This Rolling Stone advertisement from July 1975 promotes a special live broadcast of The King Biscuit Flower Hour featuring Alice Cooper’s Welcome to My Nightmare concert. The full‑page spread captures the theatrical essence of Cooper’s stage persona and the nationwide reach of the FM radio event. Publication: Rolling Stone Date: July 31 1975 Country: United States The advertisement announces a 90‑minute live concert broadcast on Sunday, July 27, 1975, hosted by Bill Minkin

Release Date: July 27, 1975 Label: Island Format: 7" Vinyl Single Country: United Kingdom Catalogue Number: WIP 6234 THE RELEASE WHAT THE LABEL SHOWS Bryan Ferry’s sophisticated cover of the jazz standard “You Go To My Head” backed with a re-recording of “Re-Make / Re-Model”. The A-side is a smooth, elegant take, while the B-side offers a fresh version of his Roxy Music classic. Produced by Bryan Ferry and Chris Thomas. • Standard Island Records label design • Side A: “You Go

This full‑page New Musical Express advertisement from July 1975 announces David Bowie’s new single Fame, taken from his hit album Young Americans. The stark monochrome layout and minimalist typography mirror Bowie’s transition from glam icon to sleek soul‑influenced innovator, marking one of the most pivotal stylistic shifts of his career. Publication: New Musical Express Date: July 26 1975 Country: United Kingdom THE STORY The advertisement promotes Bowie’s single Fame

Full-page fan-oriented feature in Smash Hits (or similar teen/pop magazine) titled “Request Spot” dedicated to David Bowie’s hit “Young Americans,” complete with full lyrics and a striking colour photograph. PUBLICATION Publication:Smash Hits (or equivalent UK pop magazine) Date: 1975 Country: United Kingdom Section / Pages: Request Spot / Lyrics Page Title: YOUNG AMERICANS by David Bowie on RCA Records THE STORY The page prints the complete lyrics to “Young Americans” alongs

SOURCE DETAILS Publication: The Sunday Times Magazine Date: July 20 1975 Country: United Kingdom Section / Pages: Front Cover Title: The New Face of David Bowie This Sunday Times Magazine cover presents a striking portrait of David Bowie during his Young Americans era. The photograph shows Bowie with slicked‑back blond hair, tinted aviator glasses, and a patterned shirt featuring palm‑tree imagery. He holds a cigarette near his lips, exuding cool detachment and sophisticati

SOURCE DETAILS Publication: Unspecified UK  press (single review column) Date: July 19 1975 Country: United Kingdom Section / Pages: Single Review Title: David Bowie – “Fame” (RCA) This mid‑1975 review hails David Bowie’s “Fame” as a return to form and one of the standout tracks from his Young Americans album. The critic calls Bowie “the king of excess,” praising his audacious mix of funk, brass, and soul influences while noting the song’s “steady clatter” of percussion and

BACKGROUND "Fame" is a funk, funk rock and soul track written by David Bowie, Carlos Alomar and John Lennon. Recorded at Electric Lady Studios in New York City in January 1975, the song expresses Bowie’s dissatisfaction with fame, stardom, and the pressures of management, entourage culture and public expectation. It was issued as the second single from Young Americans and became Bowie’s first US number 1, while performing more modestly in the UK. "Fame" is a funk, funk rock a

"Delilah" is SAHB’s theatrical, darkly comic reinterpretation of the Tom Jones classic. Their version transforms the song into a dramatic, cabaret‑styled rock performance, driven by Alex Harvey’s storytelling delivery and the band’s trademark mix of vaudeville, hard rock and Glaswegian humour. Released in July 1975, it became one of their biggest UK hits. RECORDING Recorded during the band’s mid‑Seventies peak, "Delilah" was produced by David Batchelor, who shaped SAHB’s dist

"One Night" was originally written by Dave Bartholomew and Pearl King and first recorded by Smiley Lewis in 1956 as "One Night of Sin". The song later gained major commercial success when Elvis Presley recorded a revised‑lyric version in 1958, adding Anita Steiman as co‑writer. Mud’s 1975 recording follows the Presley arrangement rather than the original Smiley Lewis lyric, aligning with their mid‑Seventies glam‑pop style under the RAK/Chinnichap umbrella RECORDING Recorded a

A vibrant and colourful Look-in magazine cover starring David Essex as the main attraction, capturing him at the height of his 1970s teen idol popularity with his trademark curly hair, warm smile, and charismatic appeal that made him a favourite with young British audiences. Publication: Look-in (Junior TVTimes) Date: Week ending July 12, 1975 Country: United Kingdom Section: Cover Feature THE STORY WHAT THE CLIPPING SHOWS This eye-catching cover promotes David Essex as a maj