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David Bowie’s "I Wanted to Be the Rock Tony Newley," a one-page article in New Musical Express, May 19, 1979.

David Bowie’s "An Appreciation By Tony Visconti," a one-page article in Radio Times, May 20, 1979.

David Bowie’s "Lodger - Avant AOR," a one-page album review in Melody Maker, May 26, 1979.

David Bowie’s Lodger - Explore A New Quality of Life, a one-page album advert in Rolling Stone, July 12, 1979.

David Bowie’s Lodger - Explore A New Quality of Life , a one-page advert in Rolling Stone, July 12, 1979.

David Bowie’s "David Bowie's Legacy: Retrospective," a two-page feature in Circus Magazine, August 7, 1989.

David Bowie’s Lodger - The Incomplete David Bowie , a two-page feature in Rolling Stone, August 9, 1979.

David Bowie’s "Bob, Blitz & Bowie," a one-page article in Record Mirror, September 9, 1979.

David Bowie, Iggy Pop’s "Bad Boys in Berlin," a four-page feature in Rolling Stone, October 4, 1979.

Blondie’s "Atomic" Heroes -3 Track Single, a one-page advert in New Musical Express, February 16, 1980."

David Bowie’s "A Decade of Changes - Discography," a five-page feature in Goldmine, March 1980.

David Bowie’s "Alabama Song - Full Colour Poster Bag," a one-page advert in Melody Maker, March 1, 1980.

David Bowie’s "Boys Keep Swinging," a two-page poster in Record Mirror, March 6, 1980.

David Bowie’s "Scary Monsters is Bowie's Newie," a one-page article in Melody Maker, July 19, 1980.

David Bowie’s "Subscribe," a one-page advert in New Musical Express, July 26, 1980.

David Bowie’s "Ashes To Ashes - 3 Individual Sleeves," a one-page advert in new Musical Express, August 2, 1980

David Bowie’s "Ashes To Ashes - 3 Individual Sleeves," a one-page advert in Melody Maker, August 2, 1980

David Bowie’s "Scary Monsters - The Fright of Your Life," a one-page review in Sounds, August 16, 1980.

David Bowie’s "Picking Up The Pieces," a one-page article in New Musical Express, August 30, 1980.

David Bowie’s The Elephant Man Cometh and Other Monstrous Tales, a cover and seven-page feature in New Musical Express, September 13, 1980.

David Bowie’s "Scary Monsters - Fears Of A Clown," a one-page review in New Musical Express, September 20, 1980.

David Bowie’s "Scary Monsters Tamed at Boots," a one-page advert in New Musical Express, September 20, 1980.

David Bowie’s "Scary Monsters - Bowie Takes A Bow," a one-page review in Record Mirror, September 20, 1980.

David Bowie’s "Scary Monsters - Your Master’s Voice," a one-page review in Melody Maker, September 20, 1980.

David Bowie’s "Scary Monsters - Often Copied Never Equalled," a one-page advert in New Musical Express, September 27, 1980

David Bowie’s "The Tracks of My Years" (1964-71), a four-page feature in Sounds, October 4, 1980.

David Bowie’s "Fashion Special Ed 12"," a one-page advert in New Musical Express, November 1, 1980.

David Bowie’s "Up The Hill Backwards," a one-page advert for the single b/w Crystal Japan (previously unreleased in UK) in New Musical Express, March 21, 1981.

David Bowie’s "Very Cool, Very Weird," a one-page article in Record Mirror, March 28, 1981.

David Bowie’s Baal, a cover starring in Bertolt Brecht’s Baal on BBC1 in Radio Times, February 27–March 5, 1982.

David Bowie’s "Bowie Has a Baal," a two-page feature in Record Mirror, March 2, 1982.

David Bowie’s Rock Star David Bowie Take the Title Role, a cover and two-page feature plus one-page scrapbook in Radio Times, February 27–March 5, 1982.

David Bowie’s "Brechtfast in Bed": Bowie as Baal, a one-page article in New Musical Express, March 6, 1982. The analysis of his past acting scars you've heard before. Nicolas Roeg used him successfully as a brightly altered xerox image in The Man Who Fell To Earth, and something or other happened in Just A Gigolo, an atrocity that only really deserved mumbled lines. Perhaps the disciplinary experience of Broadway's six-month run for The Elephant Man has purified Bowie, or perhaps he just got fed up playing dopes Bowie is still not entirely free of Bowie (although he probably never will be), for Baal pivots around the character Baal, and Alan Clarke's BBC production pivots equally around the fact that all four of them are bound up together. The opening credits bulge with DAVID BOWIE, and it is clear that the unearthing of this relatively obscure little play is occasioned not by a particularly strong urge to recondition or recontextualise Brecht, nor to plunge an old artefact into contemporary appetites - as was recently the case (and a pretty anti-climactic one) with Arthur Schnitzler's La Ronde. There's nothing much controversial or topical about Baal-it's all pinned down perfectly well, a satisfying but inherently safe academic exercise. Baal was Brecht's first play, and whilst lacking the suggestive scope of later work is still luxuriously scripted. The devil's helpmate Baal has all the best lines -some of them improbably well enunciated for a character who is meant to be a death's door alcoholic wretch-and the autobiography is always an irresistible itch just beneath the surface, as is usually the case with an author's first dive into literary work. Clarke (who directed Scum) alternates between standard BBC costume drama and a

David Bowie’s "David Bowie Played Baal": Dance This Messer Round , a one-page article in New Musical Express, March 27, 1982

David Bowie’s "Let's Dance", a one-page advert in New Musical Express, March 19, 1983.

David Bowie’s Sound And Vision, a one-page cover in Soundmaker Music Paper, April 2, 1983.

David Bowie’s The Face Interview, a cover and six-page feature in The Face Magazine, May 1983.

David Bowie’s Let's Dance! - David Bowie Leaves His Desert Island, a cover and six-page feature in BEST Magazine, May 1983.

David Bowie’s Has Bowie Gone Bonkers?, a cover and three-page feature in Sunday Magazine, May 1, 1983.

David Bowie’s Furyo, a one-page cover in Starfix Magazine, June 1983.

David Bowie’s "Modern Love," a one-page lyric page in Scrapbook, September 12, 1983. David Bowie’s single "Modern Love," with its B-side "Modern Love (Live Version)," was released by EMI America in the UK (catalog number EA 158) on September 12, 1983. English: The left column contains the lyrics to "Modern Love" in English, as originally written and performed by David Bowie. This includes lines such as "I catch a paper boy" and "Modern love walks beside me." Portuguese: The right column provides a translation of the lyrics into Portuguese under the heading "AMOR MODERNO," which means "Modern Love." Examples include "Pego um garoto vendedor de jornais" (I catch a paper boy) and "O amor moderno anda ao meu lado" (Modern love walks beside me).

David Bowie’s An Exclusive Interview, a cover and four-page feature in No.1 Magazine, September 24, 1983.

David Bowie’s "Sermon From the Savoy "- A Track By Track Account of David Bowie's Album Tonight, a three-page feature in New Musical Express, September 29, 1984.

David Bowie’s "From Spaceman to Elephant Man - The Legend of Bowie," a one-page advert in Melody Maker, October 27, 1984.

David Bowie’s The Boy David Grows Up, a one-page cover in Observer Magazine, April 12, 1987.

David Bowie’s "Bowiessimo!" - Bowie Live!, a one-page advert, June 2, 1987.

David Bowie’s Homo's & Rock - A Not Everyday Love Story , a one-page cover in Fabiola Magazine, March 1988.

David Bowie’s Tin Machine - Transmission of Rock 'n Roll, a one-page US advert, September 6, 1988.

David Bowie’s Pinups and Aladdin Sane Digitally Remastered, a one-page advert in Billboard Magazine , July 7, 1990.