribute to Guy Burchett, a Rocket messenger killed in a motorcycle accident. Backed with “Lovesick,” written by Elton/ Bernie Taupin, produced by Clive Franks & Elton John for Frank N. Stein Productions Ltd. Peaked at No. 4 on the Official Singles Chart for 10 weeks. Issued in silver injection moulded labels, paper labels, styrene, solid/large hole centre, and promo variants, with worldwide releases. A poignant ‘70s Elton masterpiece. Single Overview Release Details Label: The Rocket Record Company. Formats: Vinyl, 7", 45 RPM, Single (silver injection/paper labels, solid/large hole centre, styrene, promo). Full Track Listing Side A Song For Guy (6:53 album edit) – Written-By: John Side B Lovesick (3:55) – Written-By: John/Taupin Global Variants - 7", 45 RPM, Single, Silver Injection Moulded Labels, Solid Centre – Rocket XPRES 5 – UK – 1978 - 7", Single, Styrene – Rocket XPRES 5 – UK – 1978 - 7", Single – Rocket XPRES 5 – UK – 1978 - 7", 45 RPM, Single, Paper Labels – Rocket XPRES 5 – UK – 1978 - 7", Single, Solid Center – Rocket XPRES 5 – UK – 1978 - 7", 45 RPM, Single, Injection Moulded Labels – Rocket XPRES 5 – UK – 1978 - 7", 45 RPM, Single, Large Hole – Rocket XPRES 5 – UK – 1978 - 7", 45 RPM, Single – Rocket – France – 1978 - 7", 45 RPM, Single – Rocket – Ireland – 1978 - 7", 45 RPM, Single – Rocket – Netherlands – 1978 - 7", 45 RPM, Single – Rocket – USA – 1978 Production and Context Produced by Clive Franks & Elton John for Frank N. Stein Productions Ltd. From *A Single Man* (1978). “Song For Guy” an instrumental tribute to Guy Burchett (Rocket messenger killed in accident). Lacquer cut at Utopia Studios. Official Singles Chart Data Peak position: 4 10 weeks – 16/12/1978 to 17/02/1979 22 → 10 → 10 → 5 → 4 → 8 → 14 → 26 → 48 → 66 Legacy and Collectibility “Song For Guy” is Elton John’s poignant instrumental classic. Original UK Rocket pressings (silver injection/paper labels). Verify catalogue XPRES 5. Streams on Spotify preserve the fragile life. This single is a must-have for Elton collectors. Do you have Song For Guy in your vinyl stack? Is life still fragile? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Disco-Rock Sexy Peak Released as a vinyl LP in the UK on November 24, 1978, on Riva Records (catalogue: RVLP 8 / RVLP8 / BSK 3261), Rod Stewart’s Blondes Have More Fun was his ninth studio album. Produced by Tom Dowd, this 10-track disco-rock triumph featured the global smash “Da Ya Think I'm Sexy?” Peaked at No. 3 on the UK Albums Chart for 26 weeks. Issued in multiple pressings, with cassette and 8-track variants. A platinum-selling ‘70s Stewart classic. Album Overview Release Details Label: Riva Records. Formats: Vinyl LP (gatefold), cassette, 8-track cartridge. Full Track Listing Side A 1. Da Ya Think I'm Sexy? 2. Dirty Weekend 3. Ain't Love A Bitch 4. The Best Days Of My Life 5. Is That The Thanks I Get? Side B 1. Attractive Female Wanted 2. Blondes (Have More Fun) 3. Last Summer 4. Standing In The Shadows Of Love 5. Scarred And Scared Cassette Album (RV4 8) – UK Side A/B identical to vinyl. 8-Track Cartridge (RV8 8) – UK Program A 1. Da' Ya' Think I'm Sexy? 2. Scarred And Scared Program B 1. Dirty Weekend 2. Is That The Thanks I Get? 3. Blondes (Have More Fun) Program C 1. The Best Days Of My Life 2. Attractive Female Wanted 3. Last Summer (Part I) Program D 1. Last Summer (Part II) 2. Ain't Love A Bitch 3. Standing In The Shadows Of Love UK Variants Vinyl releases 1978 - LP, Album – Riva RVLP 8 – UK – 1978 - LP, Album – Riva RVLP 8 / BSK 3261 – UK – 1978 Cassette releases 1978 - Cassette, Album – Riva RV4 8 – UK – 1978 8-Track Cartridge releases 1978 - 8-Track, Album – Riva RV8 8 – UK – 1978 Production and Context Produced by Tom Dowd. Engineered by Andy Johns. Mastered by Arun Chakraverty. Recorded at Record Plant & Cherokee Studios, Los Angeles. The album that took Stewart fully into disco with “Da Ya Think I'm Sexy?” — a worldwide No. 1. Singles Released and Chart Performance - Da Ya Think I'm Sexy? (Nov 1978) – UK No. 1 - Ain't Love A Bitch (Jan 1979) - Blondes (Have More Fun) (Apr 1979) Album Chart Performance - UK: 3 (26 weeks) – entry 9 Dec 1978 Legacy and Collectibility Blondes Have More Fun is Rod Stewart’s disco-rock peak — “Da Ya Think I'm Sexy?” a global anthem. Original UK Riva gatefold vinyls fetch £10–£30 on eBay/Discogs, cassettes/8-tracks £8–£25. Verify catalogue RVLP 8. Streams on Spotify preserve the sexy swagger. This LP is a must-have for ‘70s Rod Stewart collectors. Do you have Blondes Have More Fun in your vinyl stack? Is sexy still your fuel? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Fools Fall In Love Run Mud’s “Why Do Fools Fall In Love” was released as a 7-inch EP single with four-prong push-out centre in company sleeve in the UK on November 17, 1978, on RCA Victor (catalogue: PB 5129). Backed with “Book Of Love” and “Run, Don’t Walk,” this doo-wop medley and glam-rock B-side (produced by Mud), were issued in standard, crossed-out runout, and demo variants. No UK chart entry. Issued in four-prong push-out centre, company sleeve, some with “MUD” crossed out in runouts, demo “NOT FOR SALE,” it’s a late-‘70s glam reissue trio. Single Overview A1-Side: “Why Do Fools Fall In Love” Written-By – Lymon, Goldner. A2-Side: “Book Of Love” Written-By – Bare, Guynes. B-Side: “Run, Don’t Walk” Written-By – Stiles, Davis. Release Details: Label: RCA Victor (UK pressing, 45 RPM). Phonographic Copyright ℗ – RCA Ltd. Manufactured By – RCA Ltd. Published By – Chappell & Co. Ltd. (A1), Chappell Morris Ltd. (A2), April Music Ltd. (B), Glamlea Ltd. (B), Keyray Ltd. (B). Producer – Mud. UK Formats: Vinyl, 7" EP Single Four Prong Push Out Centre, Company Sleeve (PB 5129) A1: “Why Do Fools Fall In Love” – Written-By – Lymon, Goldner A2: “Book Of Love” – Written-By – Bare, Guynes B: “Run, Don’t Walk” – Written-By – Stiles, Davis Vinyl, 7" EP Single Four Prong Push Out Centre, Company Sleeve, “MUD” in runouts crossed out both sides (PB 5129) A1: “Why Do Fools Fall In Love” – Written-By – Lymon, Goldner A2: “Book Of Love” – Written-By – Bare, Guynes B: “Run, Don’t Walk” – Written-By – Stiles, Davis Vinyl, 7" EP Single, Promo Four Prong Push Out Centre, Company Sleeve, Demonstration Sample Not For Sale printed on label (PB 5129) A1: “Why Do Fools Fall In Love” – Written-By – Lymon, Goldner A2: “Book Of Love” – Written-By – Bare, Guynes B: “Run, Don’t Walk” – Written-By – Stiles, Davis Country Variations: The single was released in several countries: UK (RCA Victor PB 5129) Released November 17, 1978. 7-inch EP (standard, crossed-out runout, promo). South Africa (RCA Victor 42-909) Vinyl, 7", 45 RPM, Single. Production and Context Produced by Mud. A-side medley of Frankie Lymon & The Teenagers’ “Why Do Fools Fall In Love” and The Monotones’ “Book Of Love,” B-side original by Ray Stiles & Rob Davis. Late-period glam-doo-wop fusion from the post-Les Gray lineup. All tracks exclusive to this EP. Chart Performance: No UK chart entry. Legacy and Collectibility “Why Do Fools Fall In Love” is a nostalgic doo-wop revival, “Run, Don’t Walk” a punchy glam closer. Original UK 7-inch EPs fetch £5–£12 on eBay/Discogs, crossed-out runout (£10–£20), demos (£20–£40). Verify catalogue PB 5129 and runout details. Streams limited; appears on Mud compilations. This glam-doo-wop EP is a must-have for Mud completists and ‘70s pop collectors. Have you fallen for this Mud doo-wop medley? Does “Run, Don’t Walk” still make you move? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube.

The Jazz Wall's Berlin Echo Queen’s Jazz LP, released in the UK on November 10, 1978, on EMI Records (catalogue: EMA 788 / 0C 064-61820 / EMA 788(I)), was their seventh studio album. Produced by Roy Thomas Baker, the artwork—suggested by Roger Taylor after seeing a similar mural on the Berlin Wall—featured an embossed gatefold sleeve with a 12x36-inch Bicycle Race poster (detachable via perforations). Recorded at Mountain and Super Bear Studios, it included a glossy laminated inner sleeve and optional poster. The infamous Wimbledon Stadium bicycle race (September 17, 1978) supplied bikes from Halfords. Peaking at No. 2 on the UK Albums Chart for 27 weeks (plus re-entries). In March 2011, a remastered and expanded version of the album was released as part of a new record deal between Queen and Universal Music, marking the end of Queen's nearly 40-year association with EMI Records. All Queen albums were remastered and reissued in 2011. The deluxe edition features five additional tracks on a separate EP. The second set of albums, consisting of the band's middle five albums, was released in June 2011. The bonus tracks include the single version of "Fat Bottomed Girls," an instrumental version of "Bicycle Race," a version of "Don't Stop Me Now" with "long lost guitars," a live version of "Let Me Entertain You," and an early acoustic take of "Dreamer's Ball." The 2011 reissue fixed the tape glitch at the start of "Fat Bottomed Girls," a problem that existed on all earlier compact disc versions of the album and the 1997 compilation album Queen Rocks. However, it introduced a previously unused kick-drum part to the track "Jealousy," causing it to sound significantly different from all earlier versions. Album Overview Release Details: Label: EMI Records (UK). Formats: Vinyl LP (embossed gatefold, with/without poster), later CD/cassette. ℗ & ©: 1978 Raincloud Productions Ltd. / RTB Audio Visual Productions. Mastered at Sterling Sound. Pressed by EMI Records. Printed by Garrod & Lofthouse. Notes: Poster attached to inner back gatefold (right edge, sealed). Detachable by tearing perforations. Black/white inner sleeve: thin glossy card, rounded corners. “Bicycles courtesy of Halfords!” UK Release Formats and Track Listings Jazz was released in the UK in 1978 as a vinyl LP, Cassette and 8-Track Cartridge. Vinyl LP, Embossed Gatefold (Catalogue: EMA 788): Side A: Mustapha (2:59, Mercury) Fat Bottomed Girls (4:15, May) Jealousy (3:08, Mercury) Bicycle Race (3:00, Mercury) If You Can't Beat Them (4:15, Deacon) Let Me Entertain You (3:02, Mercury) Side B: Dead On Time (3:22, May) In Only Seven Days (2:28, Deacon) Dreamers Ball (3:29, May) Fun It (3:30, Taylor) Leaving Home Ain't Easy (3:14, May) Don't Stop Me Now (3:29, Mercury) More Of That Jazz (4:16, Taylor) Packaging: Embossed gatefold, glossy inner sleeve, optional 12x36 poster. UK Variations All 1978 LP, Album, Stereo, Embossed Gatefold EMI – EMA 788, EMI – 0C 064-61820, EMI – EMA 788(I) LP, Album, Reissue, Stereo, Embossed Gatefold EMI – EMA 788, EMI – 0C 064-61820, EMI – EMA 788(I) LP, Album, Test Pressing, Stereo EMI – EMA 788 LP, Album, White Label, Gatefold EMI – EMA 788, EMI – 0C 064-61820 Tape Cassette Album: EMI – TC-EMA 788, EMI – 0C 262-61 820 A1 Mustapha A2 Fat Bottomed Girls A3 Jealousy A4 Bicycle Race A5 If You Can't Beat Them A6 Let Me Entertain You B1 Dead On Time B2 In Only Seven Days B3 Dreamer's Ball B4 Fun It B5 Leaving Home Ain't Easy B6 Don't Stop Me Now B7 More Of That Jazz Blue Writing On Cream/White Cassette. Some copies may include a poster offer reply slip. UK Variations EMI – TC-EMA 788 Grey cassette with paper labels 8-Track Cartridge EMI – 8X-EMA 788 A1 Mustapha A2 In Only Seven Days A3 Bicycle Race A4 Let Me Entertain You B5 Fun It B6 Leaving Home Ain't Easy B7 If You Can't Beat Them C8 Dead On Time C9 Jealousy C10 Fat Bottomed Girls D11 Dreamer's Ball D12 Don't Stop Me Now D13 More Of That Jazz Published By – Queen Music Published By – EMI Music Publishing Ltd. Phonographic Copyright ℗ – Raincloud Productions Ltd. Printed By – Garrod & Lofthouse Production and Context: Produced by Queen/Roy Thomas Baker. Musicians: Freddie Mercury (vocals, piano), Brian May (guitar, vocals), Roger Taylor (percussion, vocals), John Deacon (bass). Engineered by Geoff Workman/John Etchells. Recorded at Mountain/Super Bear. Jazz was Queen’s eclectic follow-up to News of the World (No. 4 UK, 1977). Singles Released and Chart Performance Jazz spawned two singles: Bicycle Race / Fat Bottomed Girls (1978, EMI 2870): No. 11 UK. Don't Stop Me Now / In Only Seven Days (1979, EMI 2910): No. 9 UK. Album Chart Performance Jazz charted across multiple runs: UK: Peak: No. 2. November 26, 1978 - December 2, 1978 Total Weeks on Chart: 27 (1978–1979) + 2 re-entries. Run 1: 27 weeks (November 25, 1978 – May 26, 1979). Run 2: 1 week (November 22, 2018): No. 89. Run 3: 1 week (October 24, 2019): No. 74. International Charts Chart (1978–1979) Peak Position Australian Albums (Kent Music Report) 15 Austrian Albums (Ö3 Austria) 8 Canada Top Albums/CDs (RPM) 13 Dutch Albums (Album Top 100) 3 Finnish Albums (The Official Finnish Charts) 15 French Albums (SNEP) 7 German Albums (Offizielle Top 100) 5 Japanese Albums (Oricon) 5 New Zealand Albums (RMNZ) 20 Norwegian Albums (VG-lista) 6 Portuguese Albums (Musica & Som) 6 Swedish Albums (Sverigetopplistan) 6 UK Albums (OCC) 2 US Billboard 200 6 Legacy and Collectibility Jazz is Queen’s bold glam-disco hybrid, with Bicycle Race poster a collector’s prize. Original UK embossed vinyls (with poster) fetch £20–£60 on eBay/Discogs, poster-less (£10–£30). Verify catalogue EMA 788. Streams on Spotify via reissues preserve the analog joy. This LP is a must-have for Queen fans and ‘70s rock collectors. Do you have Jazz in your vinyl stack? Which track pedals your heart? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments!

A Disco-Rock Controversy Rod Stewart’s “Da 'Ya' Think I'm Sexy?” 7-inch vinyl single, was released in the UK on November 10, 1978, on Riva Records (catalogue: RIVA 17). Backed with “Dirty Weekend,” this funky disco-rock track, written by Rod Stewart, Carmine Appice, and Duane Hitchings — incorporating the melody from Jorge Ben Jor’s Taj Mahal and strings from Bobby Womack’s (If You Want My Love) Put Something Down On It — was produced by Tom Dowd. The A-side’s strutting bass, synth horns, and Stewart’s cheeky plea sparked backlash for betraying his blues roots, royalties went to UNICEF, and he performed it at the 1979 Music for UNICEF Concert. Peaking at No. 1 on the UK Singles Chart for 13 weeks, it drew comparisons to Rolling Stones’ Miss You and later ranked No. 301 on Rolling Stone’s 500 Greatest Songs. Both tracks from Blondes Have More Fun, it’s a bold ‘78 snapshot Single Overview: Vinyl, 7" (RIVA 17): Label: Riva Records (UK pressing, 45 RPM). A-Side: “Da 'Ya' Think I'm Sexy?” (4:30, Rod Stewart/Carmine Appice/Duane Hitchings) Produced By – Tom Dowd B-Side: “Dirty Weekend” (4:00, Rod Stewart/P. Grainger) Produced By – Tom Dowd Notes: Both tracks from the album Blondes Have More Fun. Vinyl, 12" Promotional (SAM 92): 45 RPM, Single, Limited Edition Stereo A-Side: “Da 'Ya' Think I'm Sexy?” (5:28, Rod Stewart/Carmine Appice/Duane Hitchings) Produced By – Tom Dowd B-Side: “Dirty Weekend” (2:34, Rod Stewart/P. Grainger) Produced By – Tom Dowd Phonographic Copyright ℗ – WEA Records B.V. Copyright © – Riva Records Ltd. Pressed By – WEA Records Pressing Plant, West Drayton Engineer – Andy Johns Lacquer Cut By – Arun*, Nick Mastered By – Arun Chakraverty Plated By – E.G. Producer – Tom Dowd Labels: Taken from the LP RVLP 8 'Blondes Have More Fun UK Variants: 7", 45 RPM, Single, Stereo, Solid Centre Riva (2) – RIVA 17 7", 45 RPM, Single, Stereo Riva (2) – RIVA 17 7", 45 RPM, Single, Stereo, 'A' label Riva (2) – RIVA 17 7", 45 RPM, Single, Stereo, Push Out Centre Riva (2) – RIVA 17 Production and Context: Produced by Tom Dowd. Recorded in 1978 during Blondes Have More Fun sessions. The lineup: Rod Stewart (vocals), with Carmine Appice (drums). “Da 'Ya' Think I'm Sexy?” was inspired by The Rolling Stones' Miss You and criticized for its disco shift, but Stewart defended it amid peers like Paul McCartney doing similar. Royalties supported UNICEF. Released amid Stewart’s solo peak, it followed Foot Loose & Fancy Free (No. 2 UK, 1977) UK Chart Data: Entry Date: November 12, 1978. Peak: No. 1 (November 26, 1978). Weeks on Chart: 13 (Nov 12, 1978 – Feb 4, 1979). Chart Run: No. 23 (Nov 12), No. 10 (Nov 19), No. 6 (Nov 26), No. 4 (Dec 3), No. 9 (Dec 10), No. 12 (Dec 17), No. 12 (Dec 24), No. 23 (Dec 31), No. 28 (Jan 7), No. 36 (Jan 14), No. 50 (Jan 21), No. 50 (Jan 28), No. 50 (Feb 4). Note: Stewart’s fourth UK No. 1; Cash Box lauded its “clipping bass line [by Phil Chen], steady kick drum and soaring synthesized strings,” with “alternately gentle and dashing rhythm guitar work and a commanding sax solo.” Single Chart Performance: “Da 'Ya' Think I'm Sexy?” peaked at No. 1 in the UK for 1 week, charting for 13 weeks, and No. 1 in the US, marking Stewart’s transatlantic disco triumph. Country Variations: The single was released in several countries with the same track list, many featuring unique picture sleeves. Australia - Warner Bros. - 1978 Belgium - Warner Bros. - 1978 France - Warner Bros. - 1978 France - Warner Bros. - 1978 Germany - Warner Bros. - 1978 Italy - Warner Bros. - 1978 Netherlands - Warner Bros. - 1978 Spain - Warner Bros. - 1978 Sweden - Warner Bros. - 1978 New Zealand - Warner Bros. - 1979 Overseas Chart Performance: Argentina: 2 Australia (Kent Music Report): 1 Austria (Ö3 Austria Top 40): 8 Belgium (Ultratop 50 Flanders): 3 Canada Top Singles (RPM): 1 Canada Adult Contemporary (RPM): 1 Canada Disco 30 (RPM): 7 Finland (Finnish Singles Chart): 9 France (SNEP): 2 Ireland (IRMA): 5 Japan (Oricon): 12 Netherlands (Dutch Top 40): 4 Netherlands (Single Top 100): 6 New Zealand (Recorded Music NZ): 2 Norway (VG-lista): 2 Portugal Singles Chart: 1 Spain (AFYVE): 1 Sweden (Sverigetopplistan): 11 Switzerland (Schweizer Hitparade): 8 UK Singles (OCC): 1 US Billboard Hot 100: 1 US Hot R&B/Hip-Hop Songs (Billboard): 5 US Dance Club Songs (Billboard): 1 US Cash Box Top 100 Singles: 1 West Germany (GfK): 9 Legacy and Collectibility: “Da 'Ya' Think I'm Sexy?” is a Stewart disco anthem, with “Dirty Weekend” a funky B-side. Verify catalogue RIVA 17. Streams on Spotify via Blondes Have More Fun reissues preserve the analog strut. This single is a must-have for Stewart fans and ‘70s rock collectors. Have you snagged this Stewart disco hit in your vinyl collection? Does “Da 'Ya' Think I'm Sexy?” strut your stuff? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, ChartTimeMachine, BBC Official Charts Company, Billboard Chart History and YouTube

The Bride Stripped Bare's Moody Muse Bryan Ferry’s “Carrickfergus” 7-inch vinyl single, was released in the UK on November 3, 1978, on Polydor Records (catalogue: 2001 834). Backed with “When She Walks In The Room,” this haunting traditional Irish folk ballad arranged by Ferry, both tracks were taken from Ferry's fifth solo album, T he Bride Stripped Bare . Produced by Ferry with collaborators, the A-side’s orchestral melancholy and Ferry’s emotive croon failed to chart. Issued in French-pressed editions with large centre and plastic injection labels, it’s a sophisticated gem from Ferry’s post-Roxy introspection. Single Overview A-Side: “Carrickfergus” (3:46, Trad. arr. Bryan Ferry) Arranged by Bryan Ferry, written by Trad. A mournful Irish folk standard with sweeping strings, piano, and Ferry’s velvet baritone. B-Side: “When She Walks In The Room” (6:28, Bryan Ferry) Written by Bryan Ferry. A languid, lounge-jazz ballad with smoky atmosphere and introspective lyrics. Release Details: Label: Polydor / EG Records (UK distribution, French pressing, 45 RPM). UK/EU Formats: 7-Inch Vinyl (Large Centre with Plastic Spider) (2001 834): Orange Polydor/EG label, large jukebox-style centre. Label: Polydor – 2001 834, EG – 2001 834 Format: Vinyl, 7", 45 RPM, Single A Carrickfergus Arranged By – Ferry Written-By – Trad. 3:46 B When She Walks In The Room Written-By – Ferry 6:28 Phonographic Copyright ℗ – E.G. Records Ltd. Copyright © – E.G. Music Ltd. Pressed By – Disco France Lacquer Cut At – Phonodisc Ltd. Made in France [for release in the UK] Taken from 'The Bride Stripped Bare' POLD 5003 ℗ 1978 EG Records Ltd. © EG Music Ltd. 1978 The uncredited pressing company is derived from the marks of the group AGI / Audio Graphic Industries, we can find on the run-out grooves. Disco France was the pressing plant of this group 7-Inch Vinyl (Plastic Injection) (2001 834): Cream and Silver label variations , plastic injection mould. Label: EG – 2001 834, Polydor – 2001 834 Format: Vinyl, 7", 45 RPM, Single A Carrickfergus 3:46 B When She Walks In The Room 6:28 Phonographic Copyright ℗ – E.G. Records Ltd. Copyright © – E.G. Music Ltd. Made in England Notes: ℗ 1978 E.G. Records Ltd. © E.G. Music Ltd. 1978. Taken from The Bride Stripped Bare POLD 5003. Pressed by Disco France (AGI group). Lacquer cut at Phonodisc Ltd. Made in France for UK release. No actual UK pressing exists. Matrix / Runout (A): 2001834 A//2∇420 FRA agi 78 1 0; (B): 2001834 B//2∇420 FRA agi 78 1 0. Country Variations The single was primarily a UK release with French pressing: UK (Polydor/EG 2001 834): Released November 3, 1978. French-pressed, large centre or plastic injection, orange label. No US, Germany, Japan, Australia, or other market releases. Production and Context Recorded in 1978 at unspecified studios (likely Mountain Studios, Montreux, per album sessions). The single was part of The Bride Stripped Bare, produced by Ferry with Waddy Wachtel, Steve Nye, and Simon Puxley. The lineup featured Ferry (vocals, keyboards), with session players including Waddy Wachtel (guitar) and Alan Spenner (bass). “Carrickfergus” was Ferry’s elegant take on the Irish traditional, while “When She Walks In The Room” offered cinematic longing. Released amid post-punk’s rise, it followed In Your Mind (1977) and competed with Roxy Music’s reunion buzz, reflecting Ferry’s sophisticated solo evolution. Singles Released and Chart Performance “Carrickfergus” was the lead single from The Bride Stripped Bare: Single Chart Performance “Carrickfergus” failed to enter the UK Singles Chart or any international charts, reflecting its niche, elegant appeal. Have you snagged this Ferry rarity in your vinyl collection? Does “Carrickfergus” stir your soul? Share in the comments! Sources Discogs: Carrickfergus (1978) 45cat: 2001 834 Single YouTube: Carrickfergus Official Audio (2014 upload, 100K+ views) Wikipedia: The Bride Stripped Bare Official Charts Company: Bryan Ferry Singles AllMusic: Bryan Ferry Discography Billboard: N/A (No US chart data for this single)

Chinnichap's Transatlantic Tango Suzi Quatro And Chris Norman’s “Stumblin' In” 7-inch vinyl single, was released in the UK on November 3, 1978, on RAK Records (catalogue: RAK 285). Backed with “A Stranger With You,” this breezy glam-pop duet, written by Nicky Chinn and Mike Chapman, was a standalone single produced by Mike Chapman for Chinnichap. The A-side’s harmonious vocals, catchy melody, and romantic lyrics peaked at No. 41 on the UK Singles Chart for 8 weeks and No. 4 on the US Billboard Hot 100. Issued in standard and clear vinyl editions, it’s a charming crossover hit from two glam icons. Single Overview A-Side: “Stumblin' In” (3:58, Nicky Chinn/Mike Chapman) Written by Nicky Chinn and Mike Chapman. A light-hearted pop-rock duet with Quatro and Norman trading verses about love’s missteps. Produced by Mike Chapman for Chinnichap. B-Side: “A Stranger With You” (3:57, Nicky Chinn/Mike Chapman) Written by Nicky Chinn and Mike Chapman. A moody, mid-tempo rocker with shared vocals and a tale of fleeting connection. Produced by Mike Chapman for Chinnichap, it complemented the A-side’s warmth. In 2023, Australian DJ Cyril produced a remix of the song, which gained viral popularity on TikTok. Notably, Bayern Munich's association football players featured the song in one of their TikTok videos. The remix charted in Germany, Austria, Switzerland, and the United Kingdom, achieving the second spot in Germany and Austria. By 2025, it was extensively used in an advertising campaign for Subaru vehicles in Australia. Chapman recounted, "Suzi was playing bass, and Chris was there with his arm round her, and they were singing into a mike, and I thought what a fantastic duet they’d make, because they looked so great together. The next day, I was in the studio with Suzi, and during a break, I came up with the line, 'Our love is alive'…I looked at Suzi and said 'What about this, with you and Chris? Wouldn’t it be great?' and she said it sounded fantastic." (John Tobler and Stuart Grundy (1982). The Record Producers. St. Martin’s Press. p. 204. ISBN 0-312-66594-6.) Release Details: Single 7" Vinyl (Promotional) Label: RAK Records (UK pressing, 45 RPM, four prong centre). Format: Vinyl, 7", Single, Promo A Stumblin' In 3:58 B A Stranger With You 3:57 Producer – M. Chapman Written-By – Nicky Chinn - Mike Chapman DEMO RECORD - NOT FOR SALE Single 7" Vinyl (Commercial in Picture Sleeve) 7-Inch Vinyl (Standard) (RAK 285): “Stumblin' In” / “A Stranger With You.” In a cardboard sheet cover with print on both sides. Label: RAK – RAK 285 Format: Vinyl, 7", 45 RPM A Stumblin' In 3:57 B A Stranger With You 3:52 Published By – Chinnichap Publishing Published By – Rak Publishing Ltd. Phonographic Copyright ℗ – RAK Records Ltd. Record Company – EMI Records Ltd. Produced For – Chinnichap Lacquer Cut At – Utopia Studios Pressed By – EMI Records Producer – M. Chapman Written-By – Nicky Chinn - Mike Chapman Runouts are stamped Matrix / Runout (Runout, A-side variant 1): YRAK 285 A-1U [Utopia lyre symbol] Matrix / Runout (Runout, B-side variant 1): YRAK 285 B-1U [Utopia lyre symbol] Matrix / Runout (Runout side A variant 2): YRAK 285 A 1U D R 2 [Utopia lyre symbol] Matrix / Runout (Runout side B variant 2): YRAK 285 B 1U H C 2 [Utopia lyre symbol] Notes: ℗ & © 1978 RAK Records Ltd. Published by Chinnichap Publishing / Rak Publishing Ltd. Lacquer cut at Utopia Studios. Pressed by EMI Records. Matrix numbers confirm authenticity. Single 7" Clear Vinyl Commercial in Picture Sleeve Label: RAK – RAK 285 Format: Vinyl, 7", 45 RPM, Clear A Stumblin' In B A Stranger With You Pressed By – EMI Records Producer – M. Chapman* Written-By – Nicky Chinn - Mike Chapman* Clear, transparent vinyl. No label on record. Cover is a cardboard sheet with print on both sides. Matrix / Runout (Side A runout): YRAK 285 A-1U R G 2 Matrix / Runout (Side B runout): YRAK 285 B-1U A G U 2 7-Inch Vinyl (Clear Vinyl) (RAK 285): “Stumblin' In” / “A Stranger With You.” Clear, transparent vinyl. No label on record. Cover is a cardboard sheet with print on both sides. Country Variations The single was released in several countries with minor variations: Australia - RAK - 1978 Barbados - EMI - 1978 Belgium - RAK - 1978 Brazil - RAK - 1978 Chile - EMI - 1978 Colombia - EMI - 1978 Germany - RAK - 1978 Guatemala - EMI - 1978 Ireland - RAK - 1978 Italy - RAK - 1978 Kenya - EMI - 1978 Netherlands - RAK - 1978 New Zealand - RAK - 1978 Peru - EMI - 1978 Poland - Tonpress - 1978 Portugal - RAK - 1978 Sweden - RAK - 1978 UK - RAK - 1978 Yugoslavia - RAK - 1978 Czechoslovakia - EMI - 1979 Japan - RAK - 1979 Mexico - EMI - 1979 Spain - RAK - 1979 Turkey - West - 1979 Single Chart Performance 1979 Chart Peak position Australia 2 Austria 6 Belgium 3 Canada Top Singles 11 Canada Adult Contemporary 1 Ireland 13 Netherlands 3 Netherlands 3 New Zealand 2 South Africa 2 Sweden 7 Switzerland 7 UK Singles 41 US Billboard Hot 100 4 US Adult Contemporary 4 US Cash Box Top 100 6 West Germany 2 Have you snagged this Quatro-Norman duet in your vinyl collection? Does “Stumblin' In” trip your fancy? Share in the comments! Sources Discogs: Stumblin' In (1978) 45cat: RAK 285 Single YouTube: Stumblin' In Wikipedia: Stumblin' In Official Charts Company: Suzi Quatro Singles AllMusic: Suzi Quatro Discography Billboard Chart History: Suzi Quatro

Elton John’s A Single Man : A Bold New Chapter from 1978 In the whirlwind of the late 1970s, Elton John was navigating personal and professional reinvention. Released on October 16, 1978, through The Rocket Record Company in the UK (TRAIN 1) and MCA Records in the US (MCA-3065), A Single Man marked his twelfth studio album and a daring departure from his golden-era formula. This was Elton’s first full collaboration with lyricist Gary Osborne, replacing longtime partner Bernie Taupin, and the first without producer Gus Dudgeon since his 1969 debut Empty Sky. Amid a backdrop of Elton shedding his flamboyant image—ditching his iconic glasses and exploring a more introspective style—the album captured a transitional phase, blending piano-driven pop-rock with moody ballads and experimental touches. The Background: Reinvention and New Collaborations By 1978, Elton John had conquered the charts with a string of extravagant 1970s hits, but burnout loomed. Fresh off the double album Blue Moves (1976), which featured a sprawling orchestra and mixed reviews, Elton sought a fresh start. He parted ways with Taupin for the first time on a full album, turning to Gary Osborne—a lesser-known songwriter whose straightforward, emotional lyrics suited Elton’s evolving melodies. Unlike their usual process (lyrics first, music second), Elton composed at the piano before adding words, flipping the script and infusing the record with raw, piano-centric intimacy.Recorded at Superbear Studios in France and The Mill in Berkshire, England, the album was co-produced by Elton and Clive Franks. The band lineup shifted dramatically: Only percussionist Ray Cooper returned fully, with guitarist Davey Johnstone appearing on just one track. New additions included Tim Renwick (guitar), Herbie Flowers (bass), and Steve Holley (drums), bringing a crisp, less orchestral sound. String arrangements came from Paul Buckmaster (Elton’s longtime collaborator), while Watford Football Club staff (Elton was chairman at the time) and Rocket Records employees provided quirky backing vocals on tracks like "Big Dipper" and "Georgia." The album’s title sparked misconceptions—many assumed it meant Elton wrote everything solo, given Osborne’s obscurity. The cover, shot by Terry O’Neill, featured Elton sans glasses, leaning against a tree in Windsor Great Park, symbolizing his "single man" phase amid personal changes, including his separation from manager John Reid. A Single Man was also Elton’s first official release in the Soviet Union (retitled Poyot Elton John in 1979), though censored versions omitted "Big Dipper" and "Part-Time Love" for their suggestive themes—despite Elton performing the latter live in Moscow without issue. Original Track Listing (1978 Vinyl LP) A Single Man runs about 48:46 across 11 tracks on its original vinyl release, split into two sides. Most songs are Elton John-Gary Osborne collaborations, with two instrumentals by Elton alone. The vibe shifts from upbeat pop to reflective ballads, showcasing Elton’s vocal range and piano prowess. Here’s the original track listing: Side A: Shine on Through (3:45) – An uplifting opener with gospel-tinged harmonies. Return to Paradise (4:00) – A soaring, melodic rocker with lush strings. Madness (6:09) – A funky, experimental groove with a nod to disco influences. Reverie (Geno's Theme) (1:01) – A brief, dreamy instrumental. Spiteful Child (4:14) – A biting, mid-tempo track about resentment. Georgia (4:35) – A soulful tribute to the American South, with choir-like backing. Side B: Shooting Star (3:12) – A heartfelt ballad about lost dreams. Part-Time Love (3:14) – The lead single, a catchy plea for commitment. Big Dipper (4:00) – A rollicking, carnival-esque rocker with football chant vocals. It Ain't Gonna Be Easy (8:25) – An epic, emotional closer about love’s hardships. Song for Guy (6:38) – A haunting, piano-led instrumental tribute to Elton’s deceased sound engineer Guy Burrows. Reissue Track Listings A Single Man has been reissued in various formats, often with remastering and bonus tracks from outtakes and B-sides. The 1998 Mercury edition, remastered by Gus Dudgeon at Abbey Road, added five bonuses, making it the definitive expanded version. Later pressings (e.g., 2005–2012 represses) follow suit. Here are key reissues: 1998 Mercury CD Remaster (Universal/Island) Original 11 tracks as above. Bonus tracks: Ego (3:58) – A flop single from 1978, co-written with Bernie Taupin (his only credit here). Flinstone Boy (3:47) – B-side to "Ego." Man of the World (3:23) – B-side to "Part-Time Love." Stranger's Eyes (4:08) – B-side to "Song for Guy." I Cry at Night (3:09) – A piano-vocal outtake from the sessions. Total tracks: 16; runtime: ~65:00. 2017 Vinyl Reissue: (180g Remastered LP, Elton John Official Store) Remastered by Bob Ludwig from original tapes, cut by Sean Magee at Abbey Road. Original 11 tracks only, no bonuses. Runtime: ~48:46. 2018 Universal Remastered CD/Digital: (Streaming on Apple Music/Spotify) Original 11 tracks. Bonus tracks: Same as 1998 (tracks 12–16). Total tracks: 16; runtime: ~65:00. This is the standard streaming version today. Regional variants, like the 2013 Japanese SHM-CD, mirror the 1998 edition. Note: Some early 1980s CDs lack bonuses and use the original master. Chart Positions "A Single Man" may not have reached Elton John's mid-1970s heights, but it performed well, becoming his 15th US Top 20 album and 14th in the UK. It earned gold certification in the US on October 25, 1978, and platinum by November. Key chart positions (the album spent 9 weeks on the UK chart and 20 in the US): Album Charts Peak Position Weeks on Chart Certification Notes US Billboard 200 15 20 Platinum (1x) UK Albums (OCC) 8 9 Silver Canadian RPM Top Albums 17 Australian Kent Music Report 29 Dutch Album Top 100 13 Singles Charts Three singles were released, with "Song for Guy" becoming a surprise hit (a rare instrumental for Elton). "Part-Time Love" was the lead single, and "Return to Paradise" had limited promotional release. Single Release Date US Billboard Hot 100 UK Singles (OCC) Other Notes "Part-Time Love" Oct. 1978 22 15 No. 1 in Netherlands; Elton's last US Top 25 single of the 1970s "Song for Guy" Dec. 1978 110 (Bubbling Under) 4 No. 1 in Switzerland; Top 10 in France, Ireland, Netherlands "Return to Paradise" Feb. 1979 - - Promo-only in most regions; No. 31 in Netherlands "Song for Guy" was initially rejected by MCA for US release due to its instrumental nature but later charted modestly. The Music: Standout Tracks and Singles The album’s singles highlighted its diverse sound: "Part-Time Love" brought funky, horn-driven pop with a call for deeper commitment, peaking during Elton’s US chart success. "Song for Guy," a six-minute piano piece dedicated to sound engineer Guy Burrows (who tragically drowned at age 31), became a touching instrumental classic, often featured in Elton’s solo performances. "Return to Paradise" offered a dreamy tropical vibe, while fan favorites like the anthemic "Shine on Through" (previewed live in 1977) added to the album's charm.